James Stacey

Did runs and printed materials in office, drove 15 passenger van from crew parking to set every morning, took and placed meal orders, and miscellaneous set duties.

Episodes 2.3, 2.4 Ran batteries, took coffee and food orders, helped move carts from different setups.

Assisted Culinary department in clearing stations, washing dishes, unloading gear.

Picked up and returned gear, drove cargo van to shoot locations, handled releases, helped setup and breakdown crafty/lunch/video village.

Cleaned out storage unit, sorted items for donation and trashing.

Set PA for Atlanta and New York locations. Handled releases, driving production vehicles, making runs, taking food orders, doing whatever was needed.

Opened studio up at start of the day, then closed at wrap. Managed slate, pushed equipment cart for B-roll shoot, helped load and unload gear.

Film and edit promo videos for monthly event.

Producer's assistant, printed and hung shooting schedule and production concepts, helped clean up after each video.

Location lockups, taking cast to set and running food to them, cleaning location before and after wrap.

Helped setup audition rooms, walked competitors from holding to audition room, picked up lunch for crew.

Worked registration table where I greeted 300+ applicants and talked them through the needed paperwork.

Episode 3: I Am Greater Created call sheets, planned out and scheduled shoot days. Kept production on schedule and moving throughout the day, made sure we got all the desired footage, that the crew was informed of our next move, and that the locations were clean and wrapped at the end of the night. Placed and directed extras in two scenes, a classroom and restaurant.

Episode 3: I Am Greater Read opposite talent auditioning. Met talent as they arrived and took them to the waiting area and into the audition room.

Assisted the editor by making rough cuts of scenes and episode intros and looking over edited episodes. Cut two promos that were shared via the project's social media pages.

Editing together footage, sound FX, and titles in Premiere Pro from Black Magic Camera footage. Cleaned up audio in Adobe Audition as well.

The entire preproduction was just under a week and filmed in a day. I wrote the script and directed the actors on location to get the desired performance.

Location lockup on downtown street, guided extras to holding.

Cut footage from pre-recorded episodes into sizzle reel to be used for pitching the talk show "Where Is The Love?"

Episode 2: Disturbance I kept the crew moving and on schedule, collaborated with the director and DP to get the look they both desired for the shoot, coordinated 20 students for background at school location, directed scene involving SWAT Team evacuating students, made sure locations were clean at end of shoot day.

I gathered props (including weapons) used in the film and prepared the location we filmed at by hanging blackout curtains.

Provided direction during talent auditions to find the best fit for the roles the director was looking for and give him my suggestions.

I supervised the creation of call sheets, sides, and one liner schedules and created a shooting schedule for the two 10 hour shoot days. I kept a team of 30+ crew members organized and on task so we could get all the shots that the director wanted on the two different sound stages we filmed on.

Greeted talent as they came in to audition, made sure they killed out all the needed paperwork, and received their sides and character bios so they could prepare.

Due to no audio being recorded, I had to sync the song up to the artist performance by sight. I choose the most appealing footage from a mix of performance and story centered clips and assembled them into the final version of the music video. I also color corrected all the footage and made titles for the beginning and end.

Prepared Hold Harmless, Talent Releases, and a Location agreement, kept the production moving throughout the shoot by communicating with the Director and DP at both shoot locations.

I supervised the creation of call sheets, sides, and one liner schedules and created a shooting schedule for the two 10 hour shoot days. I kept a team of 30+ crew members organized and on task so we could get all the shots that the director wanted on the two different sound stages we filmed on.

Wrote the script from its original conception, directed and worked with talent on their performances, collaborated with the DP on the look and tone of the short.

Synced footage, edited several scenes, selected music and added it to film. Co-Edited with Bailey Perkins.

Edited scenes together, selected music, sound design, and titles. Co-Edited with Joshua Jones.

I was in charge of maintaining and setting up the Chapman PeeWee Dolly, on and off tracks in the sound stage and on location.

Co-Wrote, came up with the tone and style with the Director of Photography

Filled out Call Sheets, Daily Production Reports, Release Forms, and One Lined Schedules. Coordinated crew on location to stay on schedule, clean up after each day, and leave in time for the business to open.

Edited together footage from B-roll and interviews and cleaned up audio.

Read lines opposite talent auditioning.

Light Set-Up, Set Dressing, Set Lockdown

Escorted Wrestlers to different rooms, set take down, publicity photo area set up/take down.

Created character biographies and sides, greeted talent as they entered the room, gave direction during audition, and presented choices to the director for his picks.

Made shooting schedule, shot list, scene breakdowns in pre-production. In charge of keeping crew on schedule and busy during production.

Grip, Electric, Dolly Grip. Set up lights and stands, ran power, pushed/pulled dolly

Locked down outdoor location, ran cables, assisted in set dressing.