Jade Martinez

As the production designer of Overgrown, I designed the layout and construction of a waiting room and waxing room. I also furnished both rooms with set decorations, props, and custom signage.

As the production designer of Killer Blues, I was tasked with transforming an otherwise unideal practical location into a space that fit the vision for the film. The film had access to a laundromat that was not visually consistent with the tone of the project and was not cohesively designed. I built out a set that masked much of the exposed machinery and design inconsistencies within the space - including creating new moulding, paneling, and counter-space. Additionally, I re-painted the space to match the color palette of the film, and redressed the set with new furniture, decor, and custom signage for the production.

As the art director of Quetzal, I acquired props, assisted with set dec for all practical locations, and built out a chain link fence.