Joshua Glassman

Created and managed the shooting schedule and breakdowns using Movie Magic. Sent out call sheets each night. Ran the set, conducted safety meetings, and kept the production on track.

Working with Weta Digital and 20th Century Fox, I operated on a Sony F3 for animation reference during the motion capture process. I was responsible for both facial and full body capture. During action sequences, this often required difficult pans, zooms and focus pulls, often simultaneously.

As a producer, I set-up and advertised a successful crowdfunding campaign, found and locked-down locations, acquired gear and negotiated rental rates. As AD, I created a tight 6 day schedule that we were able to successfully stick to, communicated with actors/crew, directed background actors, ran set, and enforced safety protocols.

Unloaded and inventoried equipment on location. Set lights, flags, gels, etc. Boomed china ball for steady cam shots.

Operated Camera for a live InDemand pay per view broadcast of a Widespread Panic concert live at Red Rocks. Positioned in the pit, stage right. Took direction over headset, regarding moves and pulls.

Managed and changed lenses, organized and moved gear, backed-up R3D and Cannon media, and provided additional photography on Cannon 5DMII. Also setup lights and backdrops for interviews. Setup and changed bulbs in KinoFlo banks.

Set Up cameras for a 4 Camera shoot, ran XLR, HD-SDI, and power cables from control room to each camera. During the event, I operated the camera, taking direction via comm system from the live editor.

Imported and Managed Media, Directed and oversaw the editing of the rough cut, lead editor on the fine and final cuts.

Planned shot list, camera angles, lighting set ups, and color schemes for a 15 minute Film Noir. Also operated the camera and 12 foot jib with remote control head. Used a variety of Arri lights, chimera soft boxes and speed rings, and Lowell Omnis and Totas.

Set Up cameras for a 4 Camera shoot, ran XLR, HD-SDI, and power cables from control room to each camera. During the event, I operated the camera, taking direction via comm system from the live editor.

Directed 4 short commercial pieces promoting cross walk safety for the city of Boulder, Colorado. Working with 2 actors, I created 4 different characters to convey cross walk safety in a clever and creative way.

Set-up and operate Sony EX 1 for a two camera shoot.

In charge of gear in/out of grip truck, unpacked and set up lights/gels, ran cables.