Julie Randolph

Almost exclusively dealing with releases, taking pictures and keeping the crowd entertained. The rest of the time I was roving, helping with craft services, camera, and whatever else was needed. This took place in Cedar Park, TX near Austin.

I will be maintaining continuity, keeping timecodes, keeping track of wardrobe, prop position, hairstyles, etc ..., recording camera lens use, outtakes, noting bad shots to aid the editor and generally keeping everything looking like it takes place on the same day, at the same time, in the same year.

I drove the grip truck and RV from city to city all over Texas and Louisiana. I also worked extensively with releases.

I am primarily responsible for script supervision and continuity. I also do whatever else is needed on set.

Dealing mostly with crowd control via casting of new singers for the series The Voice with an invitation to return when they are next in the area. I spent the majority of the time registering the contestants and getting them seated. worked in Austin, TX

Assistant to the producer for a one day shoot for season 5. Shreveport, LA I work with The Voice pretty much every time the come to Louisiana or Texas.

Set up craft services table with drinks/snacks/food Set up coffee maker and coffee cups, sugar, creamer, etc.. Make sure area is neat and organize make sure everyone’s water bottle or soda is labeled.

This was a 4 day commercial shoot for Pepsi in Corpus Christi as they have been nominated as Bottler of the Year. It was driving crew to and from the airport and from location to location. I dealt with craft services and kept people from dehydrating in the Texas heat.

Responsible for continuity of wardrobe, keeping track of all wardrobe and accessories and any props that were involved with wardrobe (such as name tags).

Maintaining continuity, lining and timing scripts, feeding lines, time codes, outtakes, if it has to do with the script ...that is what I did. we have currently filmed 6 episodes with plans for more eventually.

I started as script supervisor maintaining continuity, times, lines, prompting, etc, was asked to take charge of wardrobe and finally put in charge of props as well. This was a 1970's era drama and I spent a great deal of time finding appropriate clothing and vintage items for props.

General gopher, crowd control, entertaining extras, running around and keeping people from leaving for 12 hours.

Assistant to the CGI Department. General gopher, runner, the one who brings coffee.

I helped wrangle extras briefly during a shoot in Eagle Vail, Colorado. Gopher, runner, and stepped in as an extra. We were filming at a movie theater with around 100 people.

Helping with the interviews for the club kids in New York. General gopher/runner the rest of the time.

I was a general gopher and runner for the CGI department while they were editing the film in post production.

I was a general gopher and worked with glass permeable contact lenses (helping the actors get them in and out of their eyes).

I started as a PA but ended up functioning as Prop Master for the better part of the production. As I understand it there were two episodes and then it was cancelled.

I was Assistant to Lupe Ontiveros and wrote several articles for various magazines and newspapers for the film.