Justin Steinfeldt

Set up the camera for OTF interviews with the cast, and managed media.

Helped the camera operator set up and use a 5D on a Genie Syrup slider for B-roll.

Operated C100, FS700, 7D, and GoPros in a run and gun, documentary style shoot.

Operated B-Cam for OTF interviews of several of the cast members.

I was a DIT for a shoot using a RED Epic

While shooting with the RED Epic Dragon, with a Zeiss 15.5-45mm Lens, we shot 4k 120fps & 2k 240fps footage of players in the TCF Bank Stadium. The camera was rigged up on a shoulder rig system with a standard follow focus gear.

As the Camera A operator and 1st AC, I was in charge of setting up and making sure the three cameras that were used to film a catwalk style merchandise video, were using the correct settings and prepped for each of the models looks.

On a very documentary style show, I was tasked with prepping gear such as the Dana Dolly, prepping run bags, and maintaining the charge station. As the 2nd AC, I would help the AC with prepping, hauling, or staging gear in the cargo van or production office.

This was a physically demanding shoot, which included hauling 40lb bags of crafty, tripods, and other gear through a mile or two of snake, tick, and spider infest woods, with the final destination being a cave 75ft up in the side of a cliff.

During a shoot in rural Iowa, I worked as an AC for small crew of five people, including myself. We used C300 with a variety of Canon L Series lenses, GoPros, and various camera support gear such as sliders, shoulder rigs, etc.

As a PA on a human interest piece for The Queen Latifah Show, I had the responsibility of making runs in production vehicles for coffee, lunch, gear, etc, along with rounding up gear, and helping to obtain appeances releases.

While creating a promo/doc video for the company MoneyThink, I worked with one other person to set up three cameras, a boom mic, and put lav mics on people to capture an event. The event had several speakers that would talk to high school kids about preparing for college.

Helped load/unload gear, transported talent to locations, helped set up camera equipment, and prepped several cameras to be used for the show.

I helped on a pilot episode of an untitled show for GAC. I helped set up lights, cameras, and tripods. I also shot some b-roll, set camera settings, and helped transport gear to multiple locations.

Operated my Steadicam rig fitted with a Black Magic Cinema Camera with a 14mm Rokinon Cine Prime.

Operated steadicam for a commercial shoot for an app. Lots of tracking shots through tight quarters in an office building. Shot with a Canon 60D with an AC7 monitor and a Bartech Follow Focus

As Key Grip, my team and I were responsible for setting up the risers for the stage, hanging back drops and curtains, running wires, and other prep work. I personally installed a projector on the and hung the projector screen from a 15ft ceiling.

Operated a steadicam for a five minute, continuous shot, party scene.

As the Grip I helped with transporting lights, stands, camera equipment, etc. from one location to another. I also set up light panels, diffusion, and bounce.

I produced, shot, and edited a short promo/commercial video for a company called pARTy Scapes. The project was shot on a two Canon T3i's and a GoPro Hero 2.

I produced, shot, edited, and also did sound for a short promo video to help a person increase their chances of being picked to go on the show, Survivor.

For a school project I operated steadicam with a Canon 60D DSLR.

Sorry, Charlie is a short horror film about a young child being haunted by the ghost of child. I operated my steadicam rig with a C300 on it. Several scenes were shot outside, while others were filmed following a person going down a very narrow hallway.

A Fairy's Tale was a short film that featured VFX animals and heavy green screen work. My grip team and I, had to improvise a green screen, black out two stories of windows, and a rig lights on staircases and off of handrails.