Global head of post production, overseeing all aspects of post for multiple series, projects and post facility buildout.
Summary
Post Super and DIT with extensive experience in reality/non-fiction, narrative and giant screen (IMAX) projects. Highly experienced designing digital workflows from camera though final delivery. Highly technical and an effective manager.
Credits
8/21 – 10/21
Director of Post Production
Staff Position — Ozy Media Details
8/21 – 10/21
6/14 – 2/18
IMAX Specialist
Staff Position — University of Southern California School of Cinematic Arts Details
6/14 – 2/18
•Manager of the IMAX Theater & Immersive Lab research facility. •Lecturer to graduate and undergraduate cinema students on IMAX and giant screen filmmaking. •Direct support to student filmmakers in the creation of content for the giant screen including content capture/ creation, audio mix and DCP creation. •Advisor to the Large Format Cinema Club. •Direct support for ongoing giant screen research projects.
1/17 – 1/18
Professor of IMAX Filmmaking
Staff Position — University of Southern California School of Cinematic Arts Details
1/17 – 1/18
Developed and currently teaching "Art & Practice of Giant Screen Filmmaking." Developing additional courses in IMAX filmmaking.
6/15 – 12/17
DIT (Digital Imaging Technician) (IMAX 3D) – Pandas 3D
Film (Feature-length) — Panda Productions, LLC Details
6/15 – 12/17
Download IMAX 3D digital footage. Create Back-ups, Create 3D proxies, Q.C. footage for camera anomalies/errors.
6/16 – 7/16
DIT (Digital Imaging Technician) ((IMAX 3D) ) – Panama Canal 3D Doc
Film (Feature-length) — Large Screen Cinema Corp Details
6/16 – 7/16
Download, Transcode, color, proxy and full back up.
7/12 – 4/14
Post Production Supervisor (IMAX 3D) – Island of Lemurs: Madagascar
Film (Feature-length) — Imax Corp/Warner Brothers Details
7/12 – 4/14
IMAX 3D Nature Doc, DIT & Post Super, Created and managed field and post digital workflow for IMAX Digital 3D production camera (phantom 65 pair) including 3D proxy creation on location in Madagascar and supervised editorial and VFx traffic in Santa Monica.
10/13 – 2/14
Line Producer (IMAX) – Big Movie Classics: Legends of Flight
Film (Feature-length) — K2 Communications Details
10/13 – 2/14
Line Produced the update to the IMAX format feature "Legends of Flight" and the simultaneous pilot episode of "Big Movie Classics," a hosted TV adaption of IMAX features. Production shot in Seattle, post in LA. Created budget, schedule, cash-flow, hired local crew, secured locations, oversaw post, hired post vendors, etc.
5/12 – 7/12
Post Production Supervisor – Backwoods Pawn (Pilot)
TruTV — TV — Morningstar Entertainment Details
5/12 – 7/12
Designed and managed post workflow. Hired and managed staff. Oversaw deliverables.
Unions
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Education
Class of '00
University of Southern California School of Cinematic Arts
BA - Cinema-Television
Skills
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