Jazmin Harvey

Made story boards with the director, lighting set ups, camera movements, etc.

Key Grip, responsible for all equipment.

Operated the AF100, mostly on a shoulder rig.

I directed, wrote and co-produced Riley, a short film for my Directing 2 class.

Running cable and setting up lights/assisting the Grip (best boy)

Grip and electric for interview series.

I shot this short film and basically took over all the responsibilities--DP, grip, AD, writer, and, of course, director. Classic student film set up!

As the president of the Student Organization for Digital Artists (SODA), I produced the commercial for Crimson Coach, a service provided by ASNMSU that picks up students on late nights. I was also the Assistant Director on set.

Apart from being the Production Designer, I was also the props master (as I had no assistants) and kept track of the costumes. This film has been selected for the 2015 Madrid Film Festival.

Purely Production Design on this set. It was short, organized and sweet.

Director! I hosted a grad ol' party.

I was the production designer and props master for this set. Although we shot it in April, some of the footage was lost so in October we did re-shoots. Luckily I hadn't thrown any props away!

I organized the filming of this concert and took care of on set issues (sound recording, needing to re-do interviews, etc).

This was shot in 48 hours for a film festival that I produced through the Student Organization for Digital Artists.

SODA shot this as part of the Film or Flight 48 film festival that takes place in Albuquerque, NM. I was the producer and 1st AD, but did whatever was needed on set.

I was the production. Designer and props master for this senior project. The largest task in had was creating a lawyer's office out of an empty room.

I was brought on as a general production assistant but was adopted by the art department. This was then first set I had ever been on full time.

This was a short I produced for the National 48 Film Festival. My job included setting up a casting call, securing the locations, getting all releases, and getting crew.

This was my first set and I did whatever they told me to! The script supervisor was gone that day, so I took over her job.