Set up entire production alongside line producer: hiring, negotiating, facilitating crew paperwork, managing petty cash, opening/closing vendor accounts, issuing COIs, delivered wrap drive.
Summary
Experienced Production Coordinator and IATSE Local 871 APOC on premium scripted, unscripted, news/talk show programs. Columbia University Film graduate. Passionate about television, hungry for challenge, ambitious to line produce. Can work as NYC local.
Credits
10/23 – 11/23
Production Coordinator – Project Phoenix
Digital — Planet C Studios Details
10/23 – 11/23
7/23 – 9/23
Production Manager – Dreamforce 2023
Salesforce+ — Live/Special Event — NOMOBO USA, LLC
7/23 – 9/23
2/23 – 5/23
Production Coordinator – The Americans (wt) (Season 1)
Reshet — TV — Reshet TV Details
2/23 – 5/23
Supported foreign Israeli crew in LA, as well as staffing local crew. Created call sheets, ran production office, coordinated 3 field teams with simultaneous shooting days throughout the city, reconciled costs with budget, tracked and managed locations including insurance certificates and contacts, sent and organized agreements and files. Wore every hat.
1/23 – 2/23
Audience Coordinator (Dual Covid Safety Coordinator Role) – Try Guys
YouTube — Digital — 2nd Try, LLC
1/23 – 2/23
10/22 – 1/23
COVID-19 Compliance Coordinator – Winning Time (Season 2)
HBO — TV — HBO / Cooler Waters Productions
10/22 – 1/23
5/22 – 10/22
Assistant Production Coordinator – Mrs. Davis (Season 1)
peacock — TV — Warner Bros. Television
5/22 – 10/22
2/21 – 5/22
Production Coordinator (Diversity Equity & Inclusion, Production & Creative)
Staff Position — NBCUniversal
2/21 – 5/22
12/19 – 11/20
Production Coordinator
Staff Position — Quibi Details
12/19 – 11/20
* Successfully assisted in the launching of the Quibi platform, working on up to 26 daily news and lifestyle programming in various stages of production, with partners such as Telemundo, BBC, NBC, The Weather Channel, E! News, Rotten Tomatoes, Hearst, Conde Nast, TMZ, Vox, ATTN, etc. * Co-wrote the studio production manual in collaboration with Content Legal, Finance, Programming and Post Production departments; trained production partners on company procedures and policies. * Analyzed pilot, series and breakage budgets to suggest cost-saving revisions to production partners. * Evaluated cost reports, variance reports and general ledgers, as well as production schedules, daily live-to-tape workflows and post production grids for potential flags. * Created and maintained internal production document hub, reviewing weekly production reports, shoot schedules, crew lists, insurance certificates, music cue sheets, graphic elements, closed captioning and metadata.
Unions
Orgs
Self ID
I identify with the following groups:
Recos
Education
Class of '11
Barnard College, Columbia University
Film Studies, Political Science
My Gear
Skills
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