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Ryan Pearson

Detroit, MI

http://staffmeup.com/profile/id/91609

Summary

Message

Ryan, a Director of Photography (DP), based in Detroit, has 51 Director of Photography (DP) credits, and has been a member since 2014.

Credits

3/20 – 6/20

Director of Photography (DP) – Away (Season 1)

TV

3/20 – 6/20

5/19 – 8/19

Director of Photography (DP) – See (Season 1)

TV — Chernin Entertainment

5/19 – 8/19

6/18 – 9/18

Director of Photography (DP) – The Lake

Film (Feature-length) — EuropaCorp

6/18 – 9/18

3/18 – 6/18

Director of Photography (DP) – Lethal Weapon (Season 3)

Fox — TV

3/18 – 6/18

12/17 – 3/18

Director of Photography (DP) – Take Two (Season 1)

ABC — TV

12/17 – 3/18

10/17 – 1/18

Director of Photography (DP) – The Crossing (Season 1)

ABC — TV

10/17 – 1/18

Director of Photography (DP) – The Miracle Season

Film (Feature-length) — LD Entertainment

10/17 – 1/18

9/17 – 12/17

Director of Photography (DP) – Siren (Season 1)

TV

9/17 – 12/17

4/17 – 7/17

Director of Photography (DP) – Hit the Road (Season 1)

TV

4/17 – 7/17

5/16 – 8/16

Director of Photography (DP) – Life on the Line

Film (Feature-length)

5/16 – 8/16

12/14 – 3/15

Director of Photography (DP) – Insidious: Chapter 3

Film (Feature-length) — Blumhouse Productions

12/14 – 3/15

2/14 – 5/14

Director of Photography (DP) – Step Up All In

Film (Feature-length) — Offspring Entertainment

2/14 – 5/14

Director of Photography (DP) – Into the Storm

Film (Feature-length) — Broken Road Productions

2/14 – 5/14

7/13 – 10/13

Director of Photography (DP) – Reasonable Doubt

Film (Feature-length)

7/13 – 10/13

3/13 – 8/13

Office Production Assistant – Low Winter Sun (Season 1)

AMC — TV — Endemol Shine Group Details

3/13 – 8/13

-Performed clerical and manual duties to assist in all needs of television production -Managed a high call volume, multi-line phone system on behalf of production -Made/Received deliveries, distributed correspondence and was responsible for petty cash -Prepared meeting rooms and helped in the planning and set up of special events

4/13 – 7/13

Director of Photography (DP) – The Tomorrow People (Season 1)

The CW — TV — Berlanti Productions

4/13 – 7/13

12/12 – 3/13

Director of Photography (DP) – American Mary

Film (Feature-length)

12/12 – 3/13

8/12 – 9/12

Set Production Assistant – Into the Storm

Film (Feature-length) — New Line Cinema Details

8/12 – 9/12

 Assisted Second Unit for reshoots and additional footage  Aided in set lock ups/security  Supported assistant directors in all tasks

8/12 – 8/12

Set Production Assistant

Genesys Health System — Advertising — Radish Creative Group Details

8/12 – 8/12

 Wrangled talent and background  Facilitated communication between departments

4/12 – 5/12

Key Set Production Assistant – Fact Or Faked Paranormal Files (Season 2)

SyFy — TV — BASE Productions Details

4/12 – 5/12

 Led and directed fellow PAs on production team and assisted Production Manager  Escorted cast and crew to and from airport, hotel and set sites  Maintained set security, ran errands, and assisted actors  Acted as a liaison between the production dept. and all other departments on set

3/12 – 5/12

Director of Photography (DP) – The Possession

Film (Feature-length) — Ghost House Pictures

3/12 – 5/12

10/11 – 10/11

Set Production Assistant (Michigan Segment) – Train Station

Film (Feature-length) — Ex Film Collective Details

10/11 – 10/11

 Aided in set lock ups/security  Assisted assistant director and fellow PAs with various tasks

9/11 – 10/11

Casting Director – Nhate Backwards - Never Say

Music Video — Nhate Backwards Productions Details

9/11 – 10/11

 Scouted talent based on artist/director’s vision  Contacted actors and scheduled appointments for auditions  Conducted audition sessions and acted as a liaison between director and actor

5/11 – 6/11

Casting Associate Producer – A Love That Hurts

Film (Feature-length) — Dead Pixel Media Details

5/11 – 6/11

 Provided assistance to Casting Director by scouting talent and scheduling auditions  Helped coordinate audition sessions, acted as a reader and contacted agents  Created audition sides and aided in day to day operations of running a casting office

2/11 – 5/11

Director of Photography (DP) – Final Destination 5

Film (Feature-length) — Practical Pictures

2/11 – 5/11

7/10 – 2/11

Key Set Production Assistant – Detroit 1-8-7 (Season 1)

ABC — TV — ABC/Disney Details

7/10 – 2/11

 Assisted with set security and management of actors working on set  Distributed vital correspondence between crew members  Kept cast and crew informed of schedule and activities  Served as a central contact between various set departments

8/10 – 11/10

Director of Photography (DP) – Drive Angry

Film (Feature-length) — Michael De Luca Productions

8/10 – 11/10

1/10 – 4/10

Director of Photography (DP) – Charlie St. Cloud

Film (Feature-length) — Marc Platt Productions

1/10 – 4/10

Director of Photography (DP) – Cats & Dogs: Revenge of Kitty Galore

Film (Feature-length) — Village Roadshow Pictures

1/10 – 4/10

10/09 – 1/10

Office Production Assistant – Moozlum

Film (Feature-length) — Peace Films, LLC. Details

10/09 – 1/10

 Supported Production Coordinator with daily production office and clerical tasks  Circulated important memos throughout office  Addressed and serviced multi-department administrative needs  Handled petty cash and kept a float open for supplies and necessities

7/09 – 10/09

Director of Photography (DP) – Human Target (Season 1)

Fox — TV — DC Entertainment

7/09 – 10/09

4/09 – 7/09

Director of Photography (DP) – Free Style

Film (Feature-length)

4/09 – 7/09

7/08 – 10/08

Director of Photography (DP) – My Bloody Valentine

Film (Feature-length)

7/08 – 10/08

1/08 – 4/08

Director of Photography (DP) – Meet Dave

Film (Feature-length) — Friendly Films

1/08 – 4/08

8/07 – 11/07

Director of Photography (DP) – The Eye

Film (Feature-length) — Vertigo Entertainment

8/07 – 11/07

6/07 – 9/07

Director of Photography (DP) – I Am Legend

Film (Feature-length) — Heyday Films

6/07 – 9/07

3/07 – 6/07

Director of Photography (DP) – Smallville (Season 7)

WB — TV — Tollin Productions

3/07 – 6/07

Camera Operator – Fierce People

Film (Feature-length) — Industry Entertainment

3/07 – 6/07

7/06 – 10/06

Director of Photography (DP) – WHITE NOISE 2, THE LIGHT

Film (Feature-length)

7/06 – 10/06

4/06 – 7/06

Director of Photography (DP) – The Butterfly Effect 2

Film (Feature-length)

4/06 – 7/06

1/06 – 4/06

Photography Director Of Photography – Suspicious River

Film (Feature-length)

1/06 – 4/06

12/05 – 3/06

Director of Photography (DP) – The Long Weekend

Film (Feature-length) — Dogwood Pictures

12/05 – 3/06

7/05 – 10/05

Director of Photography (DP) – Underworld Evolution

Film (Feature-length) — Lakeshore Entertainment

7/05 – 10/05

6/05 – 9/05

Director of Photography (DP) – The Karate Dog

Film (Feature-length) — Unleashed Productions

6/05 – 9/05

4/05 – 7/05

Camera Operator – Two For The Money

Film (Feature-length) — Morgan Creek Productions

4/05 – 7/05

3/05 – 6/05

Director of Photography (DP) – Masters Of Horror (Season 1)

Showtime — TV — Industry Entertainment

3/05 – 6/05

12/04 – 3/05

Director of Photography (DP) – Devour

Film (Feature-length) — Original Film

12/04 – 3/05

3/04 – 6/04

Director of Photography (DP) – School Of Life

Live/Special Event

3/04 – 6/04

1/04 – 4/04

Director of Photography (DP) – I, Robot

Film (Feature-length) — Caplan Productions

1/04 – 4/04

9/03 – 12/03

Director of Photography (DP) – Scooby Doo 2: Monsters Unleashed

Film (Feature-length) — Mosaic Media Group

9/03 – 12/03

3/03 – 6/03

Director of Photography (DP) – Stealing Sinatra

Showtime — Live/Special Event

3/03 – 6/03

2/03 – 5/03

Director of Photography (DP) – My Boss's Daughter

Film (Feature-length)

2/03 – 5/03

5/02 – 8/02

"B" Camera Operator – Wes Craven Presents: They

Film (Feature-length) — Radar Pictures

5/02 – 8/02

3/02 – 6/02

Director of Photography (DP) – Behind the Camera: The Unauthorized Story of 'Three's Company'

NBC — Live/Special Event — NBC Studios

3/02 – 6/02

5/01 – 8/01

Plasterer Utility – Black Knight

Film (Feature-length) — New Regency Productions

5/01 – 8/01

4/00 – 7/00

Director of Photography (DP) – Dark Angel (Season 1)

Fox — TV

4/00 – 7/00

Director of Photography (DP) – After Alice

HBO — Live/Special Event

4/00 – 7/00

3/00 – 6/00

Director of Photography (DP) – Dying to Dance

NBC — Live/Special Event — NBC Studios

3/00 – 6/00

Director of Photography (DP) – Urban Legends: Final Cut

Film (Feature-length) — Original Film

3/00 – 6/00

7/98 – 10/98

Director of Photography (DP) – Tail Lights Fade

Film (Feature-length)

7/98 – 10/98

5/98 – 8/98

Photography – Wounded

HBO — Live/Special Event

5/98 – 8/98

3/98 – 6/98

Director of Photography (DP) – Our Guys: Outrage in Glen Ridge

ABC — Live/Special Event — Robert Greenwald Productions

3/98 – 6/98

7/97 – 10/97

Director of Photography (DP) – Bounty Hunters II

Film (Feature-length)

7/97 – 10/97

3/97 – 6/97

Photography – Nick Fury: Agent of SHIELD

Fox — Live/Special Event — Marvel Entertainment

3/97 – 6/97

2/97 – 5/97

"B" Camera Operator – Free Willy 3: The Rescue

Film (Feature-length) — Donners' Company

2/97 – 5/97

10/96 – 1/97

Camera Operator – Kissed

Film (Feature-length)

10/96 – 1/97

3/96 – 6/96

Director of Photography (DP) – Listen

Film (Feature-length) — Devlin Entertainment

3/96 – 6/96

Director of Photography (DP) – High Stakes

Lifetime — Live/Special Event

3/96 – 6/96

Director of Photography (DP) – Drawing Flies

Film (Feature-length)

3/96 – 6/96

3/94 – 6/94

Clapper Loader – Avalanche

Live/Special Event — Avalanche Productions

3/94 – 6/94

View 62 More Credits

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