6/18 – 7/18
MTV — TV — 495 Productions Details
6/18 – 7/18
Build cameras, change media, organize media, dump/organize footage, assist operations, troubleshoot equipment, operate cameras when needed
4/18 – 6/18
Spike TV — TV — Original Media Details
4/18 – 6/18
Build Jib, assist operator
4/18 – 4/18
Gaffer (Swing)
–
PayPal
Corporate — Weber Shandwick Details
4/18 – 4/18
Lighting designer and lighting tech.
3/18 – 3/18
Thrillist — Digital — Thrillist Details
3/18 – 3/18
Lighting designer and lighting tech
2/18 – 2/18
Gaffer
Advertising — 247 Laundry Service
2/18 – 2/18
11/17 – 2/18
Facebook — TV — Hud:Sun Media Details
11/17 – 2/18
2nd AC. Building cameras, support, car rigs, etc.
12/17 – 1/18
Gaffer
Advertising — 247 Laundry Service Details
12/17 – 1/18
Lighting Technician, Lighting Supplier
11/17 – 11/17
Bravo — TV — World of Wonder Productions
11/17 – 11/17
11/17 – 11/17
Bravo — TV — Shed Media Group
11/17 – 11/17
11/17 – 11/17
Assistant Camera (AC) (RED Weapon Helium/ Canon C300)
–
Nestle Ready Refresh
Corporate — Weber Shandwick Details
11/17 – 11/17
Pulling focus, building camera, setting lights,
10/17 – 11/17
NBC — TV — Departure Films
10/17 – 11/17
6/17 – 11/17
Corporate — Red Summit Productions Details
6/17 – 11/17
Assist DP with cam placement and background
Set up lights
Troubleshoot any issues
10/17 – 10/17
USA Network — TV — NBC Universal
10/17 – 10/17
10/17 – 10/17
Film (Feature-length) — Bullet Productions LLC
10/17 – 10/17
9/17 – 9/17
Prime Video — TV — Perendale Productions
9/17 – 9/17
9/17 – 9/17
Key Grip
Advertising — Cowbell Media
9/17 – 9/17
9/17 – 9/17
Gaffer
Advertising — REP Interactive
9/17 – 9/17
9/17 – 9/17
Gaffer
Advertising — Red Summit Productions
9/17 – 9/17
9/17 – 9/17
Corporate — Red Summit Productions
9/17 – 9/17
8/17 – 8/17
Film (Feature-length) — Red Hippo Productions
8/17 – 8/17
7/17 – 8/17
Travel — TV — IW Productions Details
7/17 – 8/17
Buildings Cameras, Camera support, wrangling cable, keeping track of media and battery voltage, prepping all gear for weekly flights, setting up lights and running power.
6/17 – 7/17
MTV — TV — Critical Content Details
6/17 – 7/17
Build cameras
Shoot scenes and B-roll
Familiarize myself with DP preferences
Keep track of media and power
Set up lights
6/17 – 6/17
Bravo — TV — FremantleMedia Details
6/17 – 6/17
3rd crew AC on Barbados tralvel shoot
6/17 – 6/17
TNT — TV — Don Mischer Productions Details
6/17 – 6/17
Build Jimmy Jib
Assist Operator with Jib positioning during show and rehearsals
Troubleshoot any balance issues
6/17 – 6/17
Corporate — Red Summit Productions Details
6/17 – 6/17
Build and set up lighting equipment.
Assist cam ops with bnc wrangling
Assist cam ops with cam placement
4/17 – 4/17
MTV — TV — MTV Networks (Viacom) Details
4/17 – 4/17
Building camera rig
Trouble shooting terradeks
Changing lenses, media.
Point person for drone op.
4/17 – 4/17
Key Grip
Advertising — Kranky Produktions
4/17 – 4/17
3/17 – 3/17
TLC — TV — Al Roker Entertainment Details
3/17 – 3/17
Build Jimmy Jib
Balance camera and set settings.
Pull Focus
Assist Operator with Jib movement
3/17 – 3/17
Corporate — Red Summit Productions Details
3/17 – 3/17
Gaffer/Vendor
3/17 – 3/17
Digital — AKA Productions Details
3/17 – 3/17
Light green screen
2/17 – 2/17
Spike TV — TV — Original Media
2/17 – 2/17
2/17 – 2/17
Above Average — Digital — Above Average
2/17 – 2/17
2/17 – 2/17
Swing (Grip/ Electric)
–
Raymond
Corporate — REP Interactive Details
2/17 – 2/17
Set up 4ks, 6ks, run bates, hook up 600 boxes, and op scissor lifts.
12/16 – 2/17
Corporate — REP Interactive Details
12/16 – 2/17
Supplied lights and van
Lit the set
1/17 – 1/17
TV — ish Entertainment
1/17 – 1/17
1/17 – 1/17
Live/Special Event — Lincoln Center Theater Details
1/17 – 1/17
Build Jib
Connect camera to jib with motors
Balance camera for jib motors
Assist operator with any wheel movement
1/17 – 1/17
Camera Operator (Broadcast Cam)
–
The Front Page
Live/Special Event — Lincoln Center Theater Details
1/17 – 1/17
Camera 1 following action of the play by order of the director over coms.
On sticks, pan and tilt actions with servo zoom and focus.
1/16 – 1/17
Gaffer
Staff Position — Bullet Productions LLC Details
1/16 – 1/17
Owner operator. Gaffer. Director of Photography. Camera Operator
11/16 – 11/16
Nickelodeon — TV — Beyond Our Reality Details
11/16 – 11/16
Built C-300 rig
Changed lenses and media
Troubleshoot Tera-dek
Assisted operator
11/16 – 11/16
NBC — Live/Special Event — Depasse Entertainment Details
11/16 – 11/16
Build / breakdown jib
Assist operator
11/16 – 11/16
Gaffer
–
SAP
Corporate — Rocketship Films Details
11/16 – 11/16
Lighting
11/16 – 11/16
Internet — Live/Special Event — Broadcast Management Group Details
11/16 – 11/16
Ran fiber, bnc, cat-5, and any electric cable throughout set.
11/16 – 11/16
Funny or Die — Digital — Funny or Die Productions Details
11/16 – 11/16
Lead lighting technician
Vendor
11/16 – 11/16
Internet — Live/Special Event — Good Knight Pictures Details
11/16 – 11/16
Build/ breakdown jib
Assist Jib op
10/16 – 10/16
Grip
Advertising — Primalux Video Details
10/16 – 10/16
Lighting
10/16 – 10/16
Gaffer
Advertising
10/16 – 10/16
10/16 – 10/16
Internet — Live/Special Event — Riot Games Details
10/16 – 10/16
Build/ Breakdown of Jimmy Jib
Assist operator
10/16 – 10/16
TruTV — TV — Sharp Entertainment
10/16 – 10/16
10/16 – 10/16
Funny or Die — Digital — Funny or Die Productions
10/16 – 10/16
9/16 – 9/16
Investigation Discovery — TV — THE Productions
9/16 – 9/16
9/16 – 9/16
Gaffer
Advertising — Jersey Boy Films, Inc.
9/16 – 9/16
9/16 – 9/16
Live/Special Event — City Media Entertainment Details
9/16 – 9/16
Built Jibs and set up Robo Cams.
Assisted in Jib movements on stage
8/16 – 9/16
Electrician (Rigging Best Boy)
–
Going Places
Film (Feature-length) — Sydney Kimmel Entertainment Details
8/16 – 9/16
Rigged camlock cable, from jenny truck to set.
Operated and set up lights
Operated 80ft boom lift with lights
8/16 – 8/16
Funny or Die — Digital — Funny or Die Productions
8/16 – 8/16
6/16 – 6/16
Corporate — Chinese Branding Group Details
6/16 – 6/16
Designing lighting units and equipment according to the director of photography's desired look.
Overseeing lighting team and all equipment.
Providing all lighting units.
12/15 – 6/16
Above Average — Digital — Above Average Productions Details
12/15 – 6/16
Oversee lighting dept.
Set up lighting gear under direction of DP.
12/15 – 1/16
Bravo — TV — Shed Media Group Details
12/15 – 1/16
Under instructions of DP's desired look, set up lights and rigging.
Organize g/e equipment.
Drive grip truck.
11/15 – 11/15
Best Boy
Advertising — Primal NY Details
11/15 – 11/15
Set up lights, stands, run lines, organize equipment.
Mindfulness of power distribution.
Safety first.
10/15 – 10/15
MTV — TV — Big Breakfast/ College Humor Details
10/15 – 10/15
Set up lights on stands or rigs
Run lines and distribute power
Drive very large grip truck
10/15 – 10/15
Investigation Discovery — TV — NBC Universal Details
10/15 – 10/15
Double job of G/E and assistant camera.
Camera was Canon C-300.
9/15 – 10/15
Investigation Discovery — TV — Peacock Productions Details
9/15 – 10/15
Headed up lighting units
Ran power to units with attention to amp capacity
Headed up flags and nets
Built grip rigs for lighting set ups
9/15 – 9/15
Showtime — TV — Possible Productions Details
9/15 – 9/15
Running 2 ought and 4 ought cam lock cable
Setting distro boxes
Operating lights under Best boy and Gaffers instructions.
9/15 – 9/15
Fox — TV — Warner Brothers Details
9/15 – 9/15
Heading up and taking down lighting units. (Up to 18k)
Rigging and derigging units to 80ft lifts.
Adjusting lights as per instruction of gaffer.
9/15 – 9/15
Grip (Grip/electric swing)
–
Con Agro Foods
Digital — Hud:Sun Media Details
9/15 – 9/15
Running lines
Heading up lighting units
Setting up flags 4" 8" 12" 20"
9/15 – 9/15
Digital — ITV Studios America Details
9/15 – 9/15
Head up lights on stands or grip rigs
Run lines
Adjust lighting under instruction of gaffer.
5/15 – 8/15
Bravo — TV — True Entertainment Details
5/15 – 8/15
Setting up lights according to DPs desired look.
Safely rigging units and electric.
Driving grip sprinter.
Organizing g/e equipment.
2/15 – 5/15
E! Entertainment — TV — Hud:Sun Media Details
2/15 – 5/15
Rigging lighting units off stands/grip
Running power with regard to wattage
Organizing all related equipment
10/14 – 2/15
Bravo — TV — Shed Media Group Details
10/14 – 2/15
Prepping lighting, electric and rigging equipment.
Troubleshooting units if failure
Setting up and breaking down lighting setups safely and efficiently
5/14 – 9/14
E! Entertainment — TV — Hud:Sun Media Details
5/14 – 9/14
Manage lighting equipment.
Set up lights with direction from Gaffer
Troubleshoot units
Assist camera dept. When ACs shoot.
7/14 – 7/14
Bravo — TV — World of Wonder Productions Details
7/14 – 7/14
Building Cameras, Tape logs, Troubleshooting, Making sure shooters are happy.
4/14 – 5/14
AMC — TV — ITV Studios America Details
4/14 – 5/14
Assisted in day to day production tasks.
Organized lunch locations.
Transported personnel and gear.
1/14 – 4/14
VH1 — TV — Shed Media Group Details
1/14 – 4/14
Prepping and wrapping pre and post show run.
Troubleshooting lighting units
Coordinating daily gear necessity between camera teams
Rigging and placing lighting under the DP's orders.
Making sure rigging and lighting placement is safe and secure for shoot.
Creating gear manifests or carnet's for domestic or international trips.
12/13 – 12/13
TV Details
12/13 – 12/13
Managed lighting equipment.
Set up and rigged lights for interviews.
Set up camera dolly
11/13 – 11/13
NBC — TV — Marathon Productions Details
11/13 – 11/13
Typed up in detail content of camera using TCoder program.
Ran CF cards and bricks as needed,
Assisted Camera person in changing of lenses
Assisted in locking down shoot areas
11/13 – 11/13
Bravo — TV — Purveyors of Pop Details
11/13 – 11/13
Pick up rental gear
Pick up vehicles
Production runs
Transporting Crew
11/13 – 11/13
Bravo — TV — Shed Media Group Details
11/13 – 11/13
Assist in setting up lights
Helping assistant camera person
10/13 – 10/13
Bravo — TV — Purveyors of Pop Details
10/13 – 10/13
Daily runs
Rental Pickups/Returns
Studio set up assistance
9/13 – 10/13
Bravo — TV — Sirens Media Details
9/13 – 10/13
Crafty runs
Transportation of crew
Picking up gear/ returning gear
Assisting in lighting setup
4/13 – 10/13
Bravo — TV — Shed Media Group Details
4/13 – 10/13
Making sure lighting gear is good to go for the next day.
Rigging and running power to lighting units with direction from DP.
Transporting lighting gear between production teams as needed.
Pre- Lighting locations.
Maintaining lighting units. (changing bulbs, troubleshooting)
2/13 – 4/13
NBC — Marathon Productions Details
2/13 – 4/13
Helped load in gear. Shot auditions in cameraroom A. During VTR was assigned as a logger. Those duties included keeping track of my camera operators lenses, batteries, and memory cards. Also, I would assist in helping move the cameras and camera sticks.
1/13 – 3/13
A&E — TV — Purveyors of Pop Details
1/13 – 3/13
Load in and Load out. Call in lunch orders. Assist with lighting. Drive.
2/13 – 2/13
Music Video — AJA Productions Details
2/13 – 2/13
Went on krafty runs. Helped set up lighting equipment. Playback duty.
11/12 – 1/13
VH1 — TV — Shed Media Group
11/12 – 1/13
12/12 – 12/12
VH1 — TV — Shed Media Group
12/12 – 12/12
11/12 – 11/12
HBO — TV — Plead the Fifth
11/12 – 11/12
10/12 – 10/12
Spike TV — TV — FremantleMedia
10/12 – 10/12
9/12 – 9/12
Bravo — TV — Shed Media Group
9/12 – 9/12
9/12 – 9/12
VH1 — TV — Shed Media Group
9/12 – 9/12
8/11 – 8/11
Spike TV — TV — Fixer Productions
8/11 – 8/11
