3/19 – 4/19
Production Supervisor
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Mother
Stella Artois — Advertising — Neighborhood Watch
3/19 – 4/19
11/18 – 1/19
Callaway Golf — Advertising — Fellow Media LLC
11/18 – 1/19
11/18 – 11/18
Production Supervisor
The CW — Advertising — B2+ - The Custom Branded Content Company
11/18 – 11/18
9/18 – 10/18
Nutrisystem — Advertising — Go Convergence
9/18 – 10/18
9/18 – 9/18
Production Supervisor
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Anomaly
Facebook Oculus — Advertising — Variable
9/18 – 9/18
8/18 – 8/18
Production Coordinator
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Matter
Physicians Committee For Responsible Medicine — Advertising — Search & Destroy Media, Inc.
8/18 – 8/18
5/18 – 5/18
Production Coordinator
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FLXZ
Bethard — Advertising — Bootleggers
5/18 – 5/18
4/18 – 4/18
Production Coordinator
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Funny or Die
HBO Royal Wedding — Advertising — CMP Film & Design
4/18 – 4/18
3/18 – 3/18
Production Coordinator
Advertising — Third Story Films
3/18 – 3/18
2/18 – 2/18
Karma Automotive — Advertising — Go Convergence
2/18 – 2/18
12/17 – 12/17
Production Manager
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B2+
Pop TV 'Lets Get Physical' — Advertising — B2+ - The Custom Branded Content Company
12/17 – 12/17
11/17 – 11/17
Production Coordinator
HBO — Advertising — CMP Film & Design
11/17 – 11/17
10/17 – 10/17
Production Manager
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Grey
Hasbro — Advertising — Ghost Robot
10/17 – 10/17
9/17 – 9/17
Production Coordinator
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Identity
Vudu — Advertising — Indetity
9/17 – 9/17
8/17 – 8/17
Production Manager
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VML
Wendy's — Advertising — Hornet Animations Inc.
8/17 – 8/17
4/17 – 4/17
Production Coordinator
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ADP
H&M — Advertising — Bootleggers
4/17 – 4/17
2/17 – 3/17
Production Coordinator
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McCann
Chevy Equinox — Advertising — Variable
2/17 – 3/17
1/17 – 1/17
Production Coordinator
Advertising — B2 Plus
1/17 – 1/17
1/17 – 1/17
Popeyes/Spike General Auto/Spike Promos — Advertising — Muskrat Content, LLC.
1/17 – 1/17
12/16 – 12/16
Production Coordinator
Advertising — Third Story Films
12/16 – 12/16
11/16 – 11/16
Comedy Central Promo — Advertising — Muskrat Content, LLC.
11/16 – 11/16
9/16 – 9/16
Production Coordinator
Advertising — Go Convergence
9/16 – 9/16
8/16 – 8/16
Dodge — Advertising — Muskrat Content, LLC.
8/16 – 8/16
7/16 – 7/16
The General Auto Insurance — Advertising — Muskrat Content, LLC.
7/16 – 7/16
6/16 – 6/16
Production Coordinator
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BBDO
Lowe's — Advertising — The Big Picture Company
6/16 – 6/16
5/16 – 5/16
Popeyes/Spike — Advertising — HERESY
5/16 – 5/16
12/10 – 7/14
Producer (1st Assistant Director)
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The Retrieval
Film (Feature-length) — September Morning LLC Details
12/10 – 7/14
I've been involved with the film from Location scouting, through delivery. In March, our theatrical release began and in the summer of 2014 we will also have an ancillary release.
7/13 – 12/13
Hulu — TV — Occupant Entertainment Details
7/13 – 12/13
I was responsible for all clearances, including personal releases, music licensing and footage licensing.
7/10 – 11/12
Second Assistant Director
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180
Valero Gas — Advertising — Laszlo Rain Details
7/10 – 11/12
These spots represent at least 1 week of work during those years. I worked with the 1st AD, communicating with casting/talent, made call sheets and helped coordinate with the multiple picture vehicles.
6/11 – 6/11
Production Coordinator (1st Assistant Director)
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Creative Civilization
Jefferson Bank — Advertising — Geomedia Details
6/11 – 6/11
This job was a 2 day, multiple location shoot in and outside of the city of San Antonio. I hired crew, rented equipment from vendors and served as the 1st AD to keep us on schedule during the shoot.
3/11 – 6/11
Film (Feature-length) — Austin Film Society Details
3/11 – 6/11
Along with Chris Eska, we recreated the final scene of Richard Linklaters "Slacker." The project served as a fundraiser for the Austin Film Society and was done with Linklaters consent. The challenge involved casting, finding crew and location without much money.
5/11 – 5/11
Production Coordinator (1st Assistant Director)
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Creative Civilization
VIA-Public Transit — Advertising — Geomedia Details
5/11 – 5/11
I worked for Geomedia as a 1st AD but filled in for their Production Coordinator. Responsibilities included hiring crew, coordinating with the city/police for driving shots, scheduling and keeping within our budget.
3/08 – 6/08
Film (Feature-length)
3/08 – 6/08