Keir Johnson

DP for untitled feature doc for Netflix, Sony FX9, Aputure Lighting, Grip Package. Washington DC and Richmond, Virginia.

Director of Photography for CVS corporate video project, Sony FX9, Aputure lighting package

Producer/Shooter, DP and FAA 107 Drone Pilot for Discovery+/HBO Max docuseries

Producer/Shooter and Camera Operator for upcoming Discovery+ project. Sony FS7, Canon 17-120 Cine Servo Lens

DP and Drone Operator for new Netflix series "Titletown High", Sony FS7MK2, Fujinon Cabrio Lenses 19-90mm and 85-300mm

Producer/Shooter and Drone Operator for Season 2 of MotorTrend Network "Fastest Cars in the Dirty South"

Camera Operator for "Bernie Blackout: The Revolution Will Not Be Televised"

Camera Operator for Season 2 of "Geraldo Rivera's Murder in the Family"

DP and Shooter/Producer for Season 5 of "Junkyard Empire" on Motor Trend Network. Director of Photography, Cross shooting with 2-3 cameras, running audio, lighting, finding story, shooting run-and-gun, hot sheets, beauty shots and time lapses also FAA 107 Drone Operator.

Director of Photography for upcoming production about NASCAR driver Angela Ruch. Multiple city location shoot, run and gun production, racetrack shooting, beauty shots and interviews. Multi camera, Sony FS7 with Fujinon 19-90 and 85-300 Cabrio Lenses.

One man band production with law enforcement.

Producer/Shooter, Discovery Networks Velocity Channel "Junkyard Empire", Season 3 (12X60) and Season 4 (12X60) Sony FS7, one man band production.

DP and Shooter/Producer, cross shooting, finding story, shooting run-and-gun, and shooting beauties, and time lapses.

Director of Photography, TV One, "For My Man", Season 3, (Canon C300)

Arri Amira shoot, Canon Lenses, Dana Dolly, grip and electric.

Shot a series of formal sit down interviews for the American Nurses Credentialing Center with Craig Interactive in Silver Spring, Maryland

Camera Operator, Sony PXW-FS7, Fujinon 19-90mm Cabrio Lens, Zeiss CP set, lighting, GoPro, grip, time lapse

Camera Operator, Canon C300, L Series Glass, Dana Dolly, Grip and Lighting

Spent a month shooting in-house projects for National Geographic Television

"Diggers", Season Three, National Geographic Channel, Sony PMW200, Canon 5DMK3, Video Devices Pix240 recorder, Zeiss Primes, DJI Phantom 2 GoPro aerials, time lapse, lighting and grip.

"Growing up Hip Hop", WE TV, Washington DC, Canon C300 with shoulder rig, reality 2 camera, lighting, grip and some time-lapse work.

"Filthy Riches", Season Two, National Geographic Channel, Canon C300, Canon 5DMK3, Sony PMW300, GoPro 3+, various camera movement and grip gear.

"Time Traveling with Brian Unger", Travel Channel Series Canon C300, Canon Cinema Lenses, Blackmagic Production Camera 4K, GoPro 3, lighting and grip

"Diggers", Season Two, National Geographic Channel Canon XF305, Canon 7D, Canon 60D, Sony A1U, GoPro 3, camera movement, lighting and grip

"Filthy Riches", Season One, National Geographic Channel Canon C300, Canon 5DMK3, Sony PMW300, GoPro 3+, various camera movement and motion control systems, lighting and grip gear, direct Cineflex aerials

I spent 3 months in Turkey traveling and shooting corporate videos and commercials for several Turkish Production companies based in the city of Fethiye, Turkey also shot in Istanbul, Rhodes, Greece and Cyprus. Canon 5DMK3 field package and Premiere CS6.

Camera Operator for all 3 seasons of the hit TLC series "DC Cupcakes", shot on location in the Washington DC Metro area, full interior lighting set up, time lapses throughout DC, reality hand held and beauty shots.

Camera Operator covering the Smithsonian Museums, private access, security clearances.

DP for Fine Living Network, Sony EX1

AP and HDV shooter

Grip for BBC crew in DC

Additional Camera/DSLR

Camera operator and field producer for "Last American Cowboy" for Animal Planet