Josh Saideman

Shot interviews with 'The Rock' and 'Ric Flair.'

https://www.youtube.com/watch?v=6LQCXf959zQ

Director of Photography.

Travelled to Tulsa, OK and Bakersfield, CA to capture workers at power plants and oil fields.

Responsible for the cinematography for a human puppet drama.

Shot an interview and B-Roll with Izze the Producer and Nick Grant.

Cinematographer

Cinematographer

Cinematographer

Director of Photography for series of interviews in the documentary. Established the look with lighting and lens choices to stay consistent throughout the film.

Director of Photography.

Supplied G&E equipment as well.

Toronto.

Oklahoma and Colorado construction sites.

Shoot B-Roll as well as B Camera coverage on stand up scenes.

Served as the Director of Photography on the short film. Shot on the Sony FS7 with Kowa Prominar Anamorphics. Also, provided the lighting package.

Served as the Gaffer and provided the G&E equipment and crew.

Served as the head lighting technician and provided G&E equipment.

2nd Shooter for an event video.

Hired by ECG Productions to shoot pick up scenes for Americhip for a Coca Cola Freestyle Machine Training video. Shot on Sony FS7.

Worked closely with the DP to light the show in a fast paced documentary style environment. Led a G&E team of 3.

Worked closely with the DP and the Key Grip to light the music video on location.

Worked closely with the Cinematographer to light the music video. Provided a G&E package as well as a 4 man G&E crew.

•Responsible for all principle photography under a tight deadline. •Worked closely with the director in aspects of pre-production and production to establish an appropriate look for the film. Operated the camera for fast paced fight scenes as well as stunts.

Worked closely with the DP and Key Grip to light the commercial on a sound stage.

Responsible for the cinematography in the video. Worked closely with the client to establish an appropriate look. Hired and collaborated with a Steadicam operator to successfully acquire specific shots.

Responsible for the cinematography in the music video. Supplied the G&E package and responsible for hiring a Steadicam operator.

1st Unit Additional Grip.

Gaffer on a pick ups day for the newest Skrillex music video.

Responsible for the lighting for a 'pickups' day on a corporate 'Chick Fil A' shoot. Executed techniques to closely match the lighting from the original shoot days.

Co-Directed, shot and edited a documentary short for the 'Fusion Doc Challenge.' Fully developed, shot and edited in 5 days. Currently in development to turn it into a feature as well as promotion of the short.

Operated a camera on analytics desk to be streamed live during event in the theatre and online.

Worked along the side the Gaffer to light scenes in the Delta engine repair warehouse and the international terminal lobby for CEO's speeches.

Responsible for the lighting for a Fall Out Boy interview with host Adam Bomb.

Worked with the Director of Photography to design the lighting for 2 separate sets in a studio. Responsible for all the rigging on the grid and ground work.

Day played as a 2nd Unit Grip. Assisted with a production car rig and lighting a private jet scene.

Responsible for lighting green screen interviews and run n' gun B-roll.

Responsible for lighting and running camera for a green screen studio shoot for the official Tea Party Patriots.

Day played 1st unit in the Grip department.

Worked closely with the DP to light the commercial. Supplied the G&E package.

Responsible for principle photography for the film. Shot on the RED Scarlet.

Day-played as a Rigging Grip.

Amongst a team of grips, I assisted with setting flags, frames, etc. to shape and diffuse light. Tied off stands on a rooftop location to safely secure them. Worked scattered days. Some days on location, some on a stage at Screen Gems Studios.

Day played as a 1st Unit Grip.

Built and operated camera for multi-cam cooking show shoot.

Conferred with the DP/Gaffer to determine what sort of lighting effects were needed and devised ways to create those effects. Accurately estimated the time required for a particular lighting setup and used effective leadership principles to work with grips in setting stands, shaping/diffusing light and laying dolly track.

Dealt with rigging for lighting and camera support with a team of 4. Took direction from the Key Grip to set flags, frames and shape light. Assisted in condor operation and rigging.

• Critically determined story and theme through planned performance and narrative shots. • Enhanced realistic mood, fluidity and sequencing through juxtaposed stylistic images. • Established mood, effect and desired visual impact within story lines. • Corrected scene sequencing and adjusted tonal clarities for final work under tight deadlines for screenings.

Coordinated with the electric department and the Director of Photography to control lighting setups and rigs in a studio space with a ceiling grid. Green screen and many light sources were executed. Corporate training video for "Loma."

Operated the B camera for a live performance video for band from "The Voice," The Swon Brothers at Cumulus Radios main office in Atlanta. Covered the performance as well as B-Roll.

https://vimeo.com/87708637 Responsible for editing for a global awareness video project. Collaborated with Safe Water Now & their corporate sponsors to establish mood, effect and desired visual impact within story lines for a unique branded content documentary short. . • Corrected scene sequencing, adjusted tonal clarities, sound and color.

Operated one of 4 cameras for a live stream video covering a New Years Eve hip hop/dance battle event. Assisted with preparation the night before by laying and disguising cable, loading camera settings and setting up lights.

Coordinated with the electric department and the Director of Photography to control lighting setups and rigs in a studio space with a ceiling grid. Green screen and many light sources were executed. Corporate training video for "Active Parenting."

Coordinated with the electric department and the Director of Photography to control lighting setups and rigs in residences, tight office spaces and a soundstage. Executed specific rigs to ceilings, shelves and other unique surfaces due to tight work spaces.

Edited a promotional video in honor of Wiggle Factor's 3 year anniversary. Using necessary effects and title design, I adjusted tonal clarities and scene sequencing to help tribute the past 3 years as well as promote the upcoming event.

Operated the B Camera during the performance. Covered both the performance and B-Roll of the audience's reactions, etc. Shot on a shoulder rig.

Responsible for cinematography for a global awareness video project. Collaborated with Safe Water Now & their corporate sponsors to create a look for a unique branded content documentary short. Effectively lit and composed shots for 2 cameras in a "run n' gun" situation in an elementary school full of children.

Set up and rigged lights for a large warehouse space with 30+ extras. Rigged lights to ceiling crossbeams, disguised HMI's behind doorways for 360 degree steadicam shots. Used hazer to create an atmospheric look.

Conferred with the DP to determine what sort of lighting effects were needed and devised ways to create those effects. Accurately estimated the time required for a particular lighting setup and used effective leadership principles to work with the electricians in running cable and placing lights.

Conferred with the director and marketing agent and used lighting effects to advertise the interior of a luxury suite. Rigged LED panels, helped with camera support and assisted with designing the set.

Operated one of the cameras to cover all aspects of the event including merchandize booths, photo shoot, fashion show and silent auction. Shot product style shots on a tripod and event coverage on a shoulder rig.

Conferred with the DP to determine what sort of lighting effects were needed and devised ways to create them. Estimated the time required for lighting setups and efficiently rigged lights and support. Rigged prop lights to hang from a studio ceiling grid. Distributed power and ran cable along the grid.

Coordinated with the electric department and the Director of Photography to control lighting setups and rigs. Green screen and many light sources were executed on a soundstage.

Operated the B camera during the performance. Shot B-roll to document the event in an exciting and artistic way.

Operated the B Camera during the performance. Covered both the performance and B-Roll of the audience's reactions, etc. Shot on a shoulder rig.

Assisted with lamp operation, grip and electric work and production runs during the shoot. Shot on a soundstage with a 6k briese light fixture, and many other high wattage tungsten sources.

Assisted the production team with rigging lights, camera and studio gear.

Conferred with the DP to determine what sort of lighting effects were needed and devised ways to create those effects. Accurately estimated the time required for a particular lighting setup and used effective leadership principles to work with the electricians in running cable and placing lights. 5 ton grip truck.

• Responsible for all principle photography under a tight deadline. • Worked closely with the director in aspects of pre-production and production to establish an appropriate look for the film. • Operated camera throughout production including dolly, jib and shots from a row boat.

• Critically determined story and theme through planned performance and narrative shots. • Enhanced realistic mood, fluidity and sequencing through juxtaposed stylistic images. • Established mood, effect and desired visual impact within story lines. • Corrected scene sequencing and adjusted tonal clarities for final work under tight deadlines for screenings.

• Responsible for all principle photography under tight deadline. • Worked closely with the director in aspects of pre-production and production to establish an appropriate look for the film.

• Assisted Equipment Management team with the day-to-day organization of the company’s equipment inventory. • Assisted with the daily preparation, organization and maintenance of an extensive range of camera and lighting equipment. • Worked as a production assistant on small film shoots.

Critically determined story through planned interviews. Enhanced realistic mood, fluidity and sequencing through b-roll shots. Executed final production and pitches that showcased utilization and aims; diplomatically responded to questions. Established mood, effect and desired visual impact within story lines. Corrected scene sequencing, adjusted tonal clarities and sound for final work.

•Responsible for all principle photography under a tight deadline. •Worked closely with the director in aspects of pre-production and production to establish an appropriate look for the documentary.