Heavy archival, internal/network exports and cut post notifications, project backups, project and file organization, and media ingest/distro.
Summary
Nine years of experience as Assistant Editor with many top television post houses in Manhattan, including Viacom, CBS Eye, ITV, Optomen, Left/Right, and Original Media. Now working my way around Burbank/Los Angeles - and looking to fill that Editor chair.
Credits
10/22 – 2/23
Assistant Editor (Avid) – Blood Money (Season 1)
Oxygen — TV — Alfred Street Industries & Dick Wolf Details
10/22 – 2/23
4/22 – 11/22
Assistant Editor (Night) – Death in the Dorms (Season 1)
ABC — TV — IPC -The Intellectual Property Corporation Buckingham Television Details
4/22 – 11/22
Remote. All AE duties from ingest to up-res, including basic spreadsheets and troubleshooting, et al.
9/22 – 10/22
Assistant Editor (Avid) – I Am Jazz (Season 8)
TLC — TV — This Is Only A Test Details
9/22 – 10/22
Sync/group, and exports, et al.
12/21 – 12/21
Assistant Editor (Avid MC) – TikTok New Year's Eve Special (Pilot)
TikTok — Digital — B17 Entertainment/Copper Hill Entertainment Details
12/21 – 12/21
Mostly syncing/grouping footage.
6/20 – 6/20
Assistant Editor (Remote) – Discusssion On Race And Politics
A&E — TV — Ozy Media Details
6/20 – 6/20
Remote monitor of multiple remote transmissions.
1/19 – 12/19
Media Manager (Night) – 60 Days In (Season 6)
A&E — TV — Lucky 8 Details
1/19 – 12/19
Overnight Media Management using FN Digital's Cinedeck interface, and Assistant Editing with Avid MC.
9/18 – 10/18
Assistant Editor (Avid) – Trading Spaces (Season 12)
TLC — TV — A. Smith & Co. Productions Details
9/18 – 10/18
Ingest through up-res.
7/18 – 9/18
Assistant Editor (Avid) – ReMastered (Season 1)
Netflix — TV — Triage Entertainment Details
7/18 – 9/18
Heavy archival: overcutting, frame-flex, online assist.
Unions
Orgs
Recos
Education
Class of '02
UCLA School of Theater Film and Television
B.A.
My Gear
Skills
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