Lucrezia Wise (She/Her)

Supervised the post team and managed deliverables

- Continued to manage post for the third season of this network game show - Handled scheduling, final deliverables (network and international), audio post, and a team of editors

- Managed an expanded post team on Season 2 of this variety game show. - Delivered 20 episodes on time and in budget while managing deliverables, network notes, invoices, and a team of editors and post producers.

- Ran the post department on the pilot season of this comedy game show, delivering on schedule and in budget - Organized final deliverables, archive, online, audio post, and schedule

Delivering 175 episodes while remaining on schedule and in budget, and managing a team of five post professionals.

- Set up and ran the post team on the pilot season of this variety game show - Managed calendars, deliverables, roll-ins, audio post, and network/production notes

- Managing post staff of about 15 people while coordinating with production and creative departments - Managing all deliverables for Season 1 of new GSN game show, from calendars to final show media, while also being responsible for maintaining the post budget and calendar - QCing every cut, and being the final eyes during online and mix

-Transitioned the post department from New York to LA, training new editors in show format and setting up a new office for Season 15. - Successfully delivered 175 episodes in 4 months, while coordinating with production, creative, and legal department.

- Supervised post for pilot season of new primetime ABC game show. - Managed deliverables, post schedules, legal notes, promo requests and air schedules, while also QCing every cut of every episode.

Assisted in organizing a fast moving shoot. Picked up equipment, arranged transport and meals, hired parking coordinator, and otherwise stepped in when needed. Also prepared call sheets and organized all releases and deal memos.

- Screening and delivering 175 episodes - Coordinating with producers and the show lawyer about content - Managing 3 edit rooms and a post team to stay on budget and on schedule - Creating air schedules, edit schedules, plug schedules, Youtube, EPK and social media clips

Translated raw footage from an episode shot in Italy from Italian to English. Also transcribed all the Italian footage.

Worked to secure permits, holding and catering for the shoot. Also assisted in booking equipment and making sure all COIs were in place prior to shoot.

Managed paperwork for crew and for locations, assisted in location scouting, created budget and managed petty cash, sent out call sheets and generally made sure the production ran smoothly. Also assisted in both preproduction and wrap.

- Ensured that 175 finished episodes per season made it to air - managed 3 edit rooms and all post staff - created all post, plug and air schedules - communicated with producers, network executives, lawyers and other personnel regarding episode deliverables

- Ensured that 175 finished episodes per season made it to air - managed 3 edit rooms and all post staff - created all post, plug and air schedules - communicated with producers, network executives, lawyers and other personnel regarding episode deliverables

I traveled to India as a videographer with Voices of Tibet, as well as assisting locally in subtitling and cutting footage of interviews with Tibetan refugees who escaped the 1959 Chinese invasion, as well as fundraising. Though currently the interviews are available only online, a feature documentary is being worked on.

I've worked on Millionaire for four seasons, originally as a PA before being promoted. I track and document show media. I create show folders for each episode, which include lawyer notes, air dates, and technical specs. I'm also responsible for completing all audio cue sheets, for delivering, and for dubs.

Periodically filled in as the night Assistant Editor, updating and switching out graphics and new shots, doing basic color correcting, cleaning up the sequences and generally preparing the documentary for screening and for OMF.

Primary transcriber for the project, both on location at the production office and working from home. Occasionally stepped in as an assistant editor when the primary AE needed additional support.

I communicated with editors and story producers to keep track of any possible problems that needed to be brought to the attention of my supervisor. I collected info for lower thirds, ordered dubs, and arranged family meals for the edit. I also completed all audio cue sheets.

I was responsible for hiring and managing crew, setting up casting sessions, creating and maintaining the production schedule, tracking and maintaining the budget, crew payroll, and crew meals. I overall worked closely with the Producer/Director Angel Nieves in all the production-related tasks.

- Assisted in budgeting, scheduling, hiring and auditioning - Managed all crew on set

I interned at Zohe Fims translating Italian footage into English for eventual subtitling. Though I was primarily an intern I was brought back for pay after the term of my internship ended when the occasional additional support was needed.

Worked as a production assistant for MTV Spring Break, helping to set up tents, maintain craft services, buy set supplies, and check ID.

I started as a logger, going through the many hours of footage looking for interesting moments. Then I was promoted to office PA, assisting the Production Manager in whatever capacity required. I would also occasionally be needed on set to assist the shooters in organizing the talent and collecting releases.

GamesFever was a televised interactive game show where viewers would call in to answer questions. I would take names and contact information of the winners so prize money could be sent. I'd also deal with customer service inquiries and complaints and compile informational graphs charting complaint topics for the supervisors.