Matthew Stinson

Day player as a set PA. Duties included lockups, running BG, managing walkies/charging station, and paperwork for crew.

-Created a comedic television show for a private investor aimed at kids ages 2-11 that focuses on healthy eating. In charge of creation of all written materials – show bible, scripts, copy, presentations, etc. -Involved with all aspects of development and daily collaboration with art department head.

-As a member of a five-man team, I wrote television, feature film and videogame scripts, and PR materials. -I was assigned a page-one rewrite of Scar 23, our flagship sci-fi feature that was budgeted at $16M. -Daily inter-departmental collaboration with CGI, editing, storyboarding, production and executives.

-Coordinated the office for this television feature. -Performed general office duties and was responsible for generating daily call sheets and sides.

-Worked under Propmaster Chris Amy on this network television show. -Worked on-set propping principal and background actors and maintained inventory and acquisitions.

-Served as the direct representative for the art department on-set for this feature film. -The core responsibility was on-the-fly problem solving with limited resources and even less time to dress the set.

-Worked under Propmaster Kent Johnson on this feature film performing general prop duties. -By working diligently I turned this internship opportunity into a fully paid, union position.