I scouted, produced, and edited pitch videos in order to sell programming concepts to major networks and streaming services. I would meet and collaborate regularly with network executives to develop programming that cater to their specific audience. Clients included TLC, Discovery, NatGeo, Warner Media, Oxygen, and more.
Summary
My network television editing experience spans everything from show sizzles, to docu-reality, to Olympic sports montages. I approach every project with an open mind, and obsess over perfection and creativity when taking it to the finish line. I also do not shy away from having to take an alternate, unexpected route like having to use my After Effects skills or even grabbing a few quick simple shots with my camera when necessary.
Credits
8/17 – 5/22
Editor (Development Sizzle Editor, Adobe Premiere)
Staff Position — Killer Bunny Entertainment Details
8/17 – 5/22
9/20 – 9/21
Editor (Adobe Premiere, After Effects, DaVinci)
Staff Position — 32 Mile Productions Details
9/20 – 9/21
A 32 Mile, I make content for broadcast sports, household brands, Youtube channels, sizzles, documentaries, reality TV, sales content and much more. Additionally, my years of experience using After Effects allows me to produce motion graphics and stylize video content with creative compositing, motion tracking and everything After Effects offers. I also collaborate directly with clients to ensure I encapsulate their vision and goals for each project. I even shoot video using our Sony FX9, FX3, and A7siii cameras.
10/20 – 3/21
Editor (Adobe Premiere) – Filth Fighter (Pilot)
TLC — TV — Killer Bunny Entertainment Details
10/20 – 3/21
Coordinated daily with showrunner. Worked alone, remotely, and without an AE or PA. Also edited the initial 13-minute proof of concept that sold this pilot to the network.
3/18 – 9/20
Editor (Adobe Premiere, After Effects, Illustrator, Photoshop)
Staff Position — ADM Productions, Inc. Details
3/18 – 9/20
At ADM, I produced, edited, designed and animated exciting short-form corporate video and motion graphic content for dozens of major live corporate events. Companies included Canon, Goodyear, Cisco, Intel, Johnson & Johnson, Samsung and many more. Video content included anything and everything from loud, fast-paced intro videos, to brand animations for screens of all sizes and purposes, to sentimental documentary-like videos. All deadlines were extremely tight. Examples available.
9/17 – 1/18
Editor (Avid) – Soft Focus with Jena Friedman (Pilot)
Cartoon Network — TV — Factual Productions
9/17 – 1/18
1/17 – 6/17
Preditor (Avid) – Texas High Rollers (Pilot)
TV — Killer Bunny Entertainment Details
1/17 – 6/17
Story-produced and edited a 3 episode pilot.
6/16 – 6/17
Editor (Avid) – ESPN US Open Martial Arts Competition
ESPN — TV — KC Productions
6/16 – 6/17
7/16 – 9/16
Editor (Avid) – 90 Day FiancĂ©: Happily Ever After? (Season 1)
TLC — TV — Sharp Entertainment
7/16 – 9/16
Media
Recos
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Education
Class of '08
SUNY Plattsburgh
BA TV Production / Broadcast Journalism
My Gear
Skills
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