I mixed Corps of Giants, an hour long documentary about the 75-year old Boston drum and bugle corps, The Boston Crusaders.
Summary
I am a graduate of Emerson College well versed in production and post-production sound. I also have experience in music recording and theatre sound.
Credits
1/16 – 1/16
Sound Re-Recording Mixer – Corps of Giants
Film (Feature-length) Details
1/16 – 1/16
4/15 – 8/15
ADR Recordist – The Gathering Storm
Film (Feature-length) Details
4/15 – 8/15
In addition to running the technical aspects of ADR, I also collaborated creatively with the director, voice coaches, and the actors to achieve the best results.
3/15 – 6/15
Sound Editor (Pro Tools) – Harrison
Film (Short) Details
3/15 – 6/15
I edited dialogue, sound effects, and music for Harrison, an independent short film. I also recorded some voice-over. Along with being the sound editor, I was also the mixer.
3/15 – 4/15
Sound Designer – Homa
Film (Short) Details
3/15 – 4/15
I designed the sound effects for this short fantasy animation using stock sound effects and warping them into new and fresh sounds. Additionally, I mixed the short with a score composed specifically for it.
8/14 – 8/14
Sound Recordist – The Wolves
Film (Short) — Mariashka Details
8/14 – 8/14
I served as recordist as well as boom operator on this short film, shot mostly in the woods of Maine. My setup for this was a shotgun microphone recording onto Sound Devices 702. The size of the set also required me to lend a hand where necessary.
6/14 – 6/14
Sound Mixer – Catch
Film (Feature-length) — Emerson College BFA Film Details
6/14 – 6/14
Utilizing a shotgun microphone and lavaliers on actors and hidden in the set, I recorded all of the on set dialogue for this location shoot. I used a 744 and a FP33 mixer.
5/14 – 6/14
Sound Mixer – The Beast of Verant City
Film (Feature-length) — Emerson College-Bachelor of Arts Details
5/14 – 6/14
I was responsible for recording the cleanest audio possible in often noisy environments. I supervised a boom operator and used lavaliers on both actors and hidden in the set to get the best recordings of on set dialogue. I used a 722 and a Shure FP33 mixer.
10/13 – 4/14
Sound Mixer – We The King of Hearts
Film (Feature-length) — Independent Film Details
10/13 – 4/14
I was responsible for editing location dialogue, recording ADR, designing or recording sound effects, performing and recording Foley effects, composing a temporary score, and editing a song written for the short. I also served as the re-recording mixer for the project.
Media
Recos
Education
Class of '15
Emerson College
Sound Design and Audio Post Production
Skills
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