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It's great being able to do what you love. I pride myself on working on projects of all types with many smiles. I'm a techie guru with an awesome attitude and years of experience. Focused and sharp; fun and personable. Lets make movie magic!
9/23 – 10/23
DIT (Digital Imaging Technician)
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Violent Ends
Film (Feature-length)
9/23 – 10/23
9/23 – 9/23
DIT (Digital Imaging Technician)
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The Company
Screamin' Sicicillian Pizza — Advertising — Nonfiction Unlimited
9/23 – 9/23
5/23 – 8/23
PBS — TV — PBS Ark Media
5/23 – 8/23
5/23 – 5/23
MarVista — Film (Feature-length)
5/23 – 5/23
3/23 – 4/23
DIT (Digital Imaging Technician)
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The Hit
MarVista — Film (Feature-length) — Benattar Thomas Productions
3/23 – 4/23
1/23 – 2/23
DIT (Digital Imaging Technician)
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Nuked
Film (Feature-length)
1/23 – 2/23
10/22 – 10/22
Advertising — Ditore Mayo Entertainment
10/22 – 10/22
10/22 – 10/22
NFL Films — Digital — Manhattan Place Entertainment
10/22 – 10/22
9/22 – 9/22
DIT (Digital Imaging Technician)
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Holiday House
Walmart — Advertising — FourTwelve Films
9/22 – 9/22
8/22 – 8/22
Film (Feature-length) — Benattar Thomas Productions
8/22 – 8/22
7/22 – 7/22
Film (Feature-length) — Benattar Thomas Productions
7/22 – 7/22
4/22 – 4/22
DIT (Digital Imaging Technician)
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NWA Promo
Promo — Live/Special Event — Nacelle Company Details
4/22 – 4/22
Digital Imaging Technician + Camera Utility for upcoming promo for NWA.
3/22 – 4/22
Disney+ — TV — Boardwalk Pictures
3/22 – 4/22
8/21 – 2/22
ABC — TV — Litton Entertainment
8/21 – 2/22
6/21 – 8/21
A&E — TV
6/21 – 8/21
6/21 – 6/21
A&E — TV — Six West Media
6/21 – 6/21
12/19 – 3/20
A&E — TV — Big Fish Entertainment Details
12/19 – 3/20
AC/Media Manager role: As the Utility on Live Rescue, It was my responsibility to ensure encoded/encrypted video footage was suitable for streaming during live broadcast.
Installed Transmitters on Z150s; as well as 4G transmitter/recorders within first responder vehicles to transmit driver and POV feeds over 4G networks live. Maintaining/setup/troubleshoot cameras, team communications, routers/switchers/array/recorders within vehicles with minimal presence of our tools to not hinder first responders and ground crew. Updated and maintained cameras and data for both day and night shifts. Offloaded footage via ShotPutPro onto master and prepared and encrypted shipped shuttle drives, as well as updating footage reports for the post team in NY. My role on this project was predominately on-call, filling in for technicians in various cities requiring me to be extra adaptive and accommodating of preexisting field workflows; while also coordinating with field teams on better field practices in a dynamic show where minimal rigging time for advanced builds was our primary obstacle.
5/19 – 10/19
Fox — TV — 44 Blue Productions Details
5/19 – 10/19
As the utility on First Responders Live it was my responsibility to ensure encoded footage (shot from Z150s/Marshall Cameras) was technically suitable
for live broadcast. Installed 4G transmitter/recorders within first responder vehicles to transmit live POV and on the ground cameras live. I maintained/ setup/troubleshooted cameras, team communications (UNITY and ClearCom systems/iOS), as well as the AVI-West TX/RX system and arrays. Daily install of all field systems under tight deadline required precise, meticulous workflow. Practiced meticulous team entry/exit safety protocols pre/during/post calls, spotted team; maintained coms with studio and in field providing updates; and adjusting workflow on the fly to accommodate dynamic and sensitive subject matter while maintaining professionalism and discretion.
3/19 – 4/19
Film (Feature-length) — Hood River Entertainment Details
3/19 – 4/19
1st AC / A Unit (and Steadicam) / Alexa Mini / Cooke S4s
3/19 – 3/19
DIT (Digital Imaging Technician)
REDBOX — Advertising — Holland West Productions Details
3/19 – 3/19
DIT on Redbox special featuring Bob Saget. Provided and setup wireless video village (Bolt 2000 RX/TX), 2x Sony Trimasters for latency-free 1080p picture. ServPro utilized for streaming up to 8 IOS devices. Blackmagic and NetGear Router/Switchers provided to delegate signal between feeds on many devices in different rooms. Blackmagic Ultra-scopes provided for proper exposure and color.
Format: ARRI RAW
LOG to REC709 on monitor feeds / Tweaked REC709 for output on ProResLT files.
Camera: 2x Alexa Mini
Transcoded to ProRes 422 LT for Proxy workflow.
3/19 – 3/19
Music Video — Triple Seven Productions Details
3/19 – 3/19
1st AC / A Camera / Alexa Mini with Cooke S4s
2/19 – 2/19
Corporate — Nvisionate Productions Details
2/19 – 2/19
DIT on Corporate video series on Cyber Security and Phishing. Provided and setup wireless video village (Bolt 2000 RX/TX), 2x Sony Trimasters for latency-free 1080p picture. ServPro utilized for streaming up to 8 IOS devices. Blackmagic and NetGear Router/Switchers provided to delegate signal between feeds on many devices in different rooms. Blackmagic Ultra-scopes provided for proper exposure and color. Format: ARRI RAW LOG to REC709 on monitor feeds / Tweaked REC709 for output on ProResLT files. Camera: 1x Alexa Mini Transcoded to ProRes 422 LT for Proxy workflow.
1/18 – 1/19
Bon Apetit — Advertising
1/18 – 1/19
10/18 – 12/18
Bravo — TV — InventTV, LLC Details
10/18 – 12/18
Overnight DIT in New Orleans, LA. Duties consisted of managing media from multiple units throughout New Orleans and traveling crew during key story moments. Maintained consistent logs in google docs and worked with story team in organising high volume of footage for the team back in post. Maintained contact with post and field team, referencing story notes to flag noteworthy content for dailies for story team in the field. Worked with DP/Director in dialing in various looks. Backed up entire season onto RAID, while sending shuttles out multiple times a week.
10/18 – 10/18
Film (Feature-length)
10/18 – 10/18
9/18 – 9/18
HDTV — TV — 44 Blue Productions
9/18 – 9/18
9/18 – 9/18
Music Video — Happy Place
9/18 – 9/18
8/18 – 8/18
TV
8/18 – 8/18
8/18 – 8/18
DIT (Digital Imaging Technician)
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B
Film (Short)
8/18 – 8/18
7/18 – 7/18
Film (Feature-length)
7/18 – 7/18
7/18 – 7/18
First Assistant Camera
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Hooked Up 2
Netflix — TV Details
7/18 – 7/18
A Cam 1st AC / Alexa Mini / Lomo Anamorphics /
6/18 – 6/18
Film (Short) Details
6/18 – 6/18
DIT for short film shot on Alexa Mini, Lomo Anamorphics, ARRIRAW. Managed RAID backup and shuttles with post team. Developed streamline workflow in prep to accommodate large amount of data on a limited / on the fly style shoot/budget. Provided Teradek ServPro for IOS streaming. Video Village also provided. (2x Panasonic BTL 17")
6/18 – 6/18
First Assistant Camera
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Devils Road
Film (Short) Details
6/18 – 6/18
1st AC for 4-day short shot in Northern California. I protected the Alexa Mini from the wondrous elements in the desert for four days.
6/18 – 6/18
ESPN - NBA Draft — Advertising — 3 Drafts LLC Details
6/18 – 6/18
1x RED Weapon/ 1x RED Dragon. Managed media / metadata and transcodes with Pomfort Silverstack / and provided live color and LUTs with LiveGrade as well as Davinci Resolve.
5/18 – 5/18
DIT (Digital Imaging Technician) (Also VTR. )
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Saatchi & Saatchi
Keurig — Advertising — VIA Productions Details
5/18 – 5/18
Responsible for live switching and playback utilizing Q Take System. 1 day extensive prep in Memphis studio allowed for setup and calibration of multiple monitors dispersed around studio; Utilised Q Take to provide VTR and Playback.
Client Video Village (SmallHD 2403 24")
Director / DP Monitor (SmallHD 2403 24")
AC Monitor (SmallHD 1303 13")
Lighting Monitor (SmallHD 1303 13")
Multi-Cam / Specialty Monitor (SmallHD 2403 24")
Production / Makeup Monitor (SmallHD 1703")
Cart live monitor (SmallHD 24") and waveform/scopes reference on ultra scope screen. (Blackmagic Ultra Scopes)
-Live Grade / Additional beauty LUTs using Pomfort LiveGrade and FSI's BoxIO LUT Boxes.
-Freeze Frame / Picture and Picture as well as image overlays for product specialty shots (required exact matching of frame on many of the shots)
Integrated a seamless workflow for a nearly immediate turn-around for post production. Worked with Post-Production Supervisor on-set to handle and transfer media to RAID as well as 4 shuttle backup drives to cut a series of videos for Keurig on-site with client interaction/collaboration. Incredibly ambitious, but successful project truly taking advantage of the tools available today to streamline creative collaboration on set.
4/18 – 4/18
Film (Feature-length)
4/18 – 4/18
3/18 – 3/18
Film (Feature-length) — King for a Day LLC
3/18 – 3/18
2/18 – 2/18
Food Network — TV — notional
2/18 – 2/18
2/18 – 2/18
First Assistant Camera
BMW / Cedar Electronics — Advertising — Richter Studios
2/18 – 2/18
2/18 – 2/18
Film (Short)
2/18 – 2/18
11/17 – 1/18
Netflix — TV — Triage Entertainment Details
11/17 – 1/18
Pickups / Additional Interviews
12/17 – 12/17
MTV — TV — 44 Blue Productions
12/17 – 12/17
11/17 – 11/17
Food Network — TV — 7Beyond
11/17 – 11/17
11/17 – 11/17
DIT (Digital Imaging Technician)
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TV Land
Hershey — Advertising — Framework Studio
11/17 – 11/17
10/17 – 11/17
HGTV — TV — Asylum Entertainment
10/17 – 11/17
9/17 – 10/17
Lead Editor (Adobe Premiere)
Loden Vision Centers — Advertising — Loden Vision Centers
9/17 – 10/17
9/17 – 9/17
DIT (Digital Imaging Technician)
Advertising — Pancakes House
9/17 – 9/17
9/17 – 9/17
DIT (Digital Imaging Technician)
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Bernstein-Rein
McDonald's — Advertising — Helo Details
9/17 – 9/17
-Offloaded, logged and verified footage from 1x Alexa Mini
-Provided ProRes422 transcodes for post.
-Provided technical support / exposure, lighting and color, referenced scopes/RGB Parade.
-Created LUTs on-set per DP and Director's vision, and applied to video village and dailies iPad.
-Daily sizzle of graded select takes.
8/17 – 8/17
Cooking Channel — TV — Back Roads Entertainment
8/17 – 8/17
7/17 – 7/17
First Assistant Camera
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The Midwife
Film (Feature-length) — Mar Vista Entertainment
7/17 – 7/17
5/17 – 6/17
Showtime — TV — Storm Peak Productions
5/17 – 6/17
5/17 – 5/17
Vice Media — TV — STX Entertainment
5/17 – 5/17
5/17 – 5/17
First Assistant Camera
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Wiccan
Film (Feature-length)
5/17 – 5/17
4/17 – 4/17
Netflix — Live/Special Event — Netflix
4/17 – 4/17
3/17 – 3/17
Lifetime — TV
3/17 – 3/17
3/17 – 3/17
DIT (Digital Imaging Technician)
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Centene
Centene — Advertising — Coolfire Studios
3/17 – 3/17
12/16 – 3/17
Go90 — TV — STX Entertainment
12/16 – 3/17
2/17 – 2/17
DIT (Digital Imaging Technician)
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New Honor Society
Cox Cable — Advertising — Minder Co. Details
2/17 – 2/17
Data management: 1x Alexa Mini. Transcodes to 1080P ProRes422 proxies. Provided 1st pass color, LUTs and dailies to iPad and video village for on-set dailies. Daily sizzle / precut with selects.
12/16 – 1/17
DIT (Digital Imaging Technician)
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Coolfire
Metro — Advertising — Coolfire Studios
12/16 – 1/17
12/16 – 12/16
Corporate — Yamaha Entertainment Group Details
12/16 – 12/16
Covering the beautiful history of Yamaha instruments.
9/16 – 12/16
G4 — TV Details
9/16 – 12/16
Managed Media and provided LUTs for 2x Sony F55s, GoPros, Osmo, and various drone footage. Quick turnaround. Managed Media on ShotPutPro, RAID Field Master, and Shuttles. Utilized Autopsy (Data Forensics Program) to recover footage from damaged drone.
10/16 – 10/16
Live/Special Event — New Wave Entertainment Details
10/16 – 10/16
Provided team and clients with LUTs in DaVinci, managed 4TB of data: 7 F55s @ 4k XAVC, KiPro, Audio for a overnight turnaround.
9/16 – 9/16
HGTV — TV — Bodega Pictures Details
9/16 – 9/16
Offload daily media from 2x C300, 6x GoPros, and 5DM3. Provided logs and verification to post.
9/16 – 9/16
DIT (Digital Imaging Technician)
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Block Agency
Lori Hogg Artistry of Makeup — Advertising — Enclave Media
9/16 – 9/16
8/16 – 9/16
NBC — TV — Is or Isn't Entertainment
8/16 – 9/16
8/16 – 9/16
HGTV — TV — Matador Content
8/16 – 9/16
8/16 – 9/16
HGTV — TV — Matador Content
8/16 – 9/16
8/16 – 8/16
Assistant Camera (AC) (C300 )
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TTHB (Season 1)
HGTV — TV — Bodega Pictures
8/16 – 8/16
8/16 – 8/16
Centene — Advertising — Collective Media of Chicago
8/16 – 8/16
8/16 – 8/16
Second Assistant Camera (Alexa Mini)
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Star Com Midwest
Disney — Advertising — Fictitious Productions
8/16 – 8/16
7/16 – 7/16
ABC — TV — ABC
7/16 – 7/16
6/16 – 6/16
CMT — Live/Special Event Details
6/16 – 6/16
Built GoPro rigs for CMA
4/16 – 6/16
Editor (Premiere, DaVinci Resolve)
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Various
Corporate — Yamaha Entertainment Group
4/16 – 6/16
4/16 – 4/16
Corporate Details
4/16 – 4/16
BTS for Yamaha Promo
4/16 – 4/16
Music Video
4/16 – 4/16
3/16 – 4/16
Film (Feature-length) — Mark Nicolosi Details
3/16 – 4/16
First AC / Focus Puller for feature.
2/16 – 2/16
Bravo — TV — Sirens Media Details
2/16 – 2/16
Managed Media of 5x Sony F800 (XDCAM) cameras as well as 2 additional units of GoPro footage. Downloaded media via PDM-U1/U2 decks, onto master raid and shuttle drives. Physically archived and labeled XDCAM discs. Shipped optical discs separate (ground) and shuttles overnight. Managed media with ShotPutPro 5.
12/15 – 1/16
TV — PIC Agency Details
12/15 – 1/16
2nd Unit Pickups / Time Lapses / City B Roll
12/15 – 1/16
TV — PIC Agency Details
12/15 – 1/16
Covered 2nd Unit Saint Louis B-Roll and time lapse pickups.
11/15 – 11/15
Corporate — Enclave Media
11/15 – 11/15
11/15 – 11/15
Corporate — Enclave Media
11/15 – 11/15
8/15 – 11/15
Bravo — TV — Sirens Media Details
8/15 – 11/15
Ingest/Checksums data verification/ via ShotPutPro/Pomfort Data daily ratios from 750GB+1TB of multi cam footage. Assembly of time lapses, transcodes of specialty cam, dailies provided for story team. 4x Sony F800s, FS700, 5DM3, GoPro, A7S, Audio
2/15 – 8/15
NBC — TV — Hoff Productions Details
2/15 – 8/15
process of an upwards of daily ratio of 500gb+/day of F55, DSLR, GoPro/ audio data. MD5 Checksums, ingest / logging / sound sync in Avid for overnight turnaround for post. Additionally acting as camera tech in field when required.
5/15 – 5/15
Sizzle Reel — TV
5/15 – 5/15
5/15 – 5/15
Sizzle Reel — TV
5/15 – 5/15
2/15 – 4/15
Internet — TV — Make Something! Films
2/15 – 4/15
2/14 – 4/15
TV — Make Something! Films Details
2/14 – 4/15
DP for a series of several short spots for Intuit OwnIt.
3/15 – 3/15
Director of Photography (DP) (RED )
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Touch (Pilot)
Sizzle Reel — TV
3/15 – 3/15
3/15 – 3/15
Sizzle Reel — TV — Grandma's Chicken Pants Details
3/15 – 3/15
Documented Phi Beta Phi sorority's involvement in the community for a series of promotional videos.
3/15 – 3/15
Sizzle Reel — TV — Grandma's Chicken Pants Details
3/15 – 3/15
Documented Phi Beta Phi sorority's involvement in the community for a series of promotional videos.
2/15 – 2/15
Live/Special Event — Gabrielle LLC
2/15 – 2/15
2/15 – 2/15
Camera Operator (C300)
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H&L Partners
McDonald's — Advertising
2/15 – 2/15
1/15 – 1/15
Travel — TV — High Noon Entertainment Details
1/15 – 1/15
AC
1/15 – 1/15
A&E — TV — GRB Entertainment
1/15 – 1/15
1/15 – 1/15
TV — Pulse Films
1/15 – 1/15
11/14 – 1/15
OWN — TV — Pilgrim Studios
11/14 – 1/15
12/14 – 12/14
St.Louis CVC / Rams — Advertising — Coolfire Studios
12/14 – 12/14
11/14 – 11/14
DIT (Digital Imaging Technician)
SLU CARE — Advertising — Jet Pack
11/14 – 11/14
11/14 – 11/14
Camera Operator (C300)
Staff Position — Disruptive Pictures Details
11/14 – 11/14
Filming the protests and rioting days after the release of the Michael Brown shooting verdict. Interviews and walk and talks with Ami Horowitz
11/14 – 11/14
BET — TV — New Chapter Entertainment
11/14 – 11/14
11/14 – 11/14
Camera Operator (RED / C300 )
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Right to Fight
TV — Nerd TV
11/14 – 11/14
11/14 – 11/14
Fox — TV — Disruptive Pictures
11/14 – 11/14
10/14 – 11/14
NBC — TV — NBC Details
10/14 – 11/14
Handling of footage during Ferguson Protests, creating string outs and fast turnarounds of sizzles / binning logging footage from multiple units working simultaneously in the field and coordinating logistics from field to sat truck or post facilities.
10/14 – 10/14
Assistant Camera (AC)
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Proxy
Film (Short)
10/14 – 10/14
10/14 – 10/14
Sizzle Reel — TV — CIVIL SEA
10/14 – 10/14
6/14 – 10/14
Bravo — TV — Sirens Media
6/14 – 10/14
9/14 – 9/14
Film (Short) — Three Lock Box Productions LLC
9/14 – 9/14
9/14 – 9/14
Film (Short) — Three Lock Box Productions LLC
9/14 – 9/14
9/14 – 9/14
Music Video
9/14 – 9/14
3/14 – 9/14
Film (Feature-length) — Circa 87
3/14 – 9/14
3/14 – 5/14
DIT (Digital Imaging Technician)
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Expect Delays
Film (Feature-length) — Circa 87
3/14 – 5/14
3/14 – 5/14
Film (Feature-length) — Ted Trent Details
3/14 – 5/14
1st AC for A-Unit
3/14 – 3/14
Film (Feature-length)
3/14 – 3/14
3/14 – 3/14
Assistant Camera (AC) (C300 / C100 / 5DM3 / GoPro)
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VIMBY
Walmart — Advertising — Walmart
3/14 – 3/14
3/14 – 3/14
Assistant Camera (AC)
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Antidote
Youth in Need — Advertising — Pixelography
3/14 – 3/14
2/14 – 2/14
Assistant Camera (AC) (black magic, c300, 5dm3)
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Alkali Digital
Ameren UE Power — Advertising Details
2/14 – 2/14
AC, GE swing on micro crew for Ameren UE commercial, in addition to additional interviews for their human resources team.
1/14 – 1/14
Assistant Camera (AC) (C300)
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Anomaly
Budweiser — Advertising Details
1/14 – 1/14
AC duties
12/13 – 1/14
Director of Photography (DP) (RED)
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Bay City Brawler
Film (Feature-length) — Independently Produced Details
12/13 – 1/14
DP for BCB
7/13 – 10/13
Film (Feature-length)
7/13 – 10/13
7/13 – 10/13
Director of Photography (DP) (RED One MX)
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No Frog Eyes Shine
Film (Feature-length) — Independently Produced
7/13 – 10/13
7/13 – 8/13
A&E — TV
7/13 – 8/13
6/13 – 8/13
Film (Feature-length)
6/13 – 8/13
6/13 – 8/13
Director of Photography (DP) (RED One MX)
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Double the Life
Film (Feature-length) Details
6/13 – 8/13
Ultra low budget feature
tier 1
(currently in production)
Also colorist.
6/13 – 6/13
Assistant Camera (AC) (C300, Go Pro)
Purina — Advertising — Kids At Play Details
6/13 – 6/13
Camera assistant / tech for 3x C300s, 6x Go Pros. on a run/gun internal promotion video.
(only AC on this job)
Also ran and setup wireless feeds as well as video village.
5/13 – 6/13
American Family Insurance — Advertising
5/13 – 6/13
5/13 – 6/13
Director of Photography (DP) (RED ONE MX, Phantom Gold)
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Common Ground
American Family Insurance — Advertising Details
5/13 – 6/13
Director of Photography for ad based experimental short to be projected before shows at a well-recognized international film festival this summer. [tier II budget/financing]
Managed/preformed DP duties throughout development, preproduction, production/principal photography of two camera units in multiple locations nationwide. Also provided base color timing.
5/13 – 5/13
Assistant Camera (AC) (C100, C300 and 5D Mark III)
JE DUNN Construction — Advertising — Resonate Pictures Details
5/13 – 5/13
Commercial as well as industrial training video. Provided 2nd AC services to 1st AC Joel Remke.
5/13 – 5/13
Assistant Camera (AC)
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Altair
Marlboro — Advertising — Resonate Pictures Details
5/13 – 5/13
1st AC two C300 (canon)
4/13 – 5/13
SyFy — TV Details
4/13 – 5/13
Camera assist for both A and C camera for BTS and competition live broadcast during ComiCon 2013.
4/13 – 4/13
Assistant Camera (AC) (RED EPIC)
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Tangent Mind
Monsanto — Advertising — Baumgarten-Prophet Entertainment Details
4/13 – 4/13
1st AC / Focus Puller for fast paced, 1-day shoot for two commercial Monsanto commercials.
4/13 – 4/13
Apple TV+ — Advertising Details
4/13 – 4/13
AC for two RED EPIC camera units. 1st ac for A-Unit
3/13 – 4/13
DIT (Digital Imaging Technician)
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TBA (NDA) - Tba
Music Video — DEXTRAL.TV, Details
3/13 – 4/13
AC/DIT swing for DP/Dir Joe Lombardi
I also provided/rented my full RED One MX, Zeiss superspeed camera/support/and lens package in addition to my G/E truck/package as well.
2/13 – 3/13
Digital — SNAP! Productions Details
2/13 – 3/13
Provided general camera assistant duties for three camera, as well as grip/rigging/electric duties on prelights.
12/12 – 1/13
Camera Operator (RED ONE MX)
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Die Kreatur
Film (Feature-length) — NMH
12/12 – 1/13
12/12 – 1/13
Director of Photography (DP) (RED One MX )
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Die Kreatur
Film (Feature-length) — NMH Details
12/12 – 1/13
Currently in post production.
Footage of the film are on my website: www.joshualassingdop.com
additional footage/stills are available upon request.
8/12 – 11/12
Camera Operator (RED ONE MX)
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Small Town
Film (Feature-length) — Wasted Life Productions
8/12 – 11/12
8/12 – 11/12
Director of Photography (DP) (RED One MX / RED Epic)
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Small Town
Film (Feature-length) — Confidential Details
8/12 – 11/12
Small Town is an independent feature I lensed throughout the midwest (predominately in KY) during fall of 2012.
http://www.imdb.com/title/tt2563706/
Tier I / ultra low
Still frames of the film are available on my website: www.joshualassingdop.com
additional footage available upon request.
5/12 – 8/12
TV — Winnercom, Inc Details
5/12 – 8/12
Reality TV show for The Outdoor channel shot on Sony F-800 (XDCAM), Canon C300 (interviews, BTS) Contour cam, go pro, phantom v 12.1, dslr for specialty cams.
http://www.imdb.com/title/tt2645442/
show website: http://www.outdoorchannel.com/show.aspx?show-id=317
6/12 – 7/12
Assistant Camera (AC) (Arri SR2, RED One MX)
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On the Way to China
Film (Feature-length) Details
6/12 – 7/12
http://www.imdb.com/title/tt2415882/
4/12 – 5/12
Assistant Camera (AC) (RED EPIC)
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The Plague
Film (Feature-length) — CJJ Films LLC Details
4/12 – 5/12
1st AC / Focus Puller
http://www.imdb.com/title/tt2404826/
3/12 – 4/12
Film (Feature-length) Details
3/12 – 4/12
1st AC - Red One MX Box, and RED Scarlet body.
http://www.imdb.com/title/tt2993118/
2/12 – 4/12
DIT (Digital Imaging Technician) (Arri Alexa)
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Envisioning Home
Film (Feature-length) — EPPIC Films Details
2/12 – 4/12
DIT and data manager for the feature documentary Envisioning Homes, currently running the festival circuit.
Primary cameras: Arri Alexa / RED Scarlet
Secondary/Aerials: Scarlet / Epic
BTS / Inserts: Canon 7D / 5Dm2
trailer:
http://vimeo.com/45861269
http://www.imdb.com/title/tt2403863/
12/11 – 2/12
Film (Feature-length) — ROSENGARTEN PICTURES
12/11 – 2/12
12/11 – 2/12
Director of Photography (DP) (DSLR / Canon 7D/5DM2)
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PAINTING WITH ALEX RUBY
Film (Feature-length) — ROSENGARTEN PICTURES
12/11 – 2/12
11/11 – 12/11
NBC — TV — FremantleMedia Details
11/11 – 12/11
Assistant Camera for 'A' Camera reality unit, Sony F900 (xdcam)
IMDB:
http://www.imdb.com/title/tt0759364/
10/11 – 11/11
Digital — SNAP! Productions Details
10/11 – 11/11
Commercial Series and Webisodes for Chevy, and Chevy Music Showcase
website
http://chevymusicshowcase.com
10/11 – 10/11
Director of Photography (DP) (DSLR / Canon 7D/5DM2)
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LOVE STALKER
Film (Feature-length) — Film Bender Entertainment Details
10/11 – 10/11
LOVE STALKER is an independent feature film lensed by myself, and Bart Elfrink in 2010. I shot the last leg of the film/ the dramatic twist... (roughly 20 minutes of the film)
http://www.imdb.com/title/tt1754156/
press/trailer/website:
http://www.lovestalker.com/press.html
11/10 – 10/11
Camera Operator (Canon 7D, 5DM2, go pro)
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LOVE STALKER
Film (Feature-length) — Film Bender Ent. Details
11/10 – 10/11
DP as well as operator.
8/11 – 9/11
Director of Photography (DP) (7D)
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ESCAPING THIS
Film (Feature-length)
8/11 – 9/11
7/11 – 7/11
Media Manager
Advertising — Triple Chair Entertainment
7/11 – 7/11
7/11 – 7/11
DIT (Digital Imaging Technician) (RED One)
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Snapped
Film (Feature-length) Details
7/11 – 7/11
AC/DIT swing
6/11 – 6/11
Assistant Camera (AC) (RED One)
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Roulette
Film (Feature-length)
6/11 – 6/11
4/11 – 5/11
DIT (Digital Imaging Technician) (RED One)
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Resident
Film (Feature-length) Details
4/11 – 5/11
AC/DIT Swing
4/11 – 4/11
Film (Feature-length)
4/11 – 4/11
3/11 – 3/11
Music Video — RSM Creative Details
3/11 – 3/11
Camera assistant and associate producer
Music Video:
http://www.stefan-anderson.com/post/9170291306/these-hearts-live-to-the-point-of-tears
2/11 – 3/11
DIT (Digital Imaging Technician) (DIT)
Advertising — Triple Chair Entertainment Details
2/11 – 3/11
DIT for Purina 'Catepedia' dvd training series as well as one commercial
Sony F3, FS100 (xdcam) [main bodies for dvd]
Phantom [Slow motion cat shots, commercial]
DSLR 7d/5dM2 [BTS]
2/11 – 3/11
Assistant Camera (AC) (Arri SR2 )
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Perception
Film (Feature-length) Details
2/11 – 3/11
Focus puller / camera assistant A camera.
http://www.imdb.com/title/tt1937281/
12/10 – 2/11
Details
12/10 – 2/11
DP, as well as an OP on this series.
12/10 – 2/11
Details
12/10 – 2/11
US Army Corps of Engineers training/PSA videos, various safety, inspection, internal employee videos.
We worked as a guerrilla unit, (DP/Producer/Director) with a micro-crew, and) also cut the 10 episode videos for the client.
11/10 – 12/10
Food Network — TV
11/10 – 12/10
10/10 – 10/10
Film (Feature-length) — GK
10/10 – 10/10
5/10 – 5/10
DIT (Digital Imaging Technician) (RED One MX )
–
Dzenan Jahic - Ova noch
Music Video — Gotvia Sarjevo Details
5/10 – 5/10
DIT / Assistant
music video: http://www.youtube.com/watch?v=lesonskSs1s
3/09 – 4/09
Film (Short)
3/09 – 4/09
2/09 – 2/09
Film (Short)
2/09 – 2/09
5/08 – 6/08
Film (Feature-length) — Real Bean Entertainment
5/08 – 6/08
12/07 – 1/08
Film (Feature-length)
12/07 – 1/08
Class of '22
ISC2
Certified in Cybersecurity (CC)
Class of '10
Academy of Preforming Arts -
Sarajevo Bosnia and Herzegovina
Motion Picture Direction / Cinematography (Certificate)
Class of '09
University of Missouri - Saint Louis
Media Studies
Class of '06
Jefferson College
Associate of Arts - A.A. Photography and Mixed Media
