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As an editor I take every job as an opportunity to learn and grow. Working with a team or cutting solo, I enjoy developing my craft. Narratives, documentaries, and reality TV are excellent ways to challenge one's self to produce a quality product. Say hi!
8/22 – 1/23
Paramount+ — TV — World of Wonder Productions Details
8/22 – 1/23
Cutting performances for editors and producers
6/22 – 8/22
World of Wonder Digital — TV — World of Wonder Productions
6/22 – 8/22
2/22 – 6/22
Discovery — TV — Renegade 83 Details
2/22 – 6/22
Script Syncing
12/21 – 2/22
Paramount+ — TV — World of Wonder Productions
12/21 – 2/22
2/21 – 11/21
NBC — TV — A. Smith & Co. Productions Details
2/21 – 11/21
Lead the entire AE staff and assist in cutting for the show
2/20 – 11/20
NBC Universo — TV — A. Smith & Co. Productions Details
2/20 – 11/20
Cutting contestant runs, supplying editors with footage, creating and organizing projects, managing the isis, loading tapes, ingesting all footage, building cuts for export, tech support for online sessions, after effects gfx, final deliverables
8/19 – 2/20
History — TV — Original Media Details
8/19 – 2/20
Editing web content, pulling shots, syncing and grouping.
1/19 – 7/19
CNN — Film (Feature-length) — This is Just a Test Productions Details
1/19 – 7/19
I help design the pacing, and arc of the film. Working with the producer and other editors to decide which stories to move forward with and how to tell them to the audience.
6/18 – 2/19
Vice Media — TV — This is Just a Test Productions
6/18 – 2/19
5/18 – 6/18
TV — Click Play Films Details
5/18 – 6/18
Recut the final episodes after heavy footage corruptions. I found solutions to cut around the damaged footage. It was a long process, but it paid off. This is an international show, made for India.
2/18 – 4/18
TLC — TV — This is Just a Test Productions
2/18 – 4/18
6/17 – 2/18
TLC — TV — This is Just a Test Productions
6/17 – 2/18
10/16 – 7/17
A&E — TV — This is Just a Test Productions
10/16 – 7/17
1/17 – 4/17
CMT — TV — This is Just a Test Productions
1/17 – 4/17
4/16 – 10/16
Animal Planet — TV — This is Just a Test Productions
4/16 – 10/16
4/16 – 7/16
TLC — TV — Peacock Productions
4/16 – 7/16
4/16 – 5/16
TLC — TV — Peacock Productions Details
4/16 – 5/16
Helped take on the overflow of footage they had during the end of production.
8/15 – 11/15
Sizzle Reel — TV — Banijay Productions
8/15 – 11/15
8/15 – 11/15
TV — Banijay Productions
8/15 – 11/15
5/15 – 8/15
HGTV — TV — Fly on the Wall
5/15 – 8/15
4/15 – 4/15
Disney Channel — TV — Disney Channel Details
4/15 – 4/15
Took a month to work help in office on a Disney pilot. I wanted to take an opportunity to work with union editors on a scripted show.
1/15 – 4/15
HGTV — TV — Scott Brothers Entertainment Details
1/15 – 4/15
Helped turn the show around after coming onto the project and finding the ISIS, Avid files, and MFX media a complete mess.
Problem solved to get show back on schedule with as few sacrifices as possible.
Cut promos for web and Entertainment Tonight.
8/13 – 12/14
Assistant Editor (Avid)
Staff Position — Discovery Studios Details
8/13 – 12/14
Worked as an assistant editor for Discovery Channel shows:
"Alaska: The Last Frontier"
"Bull Life"
"Got Game"
For the future TLC show:
"Extreme Destination Wedding"
and did multiple jobs for Discovery Channel's Development Department
6/14 – 8/14
Lead Assistant Editor
Staff Position — Birthing Venus Details
6/14 – 8/14
Organized media left over from previous editors to allow the cutting of the film to go on from there.
11/13 – 3/14
Destination America — TV — American Chainsaws Entertainment Details
11/13 – 3/14
Use Avid 6.5
Ingest, sync, multi-group and distribute footage to editor via ISIS. .
Export cuts via Drop Box and Hightail
Keeps logs for ingestion
Up-res footage for output to color timing and sound mixing houses.
8/13 – 11/13
Discovery — TV — Gurney Productions Details
8/13 – 11/13
Use Avid 6.5
Ingest, sync, multi-group and distribute footage to editor via ISIS.
Convert Phantom high-speed footage.
Export cuts to FTP sites.
Keeps logs for upcoming pilots in development.
11/12 – 6/13
Reelz — TV — The Hochberg Ebersol Company Details
11/12 – 6/13
I was the first assistant editor for the show.
Building story string-outs and figuring out the characters of the show and what were their strengths and weaknesses.
Cataloguing hours of footage.
Script syncing
Building and fixing multi-groups
Building graphics in Maya and Photoshop
Animating in After Effects
6/11 – 7/12
National Geographic
6/11 – 7/12
6/12 – 6/12
National Geographic
6/12 – 6/12
3/12 – 6/12
Sizzle Reel
3/12 – 6/12
5/12 – 5/12
First Assistant Director (Editor, Animator)
–
Hearts
Details
5/12 – 5/12
Editor, Animator
4/12 – 5/12
MTV
4/12 – 5/12
4/12 – 5/12
Sizzle Reel
4/12 – 5/12
11/11 – 1/12
Internet
11/11 – 1/12
10/11 – 10/11
Internet
10/11 – 10/11
7/11 – 8/11
First Assistant Director
–
Made
MTV
7/11 – 8/11
6/11 – 7/11
NBC
6/11 – 7/11
4/11 – 5/11
Internet Details
4/11 – 5/11
Story Editor
3/11 – 4/11
Style Network
3/11 – 4/11
12/10 – 3/11
Esquire — TV — Esquire Network
12/10 – 3/11
10/09 – 1/10
Internet
10/09 – 1/10
10/08 – 3/09
First Assistant Director
–
Dreamer
Internet
10/08 – 3/09
3/08 – 8/08
Internet
3/08 – 8/08
10/07 – 2/08
Internet
10/07 – 2/08
Class of '11
Webster University
B.A. Film Production; Minor - Documentary Production, Mass Comm.
