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I have over 7 years of experience in producing and editing high quality content for the web, TV, and Film. I’ve taken projects from the ideation process to distribution under a variety of roles from Segment Producer to Lead Editor.
10/14 – 10/15
Lead Editor
Staff Position — Machinima Details
10/14 – 10/15
Producer/Editor/Shooter for ETC, a daily YouTube show covering the world of entertainment, tech, and internet culture.
9/14 – 10/14
Cartoon Network — TV — Go Film Details
9/14 – 10/14
Ingesting dailies overnight. Syncing and organizing footage. Managing unity. Creating string outs. Cutting promos and interstitials.
7/14 – 8/14
YouTube — Digital — Maker Studios
7/14 – 8/14
7/14 – 7/14
Xbox — Digital — Defy Media
7/14 – 7/14
6/14 – 7/14
Golf Digest — Digital — Sawhorse Productions
6/14 – 7/14
4/14 – 7/14
Allure — Digital — Relativity Media
4/14 – 7/14
5/14 – 6/14
Self — Digital — Relativity Media
5/14 – 6/14
3/14 – 4/14
Glamour — Digital — Sawhorse Productions
3/14 – 4/14
9/13 – 12/13
YouTube — Digital — Soriac Ventures
9/13 – 12/13
9/13 – 12/13
YouTube — Digital — Soriac Ventures Details
9/13 – 12/13
Assembled the 30 minute show from start to finish.
8/13 – 8/13
YouTube — Digital — Sawhorse Productions Details
8/13 – 8/13
I cut the first on-location episode of the show. Created a new pace and editing style for the series. Here's a sample of my work on the series:
http://www.youtube.com/watch?v=QfABC5_5Fpw&feature=share&list=UUr7ZFxNlDvb3waeoTN1_3mA
5/13 – 8/13
TLC — TV — Firecracker Films Details
5/13 – 8/13
- Managing Unity system
- Logging
- Ingesting multiple formats and framerates
- Syncing 4 cameras and 2 audio recorders
- Multi-grouping clips
- up-rezzing for online edit
7/13 – 7/13
YouTube — Digital — Nerdist Industries Details
7/13 – 7/13
I was 1 of 3 editors on the road with the production crew. We cut wrap-up video coverage of the days events; 8-10 minute episodes with multiple remote packages and live host wraps. We worked under a very intense timeline, sometimes turning around a final cut of an episode in 8 hours.
6/13 – 7/13
YouTube — Digital — Shira Lazar Productions Details
6/13 – 7/13
I cut branded videos for Ford and Samsung. I also supervised the post-production team on daily turnarounds of segments.
5/13 – 5/13
Style Network — TV — all3media america Details
5/13 – 5/13
Lead night AE
10/11 – 5/13
Film (Feature-length) — Fake Empire Productions Details
10/11 – 5/13
Started day one with the director and main editor. Helped craft the story. Transcoded, logged, and organized over 200 hours of footage shot with 5 different camera systems. Cut musical performances in the final cut. Managing the online edit as well.
3/13 – 4/13
TV — Independent Film Details
3/13 – 4/13
Was the sole editor on an independently financed half-hour comedy pilot. Shot on RED Epic.
9/11 – 3/13
Fox Sports — Live/Special Event — Play On! Sports Details
9/11 – 3/13
Part of a freelance production team for Fox Sports streaming live high school sporting on foxsportswest.com. Was an integral part of the initial team, creating a whole new work flow from scratch. Operated and troubleshooted Tricaster hardware and software. Would fill in for director during games.
2/13 – 2/13
Film (Feature-length) — Oneinarow Details
2/13 – 2/13
Was brought in for about a month to help shape the story and create a new direction for the editing style.
3/12 – 1/13
G4 — Live/Special Event — G4 Media Productions Details
3/12 – 1/13
I produced Gadget Pr0n and other various segments.
11/12 – 12/12
Film (Feature-length) — Young Brothers Production Details
11/12 – 12/12
Logged, synced, and organized dailies. Created FCP folder structure for the project. Made selects sequences for the editor.
3/12 – 4/12
Film (Feature-length) — PBS Details
3/12 – 4/12
Hired by Director/Editor sound mix, color, and deliver cut to PBS under their broadcast specs.
10/11 – 1/12
Second Assistant Editor (Avid)
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The Brass Teapot
Film (Feature-length) — Union Editorial Details
10/11 – 1/12
Came in at the tail end of the post schedule to prep cuts for sound mixer and composer. Also managed outputs and media duplication for the producers and director.
10/11 – 11/11
YouTube — Digital — Shane Dawson TV Details
10/11 – 11/11
Transcoded, synced, and organized all footage in a very tight turnaround. Was able to deliver organized project to editor one day after shoot.
10/11 – 10/11
Film (Feature-length) — N/A Details
10/11 – 10/11
Transcoded, synced, and organized all footage in a very tight turnaround. Was able to deliver organized project to editor one day after shoot.
1/11 – 1/11
DIT (Digital Imaging Technician) (RED)
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The Thompsons
Film (Feature-length) — Film Harvest Details
1/11 – 1/11
One set DIT for the production of The Thompsons. Turned around raw RED footage into synced dailes everyday for the editor off-site. Managed back up for all footage.
1/11 – 1/11
Film (Feature-length) — Film Harvest
1/11 – 1/11
12/10 – 1/11
DIT (Digital Imaging Technician) (RED)
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Free Samples
Film (Feature-length) — Film Harvest Details
12/10 – 1/11
Turned around raw RED footage into synced dailes everyday for the editor off-site. Managed back up for all footage.
11/10 – 1/11
Assistant Editor (Avid)
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Free Samples
Film (Feature-length) — Film Harvest Details
11/10 – 1/11
Synced all dailies in Avid and cut assembly scenes for producers to present to investors. Worked with the director/editor, grabbing selects for him and doing quick sound mixes/sound edits on his cuts.
7/10 – 11/10
Disney Channel — Digital — Take 180 Details
7/10 – 11/10
Cut every episode of series. Quick "YouTube" style jump cuts. Cut in all the animation as well.
1/09 – 10/10
Producer/Shooter
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Break.com
Internet — Digital — Break Media Details
1/09 – 10/10
I was an integral part of Break.com’s original and branded production team, The Creative Lab. I wrote, produced, directed, and edited short-form content for the website. My other duties included but were not limited to: assistant editing, camera operator, camera assisting, DIT, data management, and managing our library.
Class of '09
University of Hawaii
Digital Media