Jonathan Burcin

Worked closely with a diverse set of producers, talent, and graphic artists to edit long-form and short-form documentary-style, evergreen content for VICE.com and the VICE YouTube channel. Additionally, I helped deliver archival and music cue sheets.

I edited short-form promos to air during an FYI,™ home improvement series. I was responsible for delivering broadcast-standard videos with correct video luminance, chrominance, and audio loudness meters.

I edited short-form videos for several social media platforms, mainly: Facebook, YouTube, and Instagram. I was responsible for corporate sizzles and series promos with strict deadlines. I worked closely with executives to edit & deliver high-profile, branded content for clients such as Walmart and Orajel. I was also personally invited to be an attendee at the 2019 NAB Show on behalf of the company.

I edited a multitude of short-form deliverables for Facebook and OTT platforms by utilizing Adobe Premiere Pro. I gained a familiarity editing a variety of content that included: cooking shows, DIY tutorials, promos, trailers, and corporate sizzle reels. Lastly, I managed multiple high-profile, detail-oriented projects under strict turnaround times.

Being present during live shoots for internet videos and working closely with producers to relay production notes to the post-production team. Also responsible for uploading and managing all new videos to video hosting sites.

Ingested daily footage into Adobe Premiere Pro. Worked closely with editors and producers to create stringouts and send out exports throughout. Worked within a SAN server and AvidISIS environment.

Provided my expertise in Avid Media Composer to assist the editors of Discovery ID's third season of Vanity Fair Confidential. Some duties included: preparing and delivering internal and network exports, assist in preparing locked cuts for online editing, ingesting media into Avid, transcoding/consolidating media, working with interview, multi-cam and archival-based footage, assembling radio cuts, data entry for a variety of cue sheets, and using Photoshop and Media Encoder to fix troublesome media.

Assisted Avid editors on PBS Frontline documentary, On The Outside (air date: TBD May 2017). Experience in: logging footage, syncing Zaxcom audio using PluralEyes , managing editor cue sheets, managing bin/folder structures, transcoding dailies on DaVinci Resolve , working within ISIS Client Manager and Dropbox , multi-grouping cameras, and creating *.aaf files for audio houses and colorists.