Started as a staff member and was promoted to supervisor, supervise a staff of 7 to 8 people and facilitate Fever Candlelight branded live events with local musicians and artists at various venues while managing, building, and maintaining relationships with customers and vendors, including set up and break down of event space for 2 shows per night about 2 days or more per week for an audience of around 150 people or more per show.
Summary
Journalist with experience in writing, research, copy-editing, and fact-checking with live event and film experience ranging from set and office production assistant to casting. Based in Austin, TX - willing and able to travel.
Credits
3/21 – Current
Production Supervisor – Fever Candlelight
various venues in Austin, TX — Live/Special Event — Fever Details
3/21 – Current
4/23 – 4/23
Casting Director – ZHC
YouTube — Digital — ZHC YouTube Details
4/23 – 4/23
Managed a casting call to cast kids for a YouTube thumbnail shoot, met with producers to discuss needs, assembled headshot spreadsheets, coordinated with parents and set teams to get kids to set
4/22 – 6/22
Production Assistant – In Restless Dreams: The Music of Paul Simon
Film (Feature-length) — Jigsaw Productions Details
4/22 – 6/22
Coordinate between production office and set crew, go on runs for crew for meals and equipment, pick up and drop off crew at airport, keep track of receipts and purchases, ship film shoot drives
10/21 – 12/21
Extras Casting (Coordinator) – Untitled Mo Amer Project (Season 1)
Netflix — TV — A24 Films Details
10/21 – 12/21
Main point of contact for Michael Druck Casting on this project for background casting handling everyday tasks of reaching out to talent, booking talent, confirming talent, including talent with specialty skills, adapting to and applying evolving COVID testing procedures for talent, occasional travel to Houston to coordinate talent on set, manage and delegate tasks to assistants
5/21 – 7/21
Extras Casting (Coordinator) – Look Both Ways
Netflix — Film (Feature-length) — Blue Pink Productions Details
5/21 – 7/21
Main point of contact for Michael Druck Casting on this project for background casting handling everyday tasks of reaching out to talent, booking talent, confirming talent, also for featured roles from newborn baby to toddler age children as well as musicians, adapting to and applying evolving COVID testing and safety procedures for talent, manage and delegate tasks to assistants
10/20 – 11/20
Extras Casting Assistant – Rock Me (Pilot)
TV — Rabbit Foot Studios Details
10/20 – 11/20
Work closely with production to reach out to talent, review headshots, and cast background actors for a television series pilot including following new and developing COVID procedures, work closely with assistant directors to ensure as changes to film schedule occur that the correct number and type of background actors are cast, check talent in on set and work with assistant directors
2/20 – 3/20
Extras Casting Assistant – Apollo 10 1/2
Netflix — Film (Feature-length) — Space Age 1969 LLC Details
2/20 – 3/20
Work closely with Casting Director and film Director to reach out to talent, review headshots, and cast background actors for a 1960s period feature film including a large number of child actors, work closely with assistant directors to ensure as changes to film schedule occur that the correct number and type of background actors are cast, be present on set each day to check talent in and ensure all releases and contracts are signed
5/19 – 5/19
Production Assistant – T-Pain's School Of Business (Season 2)
Fuse — TV — Citizen Jones Details
5/19 – 5/19
Handle releases for 700+ high school students and faculty, go on runs for crew, other duties as assigned
Orgs
Recos
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Education
Class of '10
Southern Methodist University
B.A. Journalism
My Gear
Skills
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