Jake Williams

Tracking edit progress on four current series (I Was Prey, Critter Fixers: Country Vets, Legends of the Wild, My Horror Story) and multiple development sizzles, managing network deliverables for Discovery, Nat Geo Wild, Animal Planet, and Travel, overseeing media management procedures and footage organization, maintaining edit suites, handling archival/stock requests, light AE duties.

Tracking edit progress on four current series (I Was Prey, Critter Fixers: Country Vets, Legends of the Wild, My Horror Story) and multiple development sizzles, managing network deliverables for Discovery, Nat Geo Wild, Animal Planet, and Travel, overseeing media management procedures and footage organization, maintaining edit suites, handling archival/stock requests, light AE duties.

Tracking edit progress on four current series (I Was Prey, Critter Fixers: Country Vets, Legends of the Wild, My Horror Story) and multiple development sizzles, managing network deliverables for Discovery, Nat Geo Wild, Animal Planet, and Travel, overseeing media management procedures and footage organization, maintaining edit suites, handling archival/stock requests, light AE duties.

Tracking edit progress on four current series (I Was Prey, Critter Fixers: Country Vets, Legends of the Wild, My Horror Story) and multiple development sizzles, managing network deliverables for Discovery, Nat Geo Wild, Animal Planet, and Travel, overseeing media management procedures and footage organization, maintaining edit suites, handling archival/stock requests, light AE duties.

Coordinating screenings and meetings between EPs, producers, APs, R&C, legal, and archival teams, aiding in establishment of post workflow and standards protocol, maintaining distribution lists for various cut stages including network broadcast delivery, securing asset transfers for translation, transcription, graphics, promo, social, and digital requests while adhering to strict footage security procedures, preparation and upkeep of remote workflows and data management for fully offline secure editing, maintenance of production field kits, post drives, and various equipment requests.

Coordinating among editorial, production, color, audio mix, graphics, legal, music, archival, translation, copy-edit, and QC teams during episode online/finishing stages, overseeing timely network delivery of broadcast master packages and sub-vendor assets, managing post schedule and calendar, facilitating producer screenings and final reviews, tracking online edit notes through to completion, administering show style and protocols.

Ingesting raw video and audio content from the field, performing QC on incoming media, transcoding video files, registration and maintenance of digital assets in media asset management system, syncing and organizing footage for edit prep, liaison between post and production for footage tracking and troubleshooting.

Organizing, transcoding, performing quality control checks, and client delivery of A+E titles for international fulfillment to over 250 clients worldwide (networks include A&E, History, Lifetime, Lifetime Movie Network, FYI, and Viceland), Pipeline tape ingest, encoding using Premiere/Vantage/Alchemist.

Preparing, transcoding, performing quality control checks, and client delivery of high-priority primetime A+E titles for VOD (C3) distribution, Pipeline tape ingest, general encoding using Final Cut Pro 7/Adobe Premiere.