Jameson Herndon

Responsible for all aspects of sound department, from planning/pre-production, hiring additional sound personnel, gear acquisition and maintenance, recording/capture of all production audio, interfacing with camera dept to provide sync, and working with post to provide a streamlined workflow.

Responsible for all aspects of sound department, from planning/pre-production, hiring additional sound personnel, gear acquisition and maintenance, recording/capture of all production audio, interfacing with camera dept to provide sync, and working with post to provide a streamlined workflow.

Responsible for all aspects of sound department, from planning/pre-production, gear acquisition and maintenance, recording/capture of all production audio, interfacing with camera dept to provide sync, and working with post to provide a streamlined workflow.

Track Striping and preparation for sync and off-speed, sync with camera, playback during production, recording when there are scenes with dialogue.

Recording interviews, reality/doc pieces, and acoustic performances from artists on the day of their Opry debut. Also handle all sync responsibilities.

Recording interviews with various talent and handle all sync responsibilities.

Recording various live music setups (predominantly acoustic) and interviews with artists about the feature song they are to perform that evening. Also handle all sync responsibilities.

Mix/record multitrack of interviews, show intros and bumpers, doc/reality-style story segments; handle syncing and frequency coordinating for all equipment in scene; handle wireless communication for director and camera team.

Responsible for all aspects of sound department, from planning/pre-production, hiring additional sound personnel, gear acquisition and maintenance, recording/capture of all production audio, interfacing with camera dept to provide sync, and working with post to provide a streamlined workflow.

Rigging lav mics onto players' pads (with assistance from team equipment personnel) for on-ice audio recording during games, reality/doc recording for lifestyle pieces off-ice, interview recording, and handling sync with multiple camera systems.

Responsible for all aspects of sound: recording/capture of all production audio, interfacing with camera dept to provide sync to specifications outlined by post.

Responsible for all aspects of sound. Recording/capture of all production audio, interfacing with camera dept to provide sync, and working with post to provide a streamlined workflow.

Capture all production audio with boom, wired talent, and plant mics; sync with camera; provide IFB feed for producer.

Recording/capture of all production audio, working with musicians for performance capture, interfacing with camera dept to provide sync, IFB monitoring for client.

Recording/capture of all production audio, working with musicians for performance capture, interfacing with camera dept to provide sync, IFB monitoring for client.

Recording/capture of all production audio, interfacing with camera dept to provide sync, IFB monitoring for client.

Head of Audio Dept. I supply all gear, serve as lead mixer/recordist, hire and oversee additional mixers/recordists, and oversee anything involving sound recording in the field, interviews, and any special scenarios (mostly involving live music recording, playback for music video-style vignettes, and treating interview spaces for optimal sound). I work closely with producers and post in order to stay as agile as possible in the field while still guaranteeing maximum flexibility to post with the footage delivered.

Rigging lav mics onto players' pads (with assistance from team equipment personnel) for on-ice audio recording during games, reality/doc recording for lifestyle pieces off-ice, interview recording, and handling sync with multiple camera systems.

Responsible for all aspects of sound department, from planning/pre-production, hiring additional sound personnel, gear acquisition and maintenance, recording/capture of all production audio, interfacing with camera dept to provide sync, and working with post to provide a streamlined workflow.

Head of Audio Dept. I supply all gear, serve as lead mixer/recordist, hire and oversee additional mixers/recordists, and oversee anything involving sound recording in the field, interviews, and any special scenarios (mostly involving live music recording, playback for music video-style vignettes, and treating interview spaces for optimal sound). I work closely with producers and post in order to stay as agile as possible in the field while still guaranteeing maximum flexibility to post with the footage delivered.

Rigging lav mics onto players' pads (with assistance from team equipment personnel) for on-ice audio recording during games, reality/doc recording for lifestyle pieces off-ice, interview recording, and handling sync with multiple camera systems.

Head of Audio Dept. I supply all gear, serve as lead mixer/recordist, hire and oversee additional mixers/recordists, and oversee anything involving sound recording in the field, interviews, and any special scenarios (mostly involving live music recording, playback for music video-style vignettes, and treating interview spaces for optimal sound). I work closely with producers and post in order to stay as agile as possible in the field while still guaranteeing maximum flexibility to post with the footage delivered.

4 day documentary shoot. mix/record multitrack and handle sync for all cameras. Most talent refused to wear wires. Majority of recording done through plant mics, board feed of stage mics, and booming. I did not mix/record the John Oates interview at start of trailer http://youtu.be/0b2tlpGQtHw

Mix out to camera, wiring talent, coordinating frequencies, building interview setups, setting up metacorder.

Mix/record media outlet interviews and behind-the-scenes doc footage for various top-tier artists on different music labels.

Studio/news-style shoot. Mixer for the live satellite feeds from the Google studio to various tv and radio media outlets. Handled mixing, ifb, phone patches, etc.

Responsible for all aspects of sound department, from planning/pre-production, hiring additional sound personnel, gear acquisition and maintenance, recording/capture of all production audio, interfacing with camera dept to provide sync, and working with post to provide a streamlined workflow.

Prepare tracks for playback (resample, stripe with timecode, off-speeds as needed). Handle on-set playback and communication of track and sync reference, typically via speakers and smart slate.