• Script acquisition and development, research, script coverage, and casting (dealing with talent representation) • Raising funds through private equity investors • Build relationships with foreign sales agents and distributors • Hiring & supervision of crew and negotiation of deals with vendors
Summary
Active in the entertainment business for 15 years, Kimberly has expanded to working behind the camera, as a producer, melding her strong business background with her artistic/creative side.
Credits
6/12 – 11/13
Director of Development (Producer) – Several ongoing projects
Film (Feature-length) — Sinovoi Entertainment Details
6/12 – 11/13
8/11 – 11/13
Production Manager (Freelance) – Various Projects
Concrete Images Details
8/11 – 11/13
Bidding & management of budget, liaison between client & director Hiring & supervision of crew; negotiation deals with vendors Development of production & wrap books, creation of daily call sheets & schedules Computer support for production team & general administrative duties throughout production Talent bookings, field production, office set-up/strike, billing, travel, and talent contracts
4/11 – 11/11
Associate Producer (Production Coordinator during pre-production) – The Ganzfeld Experiment
Film (Feature-length) — Concrete Images Details
4/11 – 11/11
Hiring of crew and negotiation of deals with vendors. Location scouting Casting (active with talent meetings/auditions with director) Liaison between director and crew Creation of daily call sheets & schedules (during prep) Talent bookings, field production, staffing, travel, and talent contracts
7/11 – 9/11
Producer – Posey
Film (Feature-length) — TCD Studios Details
7/11 – 9/11
• Raising funds and donations to support project • Hiring & supervision of crew and negotiation of deals with vendors. • Location scouting and permits • Festival submissions
7/10 – 1/11
Producer (Lead) – Advent (Pilot)
Digital — 33 Flavor Films Details
7/10 – 1/11
Raising funds and donations to support project Casting Hiring & supervision of crew and negotiation of deals with vendors. Location scouting and permits Festival submissions Post-production
Recos
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