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Hard-charging Local 479 ACLT | SLT. Atlanta.
Feel free to reach out.
8/21 – 12/21
ViacomCBS — TV
8/21 – 12/21
4/21 – 8/21
Electrician (1st Unit Basecamp Generator Operator )
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Sweet Magnolias (Season 2)
Netflix — TV — Daniel L. Paulson Productions
4/21 – 8/21
1/21 – 5/21
Electrician (1st Unit Basecamp Generator Operator )
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Black Lightning (Season 4)
The CW — TV — PP21 Productions, LLC
1/21 – 5/21
1/21 – 1/21
The CW — TV — Akil Productions
1/21 – 1/21
11/20 – 12/20
Hulu — TV — Alias Films
11/20 – 12/20
6/20 – 10/20
BYUtv — TV — Swirl Films
6/20 – 10/20
3/20 – 3/20
WB — TV — Olive Avenue Productions
3/20 – 3/20
1/20 – 3/20
Best Boy Electric (2nd Unit ACLT)
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Big Red (Pilot)
Disney+ — TV — Static Productions,, LLC
1/20 – 3/20
11/19 – 3/20
WB — TV — Olive Ave. Productions , LLC
11/19 – 3/20
9/19 – 1/20
The CW — TV — PP21 Productions, LLC
9/19 – 1/20
10/19 – 11/19
Lifetime — Film (Feature-length) — Swirl Films
10/19 – 11/19
10/19 – 11/19
Electrician (1st Unit)
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Blue Ridge
Film (Feature-length) — Two dollar bill pictures Inc
10/19 – 11/19
5/19 – 10/19
Paramount Network — TV — DISA SERIES, LLC
5/19 – 10/19
9/19 – 9/19
Music Video — Primavera Pictures, LLC
9/19 – 9/19
5/19 – 9/19
BYUtv — TV — DISA SERIES, LLC
5/19 – 9/19
5/19 – 9/19
BYUtv — TV — DISA SERIES, LLC
5/19 – 9/19
8/19 – 8/19
Best Boy Electric
BYUtv — Advertising — DISA SERIES, LLC
8/19 – 8/19
7/19 – 7/19
BYUtv — TV — Sovereign Media
7/19 – 7/19
4/19 – 6/19
Bounce — TV — Swirl Films
4/19 – 6/19
9/18 – 4/19
BET — TV — Tales Productions LLC
9/18 – 4/19
3/19 – 3/19
Disney+ — Film (Feature-length) — Walt Disney Studio Motion Pictures
3/19 – 3/19
1/19 – 1/19
BET — TV — Tales Productions LLC
1/19 – 1/19
11/18 – 11/18
HBO — TV — Peachy Clean Productions, Inc.
11/18 – 11/18
11/18 – 11/18
NBC — TV — Universal Television, LLC.
11/18 – 11/18
9/18 – 10/18
Netflix — TV — Cranetown Media
9/18 – 10/18
9/18 – 9/18
Fox — TV — Marvel Entertainment
9/18 – 9/18
9/18 – 9/18
WB — TV — Olive Avenue Productions
9/18 – 9/18
9/18 – 9/18
Starz — TV — Starz Valley Productions, LLC Details
9/18 – 9/18
Rigging Tech
7/18 – 8/18
AMC — TV — Circle Of Confusion
7/18 – 8/18
7/18 – 8/18
Film (Feature-length) — HC Film, LLC
7/18 – 8/18
7/18 – 7/18
ABC — TV — Paramount Pictures
7/18 – 7/18
7/18 – 7/18
Facebook — TV — Queen 1, LLC
7/18 – 7/18
5/18 – 7/18
Film (Feature-length) — TCC FILM, LLC
5/18 – 7/18
4/18 – 4/18
TruTV — TV — Left/Right Inc.
4/18 – 4/18
2/18 – 4/18
BET — TV — JCE Productions, Inc.
2/18 – 4/18
2/18 – 2/18
Film (Feature-length) — Vibe Productions, LLC
2/18 – 2/18
1/18 – 2/18
TBS — TV — Turner North Center Productions, Inc.
1/18 – 2/18
1/18 – 1/18
Cartoon Network — TV — Williams Street
1/18 – 1/18
12/17 – 12/17
Cartoon Network — TV — Williams Street
12/17 – 12/17
10/17 – 12/17
The CW — TV — Warner Bros Television
10/17 – 12/17
10/17 – 12/17
NBC — TV — NBC Universal
10/17 – 12/17
10/17 – 11/17
AMC — TV — Circle Of Confusion
10/17 – 11/17
10/17 – 10/17
Sundance — TV — Windswept Media
10/17 – 10/17
10/17 – 10/17
CBS — TV — CBS Eye Productions
10/17 – 10/17
10/17 – 10/17
Fox — TV — 20th Century Fox Television
10/17 – 10/17
9/17 – 10/17
VH1 — TV — 51 Minds Entertainment
9/17 – 10/17
9/17 – 9/17
CBS — TV — CBS Eye Productions
9/17 – 9/17
9/17 – 9/17
Film (Feature-length) — Summer 03 Films, LLC
9/17 – 9/17
7/17 – 9/17
Film (Feature-length) — Active Entertainment
7/17 – 9/17
3/17 – 9/17
Director of Photography (DP)
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Saffron Valley
Film (Feature-length) — Paul Dale Films, LLC
3/17 – 9/17
7/17 – 7/17
Sizzle Reel — TV — Paul Dale Films, LLC
7/17 – 7/17
5/17 – 6/17
Film (Feature-length) — Fourth Sally Productions, LLC
5/17 – 6/17
4/17 – 5/17
Film (Feature-length) — Indivisible Productions, LLC
4/17 – 5/17
3/17 – 4/17
Electrician (Lamp Op)
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The Region
Film (Feature-length) — Snowfort Pictures
3/17 – 4/17
3/17 – 3/17
Background (Wrangler - Liaison )
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Claws (Season 1)
TNT — TV — Delta Blues Productions, LLC.
3/17 – 3/17
2/17 – 2/17
Animal Planet — TV — 44 Blue Productions
2/17 – 2/17
2/17 – 2/17
Casting Assistant (SHADOWS - MARVEL)
Staff Position — Cabellero Casting Details
2/17 – 2/17
Casting Wrangler.
1/17 – 1/17
Animal Planet — TV — 44 Blue Productions
1/17 – 1/17
1/17 – 1/17
Walmart — Advertising — Caviar Content
1/17 – 1/17
1/17 – 1/17
Music Video — macKAM Details
1/17 – 1/17
Produce and shoot stills for music artists for an EPK.
12/16 – 1/17
Camera Operator (FS7, GoPro 4+)
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Busted (Pilot)
TV — BlackTelly Inc.
12/16 – 1/17
12/16 – 1/17
Director of Photography (DP) (FS7, GoPro 4+)
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Busted (Pilot)
TV — BlackTelly Inc. Details
12/16 – 1/17
Coordinated with all departments, delegate tasks to ensure the aesthetic quality is maintained throughout story, and operating camera.
12/16 – 1/17
ABC — Live/Special Event — Dick Clark Productions
12/16 – 1/17
3/16 – 12/16
Animal Planet — TV — 44 Blue Productions
3/16 – 12/16
11/16 – 11/16
Film (Feature-length) — Louisiana Film Fund L.L.C.
11/16 – 11/16
10/16 – 10/16
Netflix — TV — One Potato Productions
10/16 – 10/16
10/16 – 10/16
Set Production Assistant (Field PA - Swing)
Brand USA — Advertising — Superprime
10/16 – 10/16
10/16 – 10/16
Corporate — Video Tech Services Details
10/16 – 10/16
Put together staging, set, prop pieces, and scaffolding. My job also consisted of ensuring there was quality attention to detail concerning correct placement and assembly of staging, set, props, and scaffolding.
9/16 – 9/16
Discovery — TV — Painless Productions Details
9/16 – 9/16
Responsibilities included assisting the Producers/DP/CamOp's/AC's/PM/PC and all crew. I was responsible for properly setting up grip equipment, ensuring crafty was stocked as well as keeping the minivans fueled and clean, and keeping batteries charged. This role required that I properly coordinated with the rest of the team to make sure setup times don't interfere with the shooting schedule.
9/16 – 9/16
TV — Jefferson Pictures Details
9/16 – 9/16
Responsibilities included providing support all crew.
2/16 – 2/16
Corporate — Video Tech Services
2/16 – 2/16
11/15 – 11/15
HGTV — TV — Magilla Entertainment
11/15 – 11/15
9/15 – 9/15
Disney Channel — TV — Maker Studios Details
9/15 – 9/15
Responsibilities included assisting the camera op and 1st AC with an episode of BDE. I was responsible for properly slating shots, ensuring camera and lenses were free of debris, and keeping batteries charged. This role required that I properly operated the camera cart and that it was kept organized.
3/15 – 3/15
TV — Creative Chaos VMG Details
3/15 – 3/15
Downloading footage and organizing media.
3/15 – 3/15
TV — Creative Chaos VMG Details
3/15 – 3/15
My responsibilities included building the camera's (C300), setting up the GoPro's in the hearse to include setting up the camera for wireless monitoring, downloading footage and organizing media files, transporting gear to each location, setting up lighting to include wireless sound equipment, framing, and slating.
4/14 – 1/15
Film (Short) — Women Winning Productions Details
4/14 – 1/15
Responsibilities include coordinating with the Director's and Assistant Directors to capture cinematic stills for marketing purposes. This role also included being responsible for photographing details of the cast, wardrobe, and the set to safeguard the continuity of the production.
5/14 – 6/14
Jib Operator (Lead)
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Real
Film (Short) — Full Sail University Productions Details
5/14 – 6/14
Responsibilities included the construction, transportation, operation, and deconstruction of the Jimmy Jib. This role challenged me to troubleshoot problems regarding the electronics as well as gave me an opportunity to show that I am reliable in assembling the device effectively and efficiently.
5/14 – 5/14
Director of Photography (DP) (Canon C300/5D Mark III/GoPro 3+ Black Edition)
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La Douleur Exquise
Film (Short) — 24 Hour Film Race Details
5/14 – 5/14
Responsibilities included collaborating with the Director's, selecting camera's, performing camera tests, and selecting which accessories are to be used to best tell the story. This role also included building the camera's and ensuring we have optimal lighting equipment and lighting for an acceptable exposure in a bar setting.
3/14 – 4/14
Director of Photography (DP) (Canon 5D Mark III/ Nikon D7000/5100)
UFC (Ultimate Fighting Championship) — Advertising — One Lizard Productions (OneLP) Details
3/14 – 4/14
Responsibilities include collaborating with the gym owner, Director, Digital Animator, and Camera Operator in creating a promotional video to attract new customers.
3/14 – 4/14
Production Coordinator (Lead)
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Let Go
Film (Short) — Full Sail University Productions Details
3/14 – 4/14
Responsibilities included collaborating with the Unit Production Manager and assisting in completing a wrapbook. This role also included supervising production assistants and making sure that they understood their responsibilities. I was in charge of customizing and ordering crew shirts as well as organizing production video updates for the crowdfunding campaign.
2/14 – 3/14
Film (Short) — Full Sail University Productions Details
2/14 – 3/14
Responsibilities include working with the Director, and Assistant Directors to capture cinematic stills for marketing purposes. This role also included being responsible for photographing details of the cast, wardrobe, and the set to safeguard the continuity of the production.
1/14 – 2/14
Film (Short) — Full Sail University Productions Details
1/14 – 2/14
Responsibilities include coordinating with the Director and Assistant Directors to capture cinematic stills for marketing purposes. This role also included being responsible for photographing details of the cast, wardrobe, and the set to safeguard the continuity of the production.
1/14 – 2/14
Film (Short) — Full Sail University Productions Details
1/14 – 2/14
Responsibilities include coordinating with the Production Staff for marketing purposes. This role also included being responsible for the setup and organizing interviews of department heads and crew members.
11/13 – 11/13
Film (Short) — Full Sail University Productions Details
11/13 – 11/13
Responsibilities include coordinating with the Producer's, Director, and Assistant Directors to capture cinematic stills for marketing purposes. This role also included being responsible for photographing details of the cast, wardrobe, and the set to safeguard the continuity of the production.
11/13 – 11/13
Film (Short) — Independent Film Details
11/13 – 11/13
My responsibilities included photographing the entire production crew to capture what a production is like behind the scenes. Film released in 2015.
9/13 – 9/13
Corporate — Independent Production Details
9/13 – 9/13
Responsibilities included coordinating with Katie Moore, the Director of Development
for the Girl Scouts of Citrus Council in Orlando Florida. I was directly responsible for building the camera's, operating the Canon 1DC, and providing adequate lighting to supplement the exposure.
8/13 – 8/13
Unit Production Manager (Lead)
Paranoia Clothing Co. — Advertising — Full Sail University Productions Details
8/13 – 8/13
Responsibilities includes collaborating with the First Assistant Director, Director, Director of Photography, and Production Coordinator to facilitate a smooth and safe production. I was responsible for overseeing the budget and ensuring that all departments stayed within the budget.
8/13 – 8/13
First Assistant Camera
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Blind Date
Film (Short) — Full Sail University Productions Details
8/13 – 8/13
Responsibilities included coordinating with the Director Photography, Camera Operator, Second Assistant Cameraman, and the Dolly Grip. This role challenged me to set marks for talent involved, pull focus, and maintaining sharp and acceptable focus.
7/13 – 8/13
TV — Full Sail University Productions Details
7/13 – 8/13
Responsibilities for this production included constructing a Wrap Book, collaborating with the Director, and staying within the budget. This role also included that I coordinate with all persons involved to secure talent releases, hold harmless forms, and location releases. Ultimately I was responsible for the safety of the crew.
7/13 – 8/13
Director of Photography (DP) (Canon C300/ GoPro 3+ Black Edition)
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Rollin' With The Punches
TV — Full Sail University Productions Details
7/13 – 8/13
My responsibilities include collaborating with the Director in order to come up with a shot list from the documentary Concept and Treatment. I was in charge of selecting which camera's, lenses, and filters to be used. I was also responsible for the safety and welfare of all crew involved.
7/13 – 7/13
Gaffer
Advertising — Full On Productions Details
7/13 – 7/13
Responsibilities included collaborating with the Director of Photography on the lighting plan and making sure we have the right lighting sources for the job. The Gaffer role also included transporting and operating the generator for an external source of power.
7/13 – 7/13
Best Boy Electric
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Lean
Film (Short) — Olive Ranch Road Productions Details
7/13 – 7/13
Responsibilities included transporting, operating the generator, and delivering adequate power throughout the production. This is to include setting up lighting devices and coordinating with the grip department to make sure the lighting modifiers weren't destroyed.
5/13 – 6/13
Unit Production Manager (Lead)
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Ca-Fiend
Film (Short) — Full Sail University Productions Details
5/13 – 6/13
My responsibilities include managing the entire production through deliverables. I oversought the budget and coordinated with the Director, Director of Photography, and 1st Assistant Director was within the budget. I also made sure that the key positions were meeting deadlines.
4/13 – 5/13
Director of Photography (DP) (Nikon D800/Nikon D7000/ Canon T3i)
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Aberration
Film (Short) — Full Sail University Productions Details
4/13 – 5/13
Responsibilities included selection of mediums, lenses, and filters. This role also challenged me to coordinate with the Gaffer to ensure proper electrical plans as well as work with the Key Grip with constructing and making sure the proper lighting modifiers are being used.
Class of '15
FSU
M.Sc., Entertainment Business
Class of '14
Full Sail University
B.Sc., Film & Cinemtography