Liz Taylor

Talent Wrangler, Releases, crafty runs, prepare green rooms, take care of executives

Lighting

Arrange catering for the office staff daily ( headcount ranging between 35 - 80). Prep and distro of scripts and other materials pertinent to filming, shopping for crafty, gear pickup and return, maintaining and cleaning office, runs, errands, shipping incoming / out going, logging receipts, sourcing miscellaneous needs

driver, lunch orders, second meal, crafty, help with gear, assist anywhere needed

driver, runner, crafty, load in, ram board house, assist art department as needed, attend to talent's needs, clean set, appearance releases

Executive Amenities, viewing room and executive crafty, prepare talent's dressing room, drive talent's entourage, wrangle talent's dog, dress talent's dog in costume for show performance, execute "dog stunt" for show...in one take (oh, yeah). Pick up and return gear and furniture rentals, drive crew, maintain crew crafty, distribute credentials

Drive Crew and talent, crafty, lunch orders, attend to talent, runs, help with gear cases

driver for bands and crew, load in, crafty, load in audience, audience coat check, attend to talent, assist production wherever needed, load out

load in, ram board house, keep clean set, appearance releases, crafty, runs, driver, help crew, help culinary as needed, help art department as needed

load in, assist art department with props, audience load in, runs, dress cable, clean set, load out, attend to talent

Driver for talent

Set stills, driver, crafty, lunch, hunt for b-roll

Regular Pa duties. Driver, crafty, runs, lunch orders, helping art department

Driver, lunch, clean set, crafty, runs, assist crew as needed, attend to talent

I was a media runner. I would go out and find our four crews filming the daily recaps, bring the footage back to our editors and run the finished footage over to the arena to be shown on the jumbo tran for evening concerts.

I worked on the show The Hook, filmed for TopGolf on all of the episodes filmed in Nashville between February 2018 and the show's finale in May 2018. My duties included crafty, attending to crew, lunch orders, helping with gear, driving and attending to talent, runs.

I assisted with props, pickups, returns, everywhere as needed, lunch, Coffee, attending to talent, crafty, keeping set tidy, helping with gear

Driving Crew, crafty, attending to crew, runs, keeping set clean

Assist in load in and set up, coffee orders, lunch orders, anything needed.

Escorted large groups of auditioners from holding to their audition rooms.

Crafty, releases, lunch, runs, crew support

Crafty, Releases, driver, crew support

General Production Support.

Crafty, Production support, runs, Lunch, Driver

Crafty, releases, crew support, lunch

Driver for Talent

Lock Down Set, Walkies, production support, Communication with AD.

Lighting

Crafty, releases, Runs, general filling in cleaning, moving gear etc.

Crafty, Releases, lunch, support crew

drive crew and talent. crafty. Pick up rental vans. releases. airport runs. tend to crew.

Art PA, Helped art department dress set.

Production Assistant duties, crew lunch orders, runs, assist the food stylist

Helped ACs with grip and Camera, driver, gear drop off /pick up

Runs, Lunch, Crafty

Support production and talent while filming in caves and on top of ancient sacred ceremonial mounds. Drive crew vans

Driver, releases, crafty, usual PA duties

Releases, driving skeleton crew around. General PA duties

At the Sundance institute, one large crew is split into four teams. On each team there is a Director ( 2 fellows who alternate days with their crew and their editors), Crew Chief (A.D.), Script Supervisor, DP, Gaffer, Art Ditrector, Sound mixer, Editor, Assistant Editor and PA . The Gaffer for each team, also acts as Keygrip, Best Boy, Grip and Electric for their crew as well as assists with art department. Over the course of one month, each crew works with two director's on scenes that challenge them the most.

Set Production Assistant On Location for segment.

Driver, Helping with gear, assisting production, tending to crew and talent, errands

Assisted Production, attended to talent

Helped dress set, helped provide props, was consultant for tarot scene.

G&E Swing

Key Grip, Electric Swing

Key Grip duties, delegating, Swinging with Electric

Grip/Electric Swing

Finding Props, moving and operating Gear, Grip and Camera assistance, Lunch Orders, taking care of crew and talent and keeping them comfortable and happy!

Gaffer / Key Grip responsibilities and duties, Delegated to G/E Swing, Provided Grip and Electric gear

Gaffer/Key Grip live Honkey Tonk performance for Branding Spot

Grip/Electric Swing

Gaffer/ Key Grip duties and responsibilities , Supplied Grip and Electric Gear, delegated to my Grip/Electric Swing

Technical Scout. Key Grip. Also helped with Electric.

Load In & Set Up Nashville Auditions, Keeper of Petty Cash - buying receipts from production & crew. Keeping P.C. log, Errands, Crafty, Walkie check in/out, Distributing & collecting paperwork from all PA's, Breaking PA's on time for Meal Breaks, Handling credentials, trouble shooting, E&G PA in Confessionals Interview Room

Grip, Electric, PA

Gaffer, Key Grip, Dolly Grip, Vendor

Gaffer

Gaffer

Gaffer

Help with gear, grip and lighting, errands, set dressing

I was a PA, I did runs, helped with set up, helped AC/Grip with gear, I found some locations, supplied some crew, supplied some gear and expendables, Was cast to play the Nanny in this episode.

Grip and Lighting

Grip and Lighting

Grip and lighting for a charity promotion involving David Cook from American Idol

Key Grip for Studio Green Screen shots

Grip and Lighting, and Dolly Grip

Lighting and Grip

PA for Documentary shoot

Gaffer/ Key Grip

Lighting and Grip

Out of town to Chicago, Pre Production errands and planning, packed grip and electric package for pass van, kept up with gear, Scouted location, Grip / Electric swing, Still photographer, A.D. type team coordinating duties

I was Gaffer / Key Grip for this Music Video and Stills Photographer.

Key Grip and Lighting Swing

Studio Shoot, Multiple Set ups, Ceiling Grid

grip

Key Grip / Lighting Swing

Grip and lighting, some PA duties.

Interior and exterior set ups. Also helped with electric.

Grip and Lighting

Grip and Electric Swing and Set Photographer.

Gaffer and B Camera Operator

Drove a box truck for production, Set PA, Lots of setting up and breaking down, Gear pick ups and drop offs.

I did grip and lighting. We used Mole 1ks, Arrie 1200 HMI Pars and Fresnels, Kino 2x4s, Kino 4x4s, 12x12 silks, 4x4 flags, small honda genies.

Operated Go Pro Hero 3's and 4th Camera Operator using a Sony Camera

Grip/Electric, AC, Make Up

Lighting

Set PA, walkies, assisted Art Department, Catered to band, was entrusted with handling their guitars, helped with load ins/ load outs, set ups and break downs. Several company moves, general set assists. Location and studio

I gaffed a fashion video / photo shoot for a boutique street wear brand.

Small crew flew to Los Angeles, 2 days of preproduction with Director/Producer, Scouting, ordering grip electric package, props, kept up with gear & general tech needs. I coordinated the crew, catered to the band, talent, and additional entourage. I took notes during meetings and filled in as needed during shoot.

Grip / PA Provided grip and lighting package. Set up lights, did runs, drove talent

I hired crew in Nashville, provided grip and lighting truck, van rental, lodging, drove crew to Lynchburg, TN to Jack Daniels Distillery. Assisted during shoot with production, helped with setting up lights, catered to Talent, Network Execs, and Crew

Assisted Utility with setting up lights and moving gear, was attentive to food details for camera, runs, releases

Nashville Episode. Shot at local eateries, set up on the fly interviews, got releases, shot stills, set up lights

Assistant food stylist, set decorator, runs

Drove Talent and executives to and from site/ airport, delivered credentials to all execs, production errands, crowd casting, crowd wrangling, talent wrangling on site, catered to talent and CC execs, set up production / break down, returns

Assisted camera, dumped footage, rigged go pros in industrial shredders, went on runs

Lighting and Grip

I helped Grip/ Electric set up lights. Took photos during & after the shoot. My photos from the day have since appeared all over the internet whenever Adler is mentioned. One of the shots from the day made the cover of Screamer Magazine in May 2012 - another appears in the article.

Set up lights for studio green screen shoot at SmackDab Studios

Grip and Electric

Camera Assistant, 3rd Shooter

Set Up lights, dressed set, production stills

Lighting Design, Art Department and Still Photographer. I'm multi-talented and very efficient. John Fucile, Director and CEO of SmackDab, owns his own studio, so I had the luxury of dressing and preliting the set the night before and maintained the lights and shot stills the day of the shoot.

Led a team of two grips in manifesting the vision of the Director and DP. I'm great at listening to a Director and/or DP and identifying their needs and being intuitively sensitive to their vision.

Casting call, set up, check in / wrist banding, break down

Set up Grip and Lighting

Rigging and safety, G/E Swing

Assisted in runs, setting up craft, assisted Gaffer and Camera

Move Gear, set up lights, dress set

Drove with crew to Alabama. Scouted Location. Set up lights, move gear, Assist camera

Drove crew in a passenger van to Indiana to film a live performance music video. I made production runs, assisted with Load in/ Set Up. Crowd Wrangling, releases, crowd casting, gear pick up, drop off, Set PA , break down, load out

Assisted with finding Props, Coordinated Gearlist with Gaffer, Ordered Grip/Electric Truck, Ordered Camera Package, Picked Up gear, found a generator, Used my resourcefulness and excellent problem solving skills, escorted and catered to talent, errands and production runs, dressed set

Assisted with interview set up on red carpet and post award interviews. Assisted Megan Alexander with field producing and shooting stills.

Shoot was very mobile for the first half of the day and we ended at a studio shooting against a green screen. I catered to Talent and assisted multiple departments as a set PA including, Art Department, G/E with load in/ load out, Production runs

Assisted Prelight, Load in, set up, set PA, runs, wrangled extras, Break down, load out

set Pa, runs, gear pick ups and returns, set up/break down, Assisted Art Department

Set PA: Runs, load in/load out, set up/break down, heavy assistance in Art Department; hunting for the perfect props inside the magical White Elephant Emporium, which is now Listed as Ruby's Prop House and assisting with set decoration.