Kristy Richman

Organize each day of production and oversee the production as a whole. Assist in casting talent as well as hiring needed crew. Looking over crew deal memos, talent release, and keeping track of finances. Send out call sheets and help bring the Directors vision to life.

Cast background talent and speaking roles for the app TimeLooper. Worked closely with CNN representatives and personnel. Organized and wrangles talent on set and produced paper work needed for production.

Develop and create features short films, web series, and documentaries working with SAG and WGAE. Heavy involvement with script development, staffing productions, casting, production and post production supervising. Errata- Deep Water, Hard Candy, Gloom, Bang, Dead of Winter.

FILMS: How To Be Single and Coco/ Spoken Word. Assisting Casting Directors in casting background actors for television and film as well as assisting with speaking roles. Reading over scripts and developing a cast breakdown. On set representative and talent wrangler for the casting department. Familiar with casting networks, breakdown services, backstage, and sag postings.

Casting of background, U5, and stand in talent.

Editing and uploading photos to agency website as well as scheduling agency appointments. Answering phones and greeting office visitors. Photographing babies and maternity models for database as well as organizing data base. Writing articles for the online magazine The Stork. Submitting and handling travel and contracts for talent and clients. Worked closely with: Baby GAP, GAP, SlimFast, Toys r Us, Carters, Old Navy ect.

Heavily involved with all aspects of the production. Organized film micro film budgets ranging from $5,000-$50,000. Assisting in screening and casting talent for upcoming productions. Running post production editing sessions and super visioning talent through ADR sessions. Worked closely with SAG, WGAE, DGA. Work includes seven films and television pilots.

Heavily involved with all aspects of the production. Organized film micro film budgets ranging from $5,000-$50,000. Assisting in screening and casting talent for upcoming productions. Running post production editing sessions and super visioning talent through ADR sessions. Worked closely with SAG, WGAE, DGA. Work includes seven films and television pilots.

Heavily involved with all aspects of the production. Organized film micro film budgets ranging from $5,000-$50,000. Assisting in screening and casting talent for upcoming productions. Running post production editing sessions and super visioning talent through ADR sessions. Worked closely with SAG, WGAE, DGA. Work includes seven films and television pilots.

Worked closely with the director and producers for three months of editing and post production work.

Heavily involved with all aspects of the production. Organized film micro film budgets ranging from $5,000-$50,000. Assisting in screening and casting talent for upcoming productions. Running post production editing sessions and super visioning talent through ADR sessions. Worked closely with SAG, WGAE, DGA. Work includes seven films and television pilots.

Heavily involved with all aspects of the production. Organized film micro film budgets ranging from $5,000-$50,000. Assisting in screening and casting talent for upcoming productions. Running post production editing sessions and super visioning talent through ADR sessions. Worked closely with SAG, WGAE, DGA. Work includes seven films and television pilots.

FILMS: The Hunger Games, What to Expect When You're Expecting, Good Deeds, Warrior, One For The Money. Organized daily news breaks and clippings regarding current projects as well as assisting with press junkets in creating swag bags for fan camps. Developing and working within the media library searching for clips for certain shows and publicity events. Providing guests with schedules, travel, and activities. Assisting with all aspects of screenings, events, film premiers.