Matthew Steinbeck

-Isolated selects from daily global sync project files from about 3 months of footage. -Put together rough assemblies of scenes together for the lead editors -Assisted the Story Producer with sorting out which story lines to pursue

-Prepped clips for show prior to live broadcast. -Fixed any errors during live broadcast for re-air and archival purposes. -Assisted Lead Editor with whatever help he needed

-Assisted the Lead Editor with a few different assemblies of cut, that he could continue to work on. -Organized and Filed footage with selects.

Organization of files from multiple external hard drives, so that the Editor, Austin Brown, could easily find and have everything he needed, with minimal searching. Everything was also filed to coordinate with my log sheets. I would have have organized files pre imported into FCP using bins.

I was a member in a team of people who helped promote and created marketing strategies for the film. I also PA'd on sets that were based in Chicago. I boom op'd, camera assisted, set up lights and did whatever else the crew needed from me.

Helped out with various tasks on set, from running errands for props and meals, to assisting as a Grip and Boom operator. I mainly made sure that all required equipment was on set prior to the shoot for that day. Helped with tear down of set's and equipment after shoots.

I was on set nearly every day of shooting for this improv mockumentary. I was helping with whatever was necessary on set as well as logging and transferring all the footage for the editor, Austin Brown. I would organize the project and make sure everything was ready to edit.

During and after each shoot day, I was in charge of logging and transferring all the footage to multiple external drives. I would then organize the footage for the editor so it would follow my log sheet correctly. Then I would import and organize the footage in FCP using bins.