Kevin Gillingham

Skeleton crew where I gaff and grip just as much as I help with camera

Drove around producers and camera teams to different locations around LA in an effective and timely manner, while maintaining crisp communication with other drivers and captains during convoys and location drops.

Shot multiple simplistic cover videos with changing background theme we rigged at a small studio

Blacked out windows of a mansion to play for night Rigged 20x20 silks and solids Organized different "bases" for equipment to safely store it for easy access yet out of the way of the production

Ran extensive pre-visualization process to create "fly vision" Employed the use of Red Screen for "Green Screen" effects, DJI Phantom II drone + GoPro Hero 4 (for the fly's vision), Kinoptik 9.8mm lens for super wide effect (riding on back of fly), and the Zeiss 100mm Makro-Planar T2 Lens for macro shots

Shot on location including shooting in the woods in the rain Used almost all natural light at night, shooting at a t/1.4 nearly the entire time Employed use of Jib, dolly, and handheld Used 6 different Tiffen filters to create "look"