Kyle Hermsen

On story shoot days I went on crafty runs, helped setup and break down lights, camera and other grip gear and helped make sure production ran smoothly. On renovation days I was responsible for capturing shots of various demolition and construction aspects of the renovation process. I was also responsible for backing up all data from the shoots and capturing aerial shots when needed.

I was responsible for building the cameras, Jib & lights and operating the Camera while assisting the Director Of Photography during shooting.

I was responsible for building the cameras & Jib and assisting the Director Of Photography while shooting. I was also responsible for operating the drone and capturing unique aerials of the set.

I was responsible for safely capturing aerials off the build site using an Inspire 1 drone.

I was responsible for building the Canon C300 Mk II and Movi Pro Stabilizer. I was also responsible for operating certain shots, assisting Director of Photography when needed, and carrying and tearing down gear.

I was responsible for setting up cameras and camera support equipment, operating camera during event, and tearing down equipment after the event ended.

I was responsible for helping build cameras, sliders, drone and go pros, rigging Go pros to various mount points, assistanting the crew during the shoot, operating the drone, assisting with tear down and managing footage.

I was responsible for setting camera, making camera coverage guide, operating switcher during games, and assisting with tear down after the event.

I was responsible for assisting with various duties on set ranging from keeping crafty stocked, to transporting equipment to assisting other departments with tasks.

I was responsible for helping set cables, cameras and other equipment before game, handling cable and assisting cam op during game and helping wrap all equipment and cables at the end of show.

I was responsible for helping set gear, ensuring camera operator could get to shots during the game and helping strike gear after.

I was responsible for designing the sets, shots, lighting and for the final edit.

I was responsible for setting up lights and camera, designing shots and lighting, operating camera during shooting, tearing down equipment at the end of each day and editing all the footage into a completed product.

I was responsible for setting up camera, assisting DP during shooting, shooting various shots, transferring media and tearing down equipment at the end of the day.

I was responsible for helping setting up camera, setting up lights, helping set up props, assisting with any needs during shooting and helping tear down after shooting.

I was responsible for helping load in and setup gear, assisting with any needs while shooting, and helping tear down and reload gear.

I was responsible for setting up cameras, assisting with lighting, formatting media, operating camera during shots, and breaking down camera and lighting.

I was responsible for designing the shots and lighting, helping the production designer design the background of the shots, and editing the footage together into the finished product.

I was responsible for designing shots, setting and designing lighting, operating camera, and editing the final commercial.

I was responsible for unloading the truck, moving gear to locations, setting up gear, running cable, maintaining gear during game, and striking and loading gear after the game completed.

I was responsible for helping build cameras and lights, order lunch, make various runs and assist with any needs that arise on set.

I was responsible for setting up cameras, choosing shots, placing lights, shooting interviews and b-roll and ensuring the entire shoot runs smoothly.

I was responsible for running cable from the camera truck to the various camera positions, both on the concourse, the high end zone and to the field, during the game I was responsible for ensuring that the camera operator stayed safe during play and for leading cable correctly as to not injure anyone and to give the operator maximum movement. After the game I was responsible for recoiling all the cable that was run and helping repack the camera truck.

I was responsible for setting up all reel positions, unloading the truck, helping rig materials, watching reel during event, then packing and loading all gear back onto the truck.

I was responsible for setting up all reel positions, unloading the truck, helping rig materials, watching reel during event, then packing and loading all gear back onto the truck.

I was responsible for setting up all reel positions, unloading the truck, helping rig materials, watching reel during event, then packing and loading all gear back onto the truck.

I was responsible for picking up the rental vehicle, picking up gear and purchasing crafty. During the shoot I was responsible for ensuring everyone on set was content, assisting the AC, including building cameras and lights, and fire watching the vehicles. I was also responsible for driving crew around during b-roll filming.

I was responsible for helping set up camera and lights, make various runs, and assist with any needs on set.

I was responsible for picking up the rental vehicle, picking up gear and purchasing crafty. During the shoot I was responsible for ensuring everyone on set was content, assisting the AC, including building cameras and lights, and fire watching the vehicles.

I was responsible for building each camera, the DJI Ronin, DJI Inspire Drone and various light kits. I was also responsible for operating multiple shots, including drone shots. I was also responsible for downloading and media managing all of the footage shot during the day.

I was responsible for setting up and tearing down the parabolic mic setup and operating during the game. I also assisted with other neads during setup and tear down.

I was responsible for loading in all equipment to the catwalks, laying out fiber optic cable, assembling skycam carriage, observing cables during broadcast and assisting with breakdown and loadout after the game.

I was responsible so setting up cameras, lights, lavs and other equipment. I was also responsible for shooting the 2 interviews and various b-roll shots of the facility.

I was responsible for loading in and setting up equipment on the catwalks. Monitoring reels during the game and then helping with loadout after the game.

I was responsible for writing the script, designing and selecting shots, building up equipment on shoot day, filming and editing the footage into 4 episodes.

I was responsible for running cable from the camera truck to the house, helping build cameras, supporting camera operator during event by wrangling cable and keeping space clear, and breaking down all equipment at the end of the show.

I was responsible for photographing an obituary that was printed in a newspaper from 1937.

I was responsible for setting lights, setting camera, managing slate, handling releases, making runs and assisting with any needs on set.

I was responsible for building and assembling the typing template used in the video. I also was responsible for editing and syncing the sound.

I was the Cinematographer and Editor for the 8 part summer series, in charge of the lighting, shooting and designing shots, editing raw footage and providing a completed product to the client.

I was responsible for making crafty and other runs, loading and unloading gear from production vans, assisting with setup and tear down of lights and camera systems and assisting with any other needs that arose onset.

Before and after the concert I assisted in setup and tear down of the 24' Jimmy Jib and Red Scarlet Camera. During the concert I operated the iris, zoom and focus using the Arri WCU-4.

I was responisble for driving production vehicles, assisting with any needs on set, ordering and picking up lunch orders, and assisting the AC with prepping gear.

I was responsible for assisting the crew with gear set up and breakdown, making production runs, and assisting the producers with any problems that arose during filming.

I was responisble for loading in gear, setting up cameras, setting up motorized dolly timelapse and assisting the director of photography during shooting.

I was responsible for assisting with load in and set up of mobile production suite, HD Broadcast Cameras and Go Pro Cameras. During the event I was responsible for capturing footage of the riders and fans during the various races.

I was responsible for setting up multiple cameras and lighting setup for interviews. Additionally I was responsible for operating the camera during the casting process.

I was responsible for making runs and picking up supplies and props and I was responsible for assisting with various duties on set ranging from art direction to camera.

I was responsible for driving production vehicles, transporting camera operators during filming, assisting with various needs on set, making crafty runs, and transporting crew to and from set.

I was responsible for assisting the crew with whatever needs arise as well as helping build up the Sony FS7, Red Epic, Kessler Crane, and Movi M10.

I was responsible for assisting the crew with whatever needs arise as well as helping build up the Sony FS7, Kessler Crane, and Movi M10.

I was responsible for driving the Sprinter Van around for various pick ups including a television set, couch, and television stand. Additionally while shooting l was responsible for wrangling the 75 extras that we were shooting with.

I was responsible for setting and operating the Sony ENG Camera and Canon Broadcast Lens.

I was responsible for operating the 60' Boom Lift and Sony Studio Production Camera and Canon Broadcast Lens during the live broadcast of the Cross Country Fall Nationals.

I was responsible for capturing Audio and HD Video during a live performance and after party. I was also responsible for transferring and converting the video prior to delivering it to the client.

I was responsible for filming and operating the Sony ENG Camera & Fujion Studio Broadcast Lens, filming the Frozen Coolest Summer Show at Disney's Hollywood Studios.

I was responsible for receiving the footage, editing the footage and pictures, and delivering the completed project.

I was responsible for helping set up the 3 Sony FS700 rigs and helping with the setup and maintince of the 3 axis gimbal. I was also responsible for lens changes and helping with whatever the DP and Cam Ops needed.

I was responsible for recieving both the raw footage and music and assembling them into a coherent story that reflected the mood of the song.

I was responsible for making runs, setting up lights, running and monitoring audio and operating the second camera.

I was responsible for setting up all lighting and grip equipment, moving around elements on set and assisting with the needs of the rest of the crew.

I was responsible for assisting the Director of Photography and the Camera Operator with their daily duties in addition to helping stage houses and performing basic production assistant duties.

I was responsible for capturing unique angles of the event as well as helping with whatever needs arose during the event.

Responsible for building the camera, slating every take, and assisting the camera operator and 1st AC with their duties

I was responsible for capturing all the events at Holiday In The Park including the various shows and special attractions.

I was responsible for keeping focus during shots, setting up and tearing down the camera, maintaining the camera system, and assisting the camera operator.

I was responsible for capturing all of the events at fright fest including the shows, haunted houses, and scare zones.

I was responsible for keeping focus during shots, setting up and tearing down the camera, maintaining the camera system, and assisting the camera operator.

I was in charge of setting up light plots and helping ensure the proper lighting setup the cinematographer requested.

I was in charge of creating lighting plots, power plots, camera plots, and shot lists in pre-production. During production I was in charge of ensuring that light levels were consistent throughout shooting, including creating shots at directors discretion.

I was in charge of creating lighting plots, power plots, camera plots, and shot lists in pre-production. During production I was in charge of ensuring that light levels were consistent throughout shooting, including creating shots at directors discretion.

I was responsible for designing the overall look and feel of the show and was responsible for running the switcher during live shows and during tapings.

I was in charge of directing talent and ensuring that the overall look of the film remains the same.

I was in charge of creating lighting plots, power plots, camera plots, and shot lists in pre-production. During production I was in charge of ensuring that light levels were consistent throughout shooting, including creating shots at directors discretion.

I was in charge of creating lighting plots, power plots, camera plots, and shot lists in pre-production. During production I was in charge of ensuring that light levels were consistent throughout shooting, including creating shots at directors discretion.

I was in charge of setting up the camera and getting the correct shot that both the director and cinematographer wanted.