Matthew Ritenour

Shot in Mozambique and South Africa. In charge of all field audio. Responsible for operating mixer and array of wireless lavs for our host and characters. Approaching all characters including dangerous criminals with empathy to maintain access and ensure ability to attach lavs to the degree required to ensure good sound in uncontrolled environments. Each scene requiring unique microphone build and placement depending on the location, wind, person’s clothing, voice, etc. Also responsible for ensuring timecode accuracy across 3 cameras and mixer as well as wireless hops to camera.

Hosted travel show shot at the United States Military Academy at West Point. Single camera coverage of host and subject requiring creative handheld approach to capture enough variety in shot sizes that the editor can cut a conversation together. Always mindful of the story and listening for when is the right moment to move the camera. Have to get creative to build out a scene when the story is mostly past tense, collaborating with the host to find visual ways to tell the story. As always, working with real life characters requires empathy and a creative approach to getting the shots we need.

Hosted travel show shot in New Montgomery, NY. Single camera coverage of host and subject requiring creative handheld approach to capture enough variety in shot sizes that the editor can cut a conversation together. Always mindful of the story and listening for when is the right moment to move the camera. Have to get creative to build out a scene when the story is mostly past tense, collaborating with the host to find visual ways to tell the story. As always, working with real life characters requires empathy and a creative approach to getting the shots we need.

Shot an interview for an upcoming series from FreeThink. Worked with the DP to block, light and capture a three camera interview of a host and subject conversation. Shot in the guests home so worked hard to maintain a small, organized and clean footprint. Utilized specific techniques to light a two shot and singles at the same time, while maintaining detail out the windows and ensuring matching IRE across two different subjects faces. 2 FX6 and FX3 with Sony G Master glass.

Investigative documentary series shot in the Philippines and Utah. AC for 2 cam ops shooting on primes. Prepped 20+ cases of gear for domestic & international travel. Responsible for carnet and clearing customs, building gear on location, helping DP and B Cam op light scenes, rig car mounts, execute ronin shots, etc. Clean gear, charge batteries and pull media. Collaborating with local crew in various languages to ensure smooth workflow of equipment into and out of a scene. Working fast under a variety of rugged, sketchy and unpredictable scenarios. Must be able to move at the drop of a hat. Intensely organized or else risk committing the crime of slowing down the team.

Shot in the Philippines and Utah. In charge of all field audio. Responsible for operating mixer and array of wireless lavs for our host and characters. Approaching all characters including dangerous criminals with empathy to maintain access and ensure ability to attach lavs to the degree required to ensure good sound in uncontrolled environments. Each scene requiring unique microphone build and placement depending on the location, wind, person’s clothing, voice, etc. Also responsible for ensuring timecode accuracy across 3 cameras and mixer as well as wireless hops to camera.

Investigative documentary series shot in South Africa. AC for 2 cam ops shooting on primes. Prepped 20+ cases of gear for domestic & international travel. Responsible for carnet and clearing customs, building gear on location, helping DP and B Cam op light scenes, rig car mounts, execute ronin shots, etc. Clean gear, charge batteries and pull media. Collaborating with local crew in various languages to ensure smooth workflow of equipment into and out of a scene. Working fast under a variety of rugged, sketchy and unpredictable scenarios. Must be able to move at the drop of a hat. Intensely organized or else risk committing the crime of slowing down the team.

Investigative documentary series shot in Nogales, Mexico. AC for 2 cam ops shooting on primes. Prepped 20+ cases of gear for domestic & international travel. Responsible for carnet and clearing customs, building gear on location, helping DP and B Cam op light scenes, rig car mounts, execute ronin shots, etc. Clean gear, charge batteries and pull media. Collaborating with local crew in various languages to ensure smooth workflow of equipment into and out of a scene. Working fast under a variety of rugged, sketchy and unpredictable scenarios. Must be able to move at the drop of a hat. Intensely organized or else risk committing the crime of slowing down the team.

Shot in South Africa. In charge of all field audio. Responsible for operating mixer and array of wireless lavs for our host and characters. Approaching all characters including dangerous criminals with empathy to maintain access and ensure ability to attach lavs to the degree required to ensure good sound in uncontrolled environments. Each scene requiring unique microphone build and placement depending on the location, wind, person’s clothing, voice, etc. Also responsible for ensuring timecode accuracy across 3 cameras and mixer as well as wireless hops to camera.

Shot in Nogales. In charge of all field audio. Responsible for operating mixer and array of wireless lavs for our host and characters. Approaching all characters including dangerous criminals with empathy to maintain access and ensure ability to attach lavs to the degree required to ensure good sound in uncontrolled environments. Each scene requiring unique microphone build and placement depending on the location, wind, person’s clothing, voice, etc. Also responsible for ensuring timecode accuracy across 3 cameras and mixer as well as wireless hops to camera.

Hosted travel show shot in Plaquemines Parish, Louisiana. Single camera coverage of host and subject requiring creative handheld approach to capture enough variety in shot sizes that the editor can cut a conversation together. Always mindful of the story and listening for when is the right moment to move the camera. Have to get creative to build out a scene when the story is mostly past tense, collaborating with the host to find visual ways to tell the story. As always, working with real life characters requires empathy and a creative approach to getting the shots we need.

Investigative documentary series shot in Democratic Republic of the Congo. AC for 2 cam ops shooting on primes. Prepped 20+ cases of gear for domestic & international travel. Responsible for carnet and clearing customs, building gear on location, helping DP and B Cam op light scenes, rig car mounts, execute ronin shots, etc. Clean gear, charge batteries and pull media. Collaborating with local crew in various languages to ensure smooth workflow of equipment into and out of a scene. Working fast under a variety of rugged, sketchy and unpredictable scenarios. Must be able to move at the drop of a hat. Intensely organized or else risk committing the crime of slowing down the team.

Shot in Democratic Republic of the Congo. In charge of all field audio. Responsible for operating mixer and array of wireless lavs for our host and characters. Approaching all characters including dangerous criminals with empathy to maintain access and ensure ability to attach lavs to the degree required to ensure good sound in uncontrolled environments. Each scene requiring unique microphone build and placement depending on the location, wind, person’s clothing, voice, etc. Also responsible for ensuring timecode accuracy across 3 cameras and mixer as well as wireless hops to camera.

Investigative documentary series shot in Los Angeles. Second camera operator for verite coverage of scenes with host and characters. Handheld verite work in unpredictable scenarios. Collaborating with the DP to gather coverage and broll that fits the look and mood they want.

Investigative documentary series shot in Los Angeles, Mexico City and Brooklyn. AC for 2 cam ops shooting on primes. Prepped 20+ cases of gear for domestic & international travel. Responsible for carnet and clearing customs, building gear on location, helping DP and B Cam op light scenes, rig car mounts, execute ronin shots, etc. Clean gear, charge batteries and pull media. Collaborating with local crew in various languages to ensure smooth workflow of equipment into and out of a scene. Working fast under a variety of rugged, sketchy and unpredictable scenarios. Must be able to move at the drop of a hat. Intensely organized or else risk committing the crime of slowing down the team.

Shot in Los Angeles, Mexico City and Brooklyn. In charge of all field audio. Responsible for operating mixer and array of wireless lavs for our host and characters. Approaching all characters including dangerous criminals with empathy to maintain access and ensure ability to attach lavs to the degree required to ensure good sound in uncontrolled environments. Each scene requiring unique microphone build and placement depending on the location, wind, person’s clothing, voice, etc. Also responsible for ensuring timecode accuracy across 3 cameras and mixer as well as wireless hops to camera.

Hosted travel show shot in Kaskaskia and Old Shawneetown, IL. Single camera coverage of host and subject requiring creative handheld approach to capture enough variety in shot sizes that the editor can cut a conversation together. Always mindful of the story and listening for when is the right moment to move the camera. Have to get creative to build out a scene when the story is mostly past tense, collaborating with the host to find visual ways to tell the story. As always, working with real life characters requires empathy and a creative approach to getting the shots we need.

Investigative documentary series shot in Los Angeles and Washington, DC. Second camera operator for verite coverage of scenes with host and characters. Handheld verite work in unpredictable scenarios. Collaborating with the DP to gather coverage and broll that fits the look and mood they want.

Investigative documentary series shot in India and Mexico. AC for 2 cam ops shooting on primes. Prepped 20+ cases of gear for domestic & international travel. Responsible for carnet and clearing customs, building gear on location, helping DP and B Cam op light scenes, rig car mounts, execute ronin shots, etc. Clean gear, charge batteries and pull media. Collaborating with local crew in various languages to ensure smooth workflow of equipment into and out of a scene. Working fast under a variety of rugged, sketchy and unpredictable scenarios. Must be able to move at the drop of a hat. Intensely organized or else risk committing the crime of slowing down the team.

Shot in India and Mexico. In charge of all field audio. Responsible for operating mixer and array of wireless lavs for our host and characters. Approaching all characters including dangerous criminals with empathy to maintain access and ensure ability to attach lavs to the degree required to ensure good sound in uncontrolled environments. Each scene requiring unique microphone build and placement depending on the location, wind, person’s clothing, voice, etc. Also responsible for ensuring timecode accuracy across 3 cameras and mixer as well as wireless hops to camera.

Black market travel show shot in Portugal, Spain and Morocco. AC for 2 cam ops shooting on primes. Prepped 20+ cases of gear for domestic & international travel. Responsible for carnet and clearing customs, building gear on location, helping DP and B Cam op light scenes, rig car mounts, execute ronin shots, etc. Clean gear, charge batteries and pull media. Collaborating with local crew in various languages to ensure smooth workflow of equipment into and out of a scene. Working fast under a variety of rugged, sketchy and unpredictable scenarios. Must be able to move at the drop of a hat. Intensely organized or else risk committing the crime of slowing down the team.

Shot in Portugal, Spain and Morocco. In charge of all field audio. Responsible for operating mixer and array of wireless lavs for our host and characters. Approaching all characters including dangerous criminals with empathy to maintain access and ensure ability to attach lavs to the degree required to ensure good sound in uncontrolled environments. Each scene requiring unique microphone build and placement depending on the location, wind, person’s clothing, voice, etc. Also responsible for ensuring timecode accuracy across 3 cameras and mixer as well as wireless hops to camera.

Food and travel show shot in the Bay Area. AC for two camera ops shooting primes in every environment from Michelin star restaurants to grimy bars and alleyways. Organized equipment van for ease of shooting, having as much lighting equipment pre-built ahead of time as possible. Ensure smooth and organized flow of gear into and out of a scene, working with local Production Assistants in various languages. Clean gear, charge batteries and pull media. Responsible for prepping and packing 30+ cases of gear for international and domestic travel, clearing customs, carnets, etc.

Food and travel show shot in the Bay Area. Third camera operator for meal scenes collaborating with DP and B camera op to capture coverage of conversations, meal prep in kitchens, and cutaways of food.

Shot in Norfolk, VA showing product integration into customer's daily life. Part of a branded content piece for FreeThink. Worked with client and the director to block and schedule shots to capture everything on the shot list taking advantage of natural light and maximizing our time of day. Worked with a local AC to light key interviews and scenes depicting the product in action. FX6 with DZO primes.

Food and travel show shot in Madrid Spain. AC for two camera ops shooting primes in every environment from Michelin star restaurants to grimy bars and alleyways. Organized equipment van for ease of shooting, having as much lighting equipment pre-built ahead of time as possible. Ensure smooth and organized flow of gear into and out of a scene, working with local Production Assistants in various languages. Clean gear, charge batteries and pull media. Responsible for prepping and packing 30+ cases of gear for international and domestic travel, clearing customs, carnets, etc.

Food and travel show shot in Spain. Third camera operator for meal scenes collaborating with DP and B camera op to capture coverage of conversations, meal prep in kitchens, and cutaways of food.

Shot in Miami. B Camera operator responsible for collaborating with the DP on lighting complex meal scenes, shooting cross coverage with our host and guests, gathering broll to establish locations and set the tone of the scene. DZO primes and Angenieux zooms, EZ rigs.

Shot in Miami. Drone operator for the episode featuring Miami skyline, complex three-axis moves operating safely among skyscrapers. Responsible for scouting, requesting permits to fly, and collaborating with the director to capture specific images to advance the story.

Black market travel show shot in Jackson, MS. AC for 2 cam ops shooting on primes. Prepped 20+ cases of gear for domestic & international travel. Responsible for carnet and clearing customs, building gear on location, helping DP and B Cam op light scenes, rig car mounts, execute ronin shots, etc. Clean gear, charge batteries and pull media. Collaborating with local crew in various languages to ensure smooth workflow of equipment into and out of a scene. Working fast under a variety of rugged, sketchy and unpredictable scenarios. Must be able to move at the drop of a hat. Intensely organized or else risk committing the crime of slowing down the team.

Shot in Jackson, MS. In charge of all field audio. Responsible for operating mixer and array of wireless lavs for our host and characters. Approaching all characters including dangerous criminals with empathy to maintain access and ensure ability to attach lavs to the degree required to ensure good sound in uncontrolled environments. Each scene requiring unique microphone build and placement depending on the location, wind, person’s clothing, voice, etc. Also responsible for ensuring timecode accuracy across 3 cameras and mixer as well as wireless hops to camera.

Another episode of FreeThink's Challengers series on technology startups. Shot in 105 degrees on a farm in Southern California and quickly jumped up to San Francisco to interview the founder and film the company's manufacturing process. Collaborated with the Director and Producer and local talent to block and schedule scenes outdoors at certain times of day to take advantage of natural light on the farm. Worked in the HQ to light and cover scenes of the manufacturing process. Lit interiors of the tractor with Quasars and master interview in the company HQ with Astra 1x1s. Intense heat, long drives, late nights doing DIT.

Black market travel show shot in Poland, Ukraine and Kenya. AC for 2 cam ops shooting on primes. Prepped 20+ cases of gear for domestic & international travel. Responsible for carnet and clearing customs, building gear on location, helping DP and B Cam op light scenes, rig car mounts, execute ronin shots, etc. Clean gear, charge batteries and pull media. Collaborating with local crew in various languages to ensure smooth workflow of equipment into and out of a scene. Working fast under a variety of rugged, sketchy and unpredictable scenarios. Must be able to move at the drop of a hat. Intensely organized or else risk committing the crime of slowing down the team.

Shot in Ukraine and Kenya. In charge of all field audio. Responsible for operating mixer and array of wireless lavs for our host and characters. Approaching all characters including dangerous criminals with empathy to maintain access and ensure ability to attach lavs to the degree required to ensure good sound in uncontrolled environments. Each scene requiring unique microphone build and placement depending on the location, wind, person’s clothing, voice, etc. Also responsible for ensuring timecode accuracy across 3 cameras and mixer as well as wireless hops to camera.

Hosted travel show shot in Frankfort, KY. Single camera coverage of host and subject requiring creative handheld approach to capture enough variety in shot sizes that the editor can cut a conversation together. Always mindful of the story and listening for when is the right moment to move the camera. Have to get creative to build out a scene when the story is mostly past tense, collaborating with the host to find visual ways to tell the story. As always, working with real life characters requires empathy and a creative approach to getting the shots we need.

Hosted travel show shot in Clarksville, TN. Single camera coverage of host and subject requiring creative handheld approach to capture enough variety in shot sizes that the editor can cut a conversation together. Always mindful of the story and listening for when is the right moment to move the camera. Have to get creative to build out a scene when the story is mostly past tense, collaborating with the host to find visual ways to tell the story. As always, working with real life characters requires empathy and a creative approach to getting the shots we need.

Hosted travel show shot in Yorktown, VA. Single camera coverage of host and subject requiring creative handheld approach to capture enough variety in shot sizes that the editor can cut a conversation together. Always mindful of the story and listening for when is the right moment to move the camera. Have to get creative to build out a scene when the story is mostly past tense, collaborating with the host to find visual ways to tell the story. As always, working with real life characters requires empathy and a creative approach to getting the shots we need.

DP for another episode of FreeThink's Challengers series on technology startups. Shot in Austin, TX with health focused tech company. Worked with the director and producer to scout, block and schedule scenes from the shot list to take advantage of natural light. FX6 with Sony G Master lenses.

Hosted travel show shot in Colombia, SC. Single camera coverage of host and subject requiring creative handheld approach to capture enough variety in shot sizes that the editor can cut a conversation together. Always mindful of the story and listening for when is the right moment to move the camera. Have to get creative to build out a scene when the story is mostly past tense, collaborating with the host to find visual ways to tell the story. As always, working with real life characters requires empathy and a creative approach to getting the shots we need.

Hosted travel show shot in Norfolk, VA. Single camera coverage of host and subject requiring creative handheld approach to capture enough variety in shot sizes that the editor can cut a conversation together. Always mindful of the story and listening for when is the right moment to move the camera. Have to get creative to build out a scene when the story is mostly past tense, collaborating with the host to find visual ways to tell the story. As always, working with real life characters requires empathy and a creative approach to getting the shots we need.

Shot in Lebanon and Nigeria. In charge of all field audio. Responsible for operating mixer and array of wireless lavs for our host and characters. Approaching all characters including dangerous criminals with empathy to maintain access and ensure ability to attach lavs to the degree required to ensure good sound in uncontrolled environments. Each scene requiring unique microphone build and placement depending on the location, wind, person’s clothing, voice, etc. Also responsible for ensuring timecode accuracy across 3 cameras and mixer as well as wireless hops to camera.

Black market travel show shot in Lebanon and Nigeria. AC for 2 cam ops shooting on primes. Prepped 20+ cases of gear for domestic & international travel. Responsible for carnet and clearing customs, building gear on location, helping DP and B Cam op light scenes, rig car mounts, execute ronin shots, etc. Clean gear, charge batteries and pull media. Collaborating with local crew in various languages to ensure smooth workflow of equipment into and out of a scene. Working fast under a variety of rugged, sketchy and unpredictable scenarios. Must be able to move at the drop of a hat. Intensely organized or else risk committing the crime of slowing down the team.

Black market travel show shot in Los Angeles. AC for 2 cam ops shooting on primes. Prepped 20+ cases of gear for domestic & international travel. Responsible for carnet and clearing customs, building gear on location, helping DP and B Cam op light scenes, rig car mounts, execute ronin shots, etc. Clean gear, charge batteries and pull media. Collaborating with local crew in various languages to ensure smooth workflow of equipment into and out of a scene. Working fast under a variety of rugged, sketchy and unpredictable scenarios. Must be able to move at the drop of a hat. Intensely organized or else risk committing the crime of slowing down the team.

Black market travel show shot in Oakland & Arkansas. AC for 2 cam ops shooting on primes. Prepped 20+ cases of gear for domestic travel. Responsible for building gear on location, helping DP and B Cam op light scenes, rig car mounts, execute ronin shots, etc. Clean gear, charge batteries and pull media. Collaborating with local crew in various languages to ensure smooth workflow of equipment into and out of a scene. Working fast under a variety of rugged, sketchy and unpredictable scenarios. Must be able to move at the drop of a hat. Intensely organized or else risk committing the crime of slowing down the team.

Shot in Los Angeles. In charge of all field audio. Responsible for operating mixer and array of wireless lavs for our host and characters. Approaching all characters including dangerous criminals with empathy to maintain access and ensure ability to attach lavs to the degree required to ensure good sound in uncontrolled environments. Each scene requiring unique microphone build and placement depending on the location, wind, person’s clothing, voice, etc. Also responsible for ensuring timecode accuracy across 3 cameras and mixer as well as wireless hops to camera.

Shot in Oakland and Arkansas. In charge of all field audio. Responsible for operating mixer and array of wireless lavs for our host and characters. Approaching all characters including dangerous criminals with empathy to maintain access and ensure ability to attach lavs to the degree required to ensure good sound in uncontrolled environments. Each scene requiring unique microphone build and placement depending on the location, wind, person’s clothing, voice, etc. Also responsible for ensuring timecode accuracy across 3 cameras and mixer as well as wireless hops to camera.

Led a three person camera team to block, light and shoot a key BigThink interview with leading expert Dr. Wendy Wood. Worked with a remote team of producers and a director to build the brands signature backdrop. Worked with a local gaffer and assistant to light the space and subject and overcome specific challenges unique to shooting a photo backdrop in a real location with two simultaneous camera angles. Built an EyeDirect & Atom Mini Blackmagic setup to send a feed from two camera over wifi to remote director and producers for feedback and real time conversation with our guest. Captured clean plates of the space for VFX work to remove boom microphone and adjust windows to consistent time of day if needed. Two FX9 cameras with Sigma Cine Primes.

Shot in Washington, DC. Collaborated with a local producer, original series DP and executive producer to shoot pickup shots to flesh out certain story beats.

Hosted travel show shot in Buffalo, NY. Single camera coverage of host and subject requiring creative handheld approach to capture enough variety in shot sizes that the editor can cut a conversation together. Always mindful of the story and listening for when is the right moment to move the camera. Have to get creative to build out a scene when the story is mostly past tense, collaborating with the host to find visual ways to tell the story. As always, working with real life characters requires empathy and a creative approach to getting the shots we need. Intense winter conditions of 15 degrees and windy required precise planning to gather the material we needed while keeping the host comfortable.

Shot in the Dominican Republic. Operated B Cam for cross coverage with our host Sasha Digiulian, captured broll of rock climbing on the wall as well as portraits and textural coverage to establish the scenic location.

Led a three person camera team to block, light and shoot a key BigThink interview with leading expert General Stanley McChrystal. Worked with a remote team of producers and a director to build the brands signature backdrop. Worked with a local gaffer and assistant to light the space and subject and overcome specific challenges unique to shooting a photo backdrop in a real location with two simultaneous camera angles. Built an EyeDirect & Atom Mini Blackmagic setup to send a feed from two camera over wifi to remote director and producers for feedback and real time conversation with our guest. Captured clean plates of the space for VFX work to remove boom microphone and adjust windows to consistent time of day if needed. Two FX9 cameras with Canon CN-E Cinema Lenses.

DP for episode of Challengers series by FreeThink. Filmed with tech startup in Boston, MA working with the producer and director to block and schedule scenes from the shotlist to take advantage of natural light. Operated FX6 for direct to camera interview with EyeDirect along with second camera angle. Lit scenes in a small office environment without distracting from employees work. Anticipated challenges with reflections in glass cubicles and improvised new locations for scenes when planned ones fell through. Product shots of the technology showcased on lazy susan with clients brand colors incorporated into the lighting scheme. FX6 with Leica R vintage lenses.

Led a three person camera team to block, light and shoot a key BigThink interview with leading expert Cass Sunstein. Worked with a remote team of producers and a director to build the brands signature backdrop. Worked with a local gaffer and assistant to light the space and subject and overcome specific challenges unique to shooting a photo backdrop in a real location with two simultaneous camera angles. Built an EyeDirect & Atom Mini Blackmagic setup to send a feed from two camera over wifi to remote director and producers for feedback and real time conversation with our guest. Captured clean plates of the space for VFX work to remove boom microphone and adjust windows to consistent time of day if needed. Two FX9 cameras with Contax Zeiss full frame lenses.

Hosted travel show shot in Montpelier, VA. Single camera coverage of host and subject requiring creative handheld approach to capture enough variety in shot sizes that the editor can cut a conversation together. Always mindful of the story and listening for when is the right moment to move the camera. Have to get creative to build out a scene when the story is mostly past tense, collaborating with the host to find visual ways to tell the story. As always, working with real life characters requires empathy and a creative approach to getting the shots we need.

Hosted travel show shot at the Washington Navy Yard Military Base. Single camera coverage of host and subject requiring creative handheld approach to capture enough variety in shot sizes that the editor can cut a conversation together. Always mindful of the story and listening for when is the right moment to move the camera. Have to get creative to build out a scene when the story is mostly past tense, collaborating with the host to find visual ways to tell the story. As always, working with real life characters requires empathy and a creative approach to getting the shots we need.

DP for FreeThink series Hacking Retirement. Shot with Grant and his family in Arlington, VA capturing verite footage of the family at home. Worked with the director to block and schedule scenes from his shot list to take advantage of natural light. FS7 with Teradek for director's monitor.

Survival show shot in the Kalahari desert of South Africa. I was B Cam operator shooting cross coverage with the DP and covering scenes when the cast split up. On the DP's day off I would fill in as DP working with the producer and cast to cover the reality unfolding. Hunting scenes particularly challenging involving hours of sitting quietly rolling unable to move or risk interrupting the cast experience. Utilize cache record to capture the moment.

Survival show shot in Kalahari desert of South Africa. I was in charge of prepping 36 cases of equipment for international travel. I built gear at every location and ensured camera department and other teams had the equipment they needed, diagnosing and fixing malfunctioning equipment in the field in a remote environment. I was AC'ing in the field for the DP and operating and second camera alongside the DP every day for cross coverage of our two characters. I was responsible for operating our dozen different timelapse and remote IR cameras ensuring that they run continuously throughout the day and overnight. On the DP's day off I would fill in as DP working with the producer and the cast to cover the reality unfolding.

Survival show shot on a remote island in Zambia. I was B Cam operator shooting cross coverage with the DP and covering scenes when the cast split up. On the DP's day off I would fill in as DP working with the producer and cast to cover the reality unfolding. Hunting scenes particularly challenging involving hours of sitting quietly rolling unable to move or risk interrupting the cast experience. Utilize cache record to capture the moment.

Survival show shot on a remote island in Zambia. I was in charge of prepping 36 cases of equipment for international travel. I built gear at every location and ensured camera department and other teams had the equipment they needed, diagnosing and fixing malfunctioning equipment in the field in a remote environment. I was AC'ing in the field for the DP and operating and second camera alongside the DP every day for cross coverage of our two characters. I was responsible for operating our dozen different timelapse and remote IR cameras ensuring that they run continuously throughout the day and overnight. On the DP's day off I would fill in as DP working with the producer and the cast to cover the reality unfolding.

Survival show shoot in Zambia. I was B Cam operator shooting cross coverage with the DP and covering scenes when the cast split up. On the DP's day off I would fill in as DP working with the producer and cast to cover the reality unfolding. Hunting scenes particularly challenging involving hours of sitting quietly rolling unable to move or risk interrupting the cast experience. Utilize cache record to capture the moment.

Survival show shoot in Zambia. I was in charge of prepping 36 cases of equipment for international travel. I built gear at every location and ensured camera department and other teams had the equipment they needed, diagnosing and fixing malfunctioning equipment in the field in a remote environment. I was AC'ing in the field for the DP and operating and second camera alongside the DP every day for cross coverage of our two characters. I was responsible for operating our dozen different timelapse and remote IR cameras ensuring that they run continuously throughout the day and overnight. On the DP's day off I would fill in as DP working with the producer and the cast to cover the reality unfolding.

Survival show shot in Zambia. I was B Cam operator shooting cross coverage with the DP and covering scenes when the cast split up. On the DP's day off I would fill in as DP working with the producer and cast to cover the reality unfolding. Hunting scenes particularly challenging involving hours of sitting quietly rolling unable to move or risk interrupting the cast experience. Utilize cache record to capture the moment.

Survival show shot in Zambia. I was in charge of prepping 36 cases of equipment for international travel. I built gear at every location and ensured camera department and other teams had the equipment they needed, diagnosing and fixing malfunctioning equipment in the field in a remote environment. I was AC'ing in the field for the DP and operating and second camera alongside the DP every day for cross coverage of our two characters. I was responsible for operating our dozen different timelapse and remote IR cameras ensuring that they run continuously throughout the day and overnight. On the DP's day off I would fill in as DP working with the producer and the cast to cover the reality unfolding.

Hosted travel show shot in Nashville, TN. Single camera coverage of host and subject requiring creative handheld approach to capture enough variety in shot sizes that the editor can cut a conversation together. Always mindful of the story and listening for when is the right moment to move the camera. Have to get creative to build out a scene when the story is mostly past tense, collaborating with the host to find visual ways to tell the story. As always, working with real life characters requires empathy and a creative approach to getting the shots we need.

Hosted travel show shot in Fayetteville, NC. Single camera coverage of host and subject requiring creative handheld approach to capture enough variety in shot sizes that the editor can cut a conversation together. Always mindful of the story and listening for when is the right moment to move the camera. Have to get creative to build out a scene when the story is mostly past tense, collaborating with the host to find visual ways to tell the story. As always, working with real life characters requires empathy and a creative approach to getting the shots we need.

I produced, shot and edited a documentary on veterans returning from the frontlines in eastern Ukraine. I contacted and hired a local fixer and translator, contacted representatives from the Red Cross and the director of Pavlograd Legion to coordinate a project showcasing their international development work.

I produced, shot and edited a documentary on a dam demolition project run by CA DFW in a remote region of northern California. I contacted the local landower and arranged to film on his property, supervised two additional camera operators and crash cameras for the explosion and premiered the final film at Wild & Scenic.

I lit and shot and interview with the former head of Secret Service presidential detail about security preparations for Joe Biden's inauguration. I augmented natural light with muslin fabric and LED lights and ran sound as well. I then filmed with local police and National Guard troops at the capitol with a lightweight kit on foot to get coverage.

Shot in Ecuador. I was B Cam operator shooting cross coverage with the DP and covering scenes when the cast split up. On the DP's day off I would fill in as DP working with the producer and cast to cover the reality unfolding.

Shot in Ecuador. I was in charge of prepping 36 cases of equipment for domestic and international travel. I built gear at every location and ensured camera department and other teams had the equipment they needed, diagnosing and fixing malfunctioning equipment in the field in a remote jungle. I was AC'ing in the field for the DP and operating and second camera alongside the DP on specific days. I was responsible for operating our timelapse and remote IR cameras ensuring that they run continuously overnight. On the DP's day off I would fill in as DP working with the producer and the cast to cover the reality unfolding.

I was responsible for producing, filming and editing a wildlife documentary in the field in biologically diverse and sensitive locations. I worked with local scientists to locate and capture native species and share stories about their behavior, beauty and diversity. Working in an expedition environment often in inclement weather with no chance for second takes as a self supported operator.

I was responsible for producing, filming and editing a wildlife documentary in the field in biologically diverse and sensitive locations. I worked with local scientists to locate and capture native species and share stories about their behavior, beauty and diversity. Working in an expedition environment often in inclement weather with no chance for second takes as a self supported operator.

I was responsible for producing, filming and editing a wildlife documentary in the field in biologically diverse and sensitive locations. I worked with local scientists to locate and capture native species and share stories about their behavior, beauty and diversity. Working in an expedition environment often in inclement weather with no chance for second takes as a self supported operator.

I directed and DP'ed a documentary on the Middle Fork Feather River for Friends of Plumas Wilderness & Patagonia. I researched, connected with local non-profits, acquired funding and sourced local characters. I filmed a rock climbing segment 2,000 feet off the deck, operated drones and timelapse cameras and collaborated with editors, color grade artists and distributors to release the film.

I was responsible for producing, filming and editing a wildlife documentary in the field in biologically diverse and sensitive locations. I worked with local scientists to locate and capture native species and share stories about their behavior, beauty and diversity. Working in an expedition environment often in inclement weather with no chance for second takes as a self supported operator.

I was responsible for producing, filming and editing a wildlife documentary in the field in biologically diverse and sensitive locations. I worked with local scientists to locate and capture native species and share stories about their behavior, beauty and diversity. Working in an expedition environment often in inclement weather with no chance for second takes as a self supported operator.

I was responsible for producing, filming and editing a wildlife documentary in the field in biologically diverse and sensitive locations. I worked with local scientists to locate and capture native species and share stories about their behavior, beauty and diversity. Working in an expedition environment often in inclement weather with no chance for second takes as a self supported operator.

I was responsible for producing, filming and editing a wildlife documentary in the field in biologically diverse and sensitive locations. I worked with local scientists to locate and capture native species and share stories about their behavior, beauty and diversity. Working in an expedition environment often in inclement weather with no chance for second takes as a self supported operator.

I was responsible for producing, filming and editing a wildlife documentary in the field in biologically diverse and sensitive locations. I worked with local scientists to locate and capture native species and share stories about their behavior, beauty and diversity. Working in an expedition environment often in inclement weather with no chance for second takes as a self supported operator.

I was responsible for producing, filming and editing a wildlife documentary in the field in biologically diverse and sensitive locations. I worked with local scientists to locate and capture native species and share stories about their behavior, beauty and diversity. Working in an expedition environment often in inclement weather with no chance for second takes as a self supported operator.

Produced and shot interviews with a local pastor and b-roll coverage of their unique church congregation. Worked with a remote producer to generate shot-list and interview questions, lit and mic'ed interior interview and covered the church service with 2 stationary and one roving camera.

I shot coverage of different restaurants, local landmarks and venues in San Diego, working with a remote producer to create a shot list, interview venue owners and schedule the shoot.

I shot an interview with the owner of a local ice cream shop, filming coverage of the step-by-step process of creating different dishes, working with a remote producer on interview questions, shot lists and shoot scheduling.

I was responsible for producing, filming and editing a wildlife documentary in the field in biologically diverse and sensitive locations. I worked with local scientists to locate and capture native species and share stories about their behavior, beauty and diversity. Working in an expedition environment often in inclement weather with no chance for second takes as a self supported operator.

I was responsible for producing, filming and editing a wildlife documentary in the field in biologically diverse and sensitive locations. I worked with local scientists to locate and capture native species and share stories about their behavior, beauty and diversity. Working in an expedition environment often in inclement weather with no chance for second takes as a self supported operator.

I was responsible for producing, filming and editing a wildlife documentary in the field in biologically diverse and sensitive locations. I worked with local scientists to locate and capture native species and share stories about their behavior, beauty and diversity. Working in an expedition environment often in inclement weather with no chance for second takes as a self supported operator.

I worked with a remote producer to shoot interviews and coverage of two fire survivors, incorporating match cuts to interact with their footage of escaping the blazes, and covering the details of their lives after the traumatic event.

I produced and shot coverage of the Thomas Fire, interviewing residents who recently lost their homes and working with firefighters to gather footage of the fast moving destruction for an online news package.

I was responsible for producing, filming and editing a wildlife documentary in the field in biologically diverse and sensitive locations. I worked with local scientists to locate and capture native species and share stories about their behavior, beauty and diversity. Working in an expedition environment often in inclement weather with no chance for second takes as a self supported operator.

I was responsible for producing, filming and editing a wildlife documentary in the field in biologically diverse and sensitive locations. I worked with local scientists to locate and capture native species and share stories about their behavior, beauty and diversity. Working in an expedition environment often in inclement weather with no chance for second takes as a self supported operator.

Shot coverage of the Game of Thrones pop up bar in Washington DC

Operated second camera for interviews. Assisted in lighting and blocking of office location based interview setups. Blocked and shot broll sequences of employees and clients in the office and throughout the city.

Operated a RED camera package for location work and interview work. Extensive DJI Ronin 3-axis gimbal work as well as boat based cinematography and wildlife work.

Operated second camera for concert coverage utilizing DJI Ronin. Assisted in setup and operated second camera for interviews. Operated camera for host on camera segments. Gathered city broll and timelapses of El Paso and Juarez, Mexico.

I directed and DP'ed an Emmy winning documentary on a shipwreck off the coast of California. Operated RED camera packages with a light crew on location, directed a dive cinematography crew for underwater footage as well as talent and interviews for recreations and content.

I filmed interviews for a documentary on local artists, community organizers and advocates with mental disabilities.

Shot an Emmy nominated documentary on the California water crisis for PBS. Extensive location work in snowy environments, lakes and rivers, as well as desert environments with extreme heat.