6/22 – 11/22
Paramount+ — TV — MTV Networks (Viacom) Details
6/22 – 11/22
Full-time C-Camera Operator. Long lens specialist. Beauty shots all day.
3/22 – 6/22
Freeform — TV — ABC Studios NY LLC Details
3/22 – 6/22
A-Camera 1st Assistant. Large format sharps, and Department Head.
8/21 – 11/21
HBO Max — TV — HBO Max Details
8/21 – 11/21
Dayplayer
8/21 – 9/21
Sundance — Film (Short)
8/21 – 9/21
9/20 – 12/20
HBO — TV — Cooler Waters Productions, LLC. Details
9/20 – 12/20
A-Camera 1st Assistant. Handheld sharps and department head.
5/18 – 1/19
CNN — TV — Herzog & Company Details
5/18 – 1/19
B-Camera Operator
5/18 – 12/18
ESPN — TV — Herzog & Company
5/18 – 12/18
5/18 – 5/18
First Assistant Camera
Advertising — Arc Productions Details
5/18 – 5/18
1st Assistant Camera, maintaining sharps on the fly handheld across FIDI. Alexa Mini with LWZ.
5/18 – 5/18
First Assistant Camera
–
Middle Mile
Altice — Advertising — Yonder Inc Details
5/18 – 5/18
1st Assistant Camera, maintaining critical focus on a production filming with a Sony Venice and Leica Summicron-C primes.
1/18 – 5/18
CNN — TV — Herzog & Company Details
1/18 – 5/18
B-Camera Operator
4/18 – 4/18
First Assistant Camera
Fender — Advertising — Ways & Means Details
4/18 – 4/18
1st Assistant Camera with sharps on A-Camera Alexa Mini with K-35s. Handheld on Location in Suffern, NY.
4/18 – 4/18
Music Video — All Expanded Details
4/18 – 4/18
1st Assistant Camera working with 16mm Film, turning over in real time on an ARRI SR3, with Ziess Superspeeds, flying Steadicam.
3/18 – 4/18
Internet — TV — Afterimaging LLC Details
3/18 – 4/18
1st Assistant Camera for a road show filming Multi-Cam/mixed media in NYC, Asheville, NC, and El Paso, TX. Sharps on A-Camera Alexa Mini and Ziess super speeds.
2/18 – 2/18
First Assistant Camera
Advertising — Freenjoy Inc. Details
2/18 – 2/18
PANAVISED Alexa Mini and ARRI SR3. Sharps on film.
1/18 – 1/18
Vogue — Digital — Vogue/Conde Nast Details
1/18 – 1/18
1st Assistant Camera for a documentary portrait of Sudanese models filmed on 16mm film and digital with ARRI Camera Systems and Panavision glass Wide Open.
11/17 – 11/17
First Assistant Camera
Advertising — North Six Details
11/17 – 11/17
First Assistant Camera on a Handheld Alexa Mini Shoot with K35 glass.
11/17 – 11/17
First Assistant Camera
–
Motion Poems
Film (Short) — All Expanded Details
11/17 – 11/17
Focus Puller on a 16mm Short filmed with an ARRI SR3 flown on Steadicam.
11/17 – 11/17
Revlon — Advertising — Optic Films Details
11/17 – 11/17
First Assistant Camera for a Studio shoot Filmed with an Alexa Mini and Angenieux Cinema Zoom.
11/17 – 11/17
Music Video — Animal Years Details
11/17 – 11/17
Focus Puller on a music video filmed on location with an ARRI Alexa XT and Kowa anamorphics.
10/17 – 10/17
First Assistant Camera
Advertising — The Vault Details
10/17 – 10/17
1st Assistant Camera for a Panavised Alexa Shoot with LWZ.
10/17 – 10/17
First Assistant Camera
–
McGarryBowen
United Airlines — Advertising — MVVW, Inc Details
10/17 – 10/17
1st Assitant Camera for a Panavised Alexa Shoot with 10x1 and 12x1 zooms.
10/17 – 10/17
First Assistant Camera
–
Art+Vibes
Illy Coffee — Advertising — Art+Vibes Details
10/17 – 10/17
1st Assistant Camera for an Illy Coffee commercial filmed on location in Italy and New York. Alexa XT, Alexa Mini, Hawk V-Lites.
9/17 – 10/17
First Assistant Camera
–
Roped
Film (Feature-length) — ESX Entertainment Details
9/17 – 10/17
1st Assistant A-Camera. Handheld on the fly Sony F55 with Cooke S4 minis for a Rodeo Movie filmed on location.
8/17 – 9/17
First Assistant Camera
–
Motocross
Film (Feature-length) — ESX Entertainment Details
8/17 – 9/17
A-Camera 1st Assistant working on a multi-unit motocross feature film. Sony F55 with Hawk C-Series Anamorphics.
8/17 – 8/17
Camera Operator (Sony F5)
–
1968
CNN — TV — Herzog & Company Details
8/17 – 8/17
B-Camera Operator in studio.
7/17 – 7/17
First Assistant Camera
Swarovski — Advertising — AND Production Details
7/17 – 7/17
1st Assistant Camera for a broadcast commercial filming with a technocrane and Alexa.
7/17 – 7/17
New York Yankees — Advertising — VICE Media Details
7/17 – 7/17
1st Assistant Camera for a single unit broadcast commercial filmed on location in New York. Alexa Mini with Kowa Anamorphics.
6/17 – 7/17
Film (Feature-length) — ESX Entertainment Details
6/17 – 7/17
A-Camera 1st Assistant on a wrestling film sequel. Handheld Sony F55 with Kowa Anamorphics.
4/17 – 4/17
TV — Callsheets Films LLC Details
4/17 – 4/17
First Assistant Camera for a Pilot Series filming with a Panavised ARRI ALEXA PLUS 4:3, Panavision Primos, G-Series, and T-Series. Handheld with sharps on an ARRI FF5.
4/17 – 4/17
First Assistant Camera
–
Consulate
WNBA — Advertising — Cabiria Films LLC Details
4/17 – 4/17
First Assistant Camera on location in Brooklyn for a commercial shoot filming WNBA stars for the New York Liberty. ARRI ALEXA MINI, handheld and Crane with Leica Summicrons and ARRI WCU-4.
4/17 – 4/17
Kenwood Vineyards — Advertising — Mark Seliger Studio Details
4/17 – 4/17
First Assistant Camera maintaining sharps on a commercial shoot filming hybrid wolves on location in Jack London State Park, (Glen Ellen, CA). Handheld ARRI ALEXA MINI with ARRI Ultra Primes.
3/17 – 4/17
Ralph Lauren — Advertising — Cabiria Films LLC Details
3/17 – 4/17
First Assistant Camera for a commercial shoot on location in Miami, FL. Handheld ARRI Alexa Mini with Lieca Summicrons and ARRI WCU-4.
3/17 – 3/17
Max Mara — Advertising — Cabiria Films LLC Details
3/17 – 3/17
First Assistant Camera for a Max Mara Weekend FW17 shoot, filmed on location in Upstate NY. ARRI Amira with Angenieux Optimo DP LWZ.
2/17 – 2/17
First Assistant Camera
–
NYFW17
Live/Special Event — Tender Night Details
2/17 – 2/17
Focus Puller on an Alexa XT Studio Build with 45mm-250mm Arri Alura. Sharps on New York Fashion Week Fall 2017 for Altuzarra, Philip Lim, and Monse + Oscar de la Renta.
2/17 – 2/17
First Assistant Camera
–
Leo Burnett
Cadillac — Advertising — Corrino Media Group Details
2/17 – 2/17
Focus Puller for two camera RED Weapon Helium Shoot, flown on Movi M10, Jimmy Jib Triangle, and Fisher 11. Then sharps a Phantom Flex 4k filming 1000fps - 2000fps, flown handheld for macro photography and on a Bolt Motion Control Arm.
2/17 – 2/17
First Assistant Camera
–
The Vault
Dairy Queen ESPN — Advertising — The Vault Details
2/17 – 2/17
Focus Puller maintaining sharps on Sony F55 Cooke S4 minis handheld.
2/17 – 2/17
First Assistant Camera
–
Consulate
American Eagle — Advertising — Cabria Details
2/17 – 2/17
Focus Puller traveling on Location in Atlanta, GA. Alexa Mini, Zeiss Super Speeds Mkii, flown on a 20' triangle. AE Candid Campaign with Tyler Mitchell.
10/16 – 2/17
First Assistant Camera
–
Headless
Nowness.com — Digital — Good for Nothing Films/ Sebastian Sdaigui Details
10/16 – 2/17
First Assistant Camera for an ongoing documentary series exploring underground subcultures in Harlem & the Bronx. Sharps on Anamorphic Lomos & Hawk V-Lites.
1/17 – 1/17
First Assistant Camera
–
The Gaze
Film (Short) — Unbundled Underground Details
1/17 – 1/17
Focus Puller on the fly handheld Red Helium Super 35mm 8k with Leica Summicron Primes.
1/17 – 1/17
First Assistant Camera
–
And Repeat
Braintree — Advertising — Picture Farm Details
1/17 – 1/17
First Assistant Camera on a Red Weapon Helium S35mm studio build with Ziess CZ.2 28mm-80mm. Broadcasting across multiple formats, including for print in JFK, LAX, and SFO.
9/16 – 1/17
CNN — TV — Herzog & Company Details
9/16 – 1/17
Two Camera F5
12/16 – 12/16
First Assistant Camera (Arri416)
–
H.E.R - H.E.R
Music Video Details
12/16 – 12/16
Focus Puller for a S16mm handheld documentary music video shoot with a Panavised Arri416 and UltraPrimes WFO.
11/16 – 12/16
TV — Herzog & Company Details
11/16 – 12/16
Multi-Camera studio build Alexa Shoot for round table discussion. Me, my 2nd AC, and 6 Alexa Classics.
8/16 – 12/16
CNN — TV — Herzog & Company Details
8/16 – 12/16
Two Camera Sony F5 studio mode builds
11/16 – 11/16
First Assistant Camera
–
ESPN 30/30
ESPN — TV — ESPN Details
11/16 – 11/16
Arri Amira handheld, Zeiss super speeds mkii
10/16 – 10/16
First Assistant Camera
Advertising — Picture Farm Details
10/16 – 10/16
FS7 on a stage
10/16 – 10/16
Empire State Development — Advertising — Greenpoint Pictures Details
10/16 – 10/16
Amira handheld with Master Primes. Pulling focus on the fly. Commercial for The State of New York.
10/16 – 10/16
First Assistant Camera
–
Consulate
American Eagle — Advertising — Cambria Details
10/16 – 10/16
Focus Puller, handheld, Alexa Mini with LWZ and WCU4. Broadcast Spring 2017 Campaign
9/16 – 9/16
Internet — TV — Darklight Production Details
9/16 – 9/16
Alexa mini with Ultra Primes+WCU4. Dolly, Sticks, Steadicam.
9/16 – 9/16
First Assistant Camera
Advertising — BSP, LLC Details
9/16 – 9/16
Sony F55, cooke S4is. Mix of Studio on a Stage and Handheld on Location.
8/16 – 8/16
Lane Bryant — Advertising — Cambria Films LLC Details
8/16 – 8/16
Focus Puller for a direct to camera broadcast commercial. ARRI ALEXA, 12x1 Optimo, Teleprompter, Fisher 11 studio build.
7/16 – 7/16
Shutterfly — Digital — Shutterfly, Inc
7/16 – 7/16
7/16 – 7/16
Skybell Hero — Advertising — Maximum Flavor Media Details
7/16 – 7/16
First Assistant Camera on a single camera ARRI Alexa lifestyle commercial. Classic studio mode, light easy-rig.
6/16 – 6/16
Second Assistant Camera
Airforce — Advertising — Bullitt
6/16 – 6/16
5/16 – 5/16
First Assistant Camera
Advertising — Art and State Details
5/16 – 5/16
First Assistant Camera, Sony F55, Steadicam.
5/16 – 5/16
First Assistant Camera
Advertising — ECR Studios Details
5/16 – 5/16
First Assistant Camera for a Loving Professional University testimonial video, filmed on the Sony Fs7 with Cooke S4s.
5/16 – 5/16
Second Assistant Camera (Dayplayer )
–
Big Little Lies
HBO — TV — Blue Blues Productions, LLC
5/16 – 5/16
5/16 – 5/16
Kite Shield — Advertising — Script to Screen Details
5/16 – 5/16
Fist Assistant Camera on a direct to camera demonstration commerical. RED Epic.
4/16 – 4/16
First Assistant Camera
–
DIRT
Film (Feature-length) — ESX Productions Details
4/16 – 4/16
A-Camera 1st Assistant for a two camera Trophy Truck movie, during which time I enabled female diversity within the camera department. Maintained sharps on an ensemble cast improving on location in daily dust storms, (Sony F55 handheld 100mm).
3/16 – 3/16
First Assistant Camera
Mancini's Sleep World — Advertising — The Big Picture Film and Video Arts Details
3/16 – 3/16
Sony Fs7 studio and handheld build.
3/16 – 3/16
Camera Operator (Canon C300)
–
SAP HANA Myths
Corporate — OffAbbot Details
3/16 – 3/16
Second Camera Opertor for a two camera shoot filming a handheld promotional product video.
3/16 – 3/16
First Assistant Camera
–
HUGE
Google — Advertising — Powershot Productions Details
3/16 – 3/16
Studio RED Scarlet Build with Angenieux Optimo 12x1 on a Oconnor 2060 head mounted to a Fisher 11.
2/16 – 2/16
First Assistant Camera
Advertising — French Press Films Details
2/16 – 2/16
Handheld Sony Fs7 build with studio modul, and Canon Cinema LWZ.
2/16 – 2/16
Bank of America — Advertising — The Vault Details
2/16 – 2/16
First Assitant Camera, Focus Puller for a two camera F55 shoot. One remote head build, one studio build.
2/16 – 2/16
Mitsui — Advertising — Mt. Melvil Details
2/16 – 2/16
Second Assistant Camera to a Panavised Arri Studio Set Up.
1/16 – 1/16
First Assistant Camera
Advertising — Laird + Partners Details
1/16 – 1/16
Focus puller for "This Body" Lane Bryant Spring 2016 Campaign. Arri Amira dolly & handheld.
12/15 – 12/15
Second Assistant Camera
Advertising — Good Engine Media Details
12/15 – 12/15
Second Assitant Camera, marking talent and takes, moving carts and cases, organizing equipment, and setting monitors.
12/15 – 12/15
Film (Feature-length) — Isotope Films Details
12/15 – 12/15
1st Assitant Camera for a single camera Amira build with a LWZ during interviews and b-roll.
12/15 – 12/15
First Assistant Camera
–
CDMi Connect
AstraZeneca — Advertising — JH Artist Group Details
12/15 – 12/15
1st Assistant Camera for a studio Alexa XT build with a Fujjinon LTZ.
10/15 – 11/15
First Assistant Camera (A-Camera)
–
Praying for Rain
Film (Feature-length) — ESX Productions Details
10/15 – 11/15
First Assistant Camera, for a handheld single camera Sony F55 shoot with Cooke S4 minis. Movie No. 3 of 3 with ESX Productions 2015.
10/15 – 10/15
First Assistant Camera
Advertising — Lymberg Details
10/15 – 10/15
1st Assitant Camera for a single camera studio shoot, filming on the Arri Alexa Mini, with an Angenieux Optimo 25-250mm, mounted to a Fisher 11 dolly.
10/15 – 10/15
First Assistant Camera
–
CDMi Connect
Actelion — Advertising — JH Artist Group Details
10/15 – 10/15
First Assistant Camera for a two camera shoot filming on the Arri Alexa Mini with a Fujinon 19mm-90mm LTZ. Studio mode and Steadicam.
10/15 – 10/15
First Assistant Camera
–
180 LA
Hewlett-Packard — Advertising — Greenpoint Pictures Details
10/15 – 10/15
First Assistant Camera for a two camera shoot, filming handheld on the Arri Amira with Zeiss Superspeeds, filtration, and diopters.
9/15 – 9/15
First Assistant Camera
–
AKQA
Visa — Advertising — Scheme Engine Details
9/15 – 9/15
First Assistant Camera for a four camera shoot: two C300s, with Canon Cinema CPZ, and two Arri Alexa Minis with Fujinon 19-90mm LWZs built in Studio Mode. Lead Focus-puller for long lens dolly push-ins, and round tracking shots with diopters.
9/15 – 9/15
First Assistant Camera
–
Doremus
Microsoft — Advertising — Doremus Details
9/15 – 9/15
Lifestyle and screens. Push-ins, and sticks. RED Dragon with primes.
8/15 – 9/15
First Assistant Camera (A-Camera)
–
Running Wild
Film (Feature-length) — ESX Productions Details
8/15 – 9/15
A-Camera 1st Assistant for a two camera production, filming on the Sony F55 with Kowa Anamorphic lenses. Handheld and studio mode. Feature 02 of 03 with ESX Productions in 2015.
7/15 – 9/15
First Assistant Camera
–
The 13th
Film (Feature-length) — Kandoo Films Details
7/15 – 9/15
Focus Puller on location for the San Francisco Unit. Two Camera studio build.
7/15 – 8/15
Kinsella Estates — Digital — Heirloom Productions Details
7/15 – 8/15
First Assistant Camera for a single camera handheld shoot, filming on the Arri Alexa Classic with Zeiss Ultra Primes. All woman camera crew.
6/15 – 6/15
YouTube — TV — There We Go Films Details
6/15 – 6/15
First Assistant Camera for a two camera Sony FS7 shoot, with Fujinon 19-90mm LWZs.
Episode 5: Arion Press in San Francisco's Presidio district.
6/15 – 6/15
Energy Upgrade California — Advertising Details
6/15 – 6/15
First Assistant Camera for a single camera Sony F55 studio shoot, filming an animatronic bear.
4/15 – 6/15
Film (Feature-length) — ESA Entertainment Details
4/15 – 6/15
A-Camera 1st Assistant. Focus Puller, hand held, Anamorphic, F55
5/15 – 5/15
Music Video — Yella Inc. Details
5/15 – 5/15
First Assistant Camera for B-Roll days in West Oakland, CA. RED Dragon, primes.
3/15 – 3/15
Mercedes — Advertising — CMS Productions Details
3/15 – 3/15
B-Camera 1st Assistant, pulling focus wide open off the barrel of long lens Master Primes mounted to a Sony F55 recording 4K Raw.
3/15 – 3/15
Honda — Advertising — Dwyer Productions
3/15 – 3/15
3/15 – 3/15
First Assistant Camera
–
H&L Partners
Toyota — Advertising — A Good Hurt Productions
3/15 – 3/15
2/15 – 2/15
Music Video — Epic Records Details
2/15 – 2/15
Filmed in Athens, Georgia on the ARRI Amira with rehoused Leica primes.
2/15 – 2/15
Frito Lay — Advertising — Umlaut Films
2/15 – 2/15
1/15 – 1/15
First Assistant Camera
footlocker — Advertising — The Vault Details
1/15 – 1/15
First Assistant Camera, pulling focus on LTW zoom mounted to a Sony F55 flying on Steadicam, filming Steph Curry and basketball all-stars.
1/15 – 1/15
First Assistant Camera
–
Salesforce
Corporate — Caruso Company
1/15 – 1/15
1/15 – 1/15
Second Assistant Camera
–
Salesforce
Corporate — Caruso Company
1/15 – 1/15
12/14 – 12/14
First Assistant Camera
Advertising — Schulberg Media Works
12/14 – 12/14
12/14 – 12/14
First Assistant Camera
Advertising — Eyeball NYC
12/14 – 12/14
11/14 – 11/14
First Assistant Camera
Curry One — Advertising — Clarke Visuals
11/14 – 11/14
11/14 – 11/14
First Assistant Camera
Advertising — brkly
11/14 – 11/14
9/14 – 11/14
TV — Anonymous Content Details
9/14 – 11/14
Documentary Pilot Series following Ai WeiWei
10/14 – 10/14
Second Assistant Camera
Advertising — Lodestar Films Inc
10/14 – 10/14
10/14 – 10/14
Second Assistant Camera
–
BBDO
Visa — Advertising — MJZ
10/14 – 10/14
9/14 – 9/14
Second Assistant Camera
Fit Bit — Advertising — Caruso Company
9/14 – 9/14
9/14 – 9/14
Second Assistant Camera (DIT)
–
Shutterfly
Corporate
9/14 – 9/14
8/14 – 9/14
Film (Feature-length) — WSOR Productions, LLC Details
8/14 – 9/14
Day Player for B-Camera
7/14 – 7/14
First Assistant Camera
–
Ebay
Corporate Details
7/14 – 7/14
Two C100s, with Canon L-Series glass. Pulling focus on Dana Dolly setups for portrait series.
7/14 – 7/14
Film (Feature-length) Details
7/14 – 7/14
Maintained Sony F55 and Canon C300 cameras throughout the shoot on location.
7/14 – 7/14
Corporate — The Big Picture Film and Video Arts
7/14 – 7/14
6/14 – 6/14
Second Assistant Camera
Verizon — Advertising — Rascals & Rogues Details
6/14 – 6/14
A-Unit Second Assistant Camera - two camera builds - Epic on a Movi and a Dragon Handheld/EasyRig.
6/14 – 6/14
First Assistant Camera
Microsoft — Advertising Details
6/14 – 6/14
RED Dragon, Ultra Primes, handheld - keeping it sharp with an ARRI MMF-2.
6/14 – 6/14
Second Assistant Camera (DIT)
Shutterfly — Advertising — Shutterfly Details
6/14 – 6/14
Doubled as 2nd AC & DIT, (and additional focus-puller). Generated ProRess HQ transcodes at 2.5x real time, using the RedRocket-X; a premier rental from Chater Camera. RED Dragon with Leica Summicron-C Primes.
6/14 – 6/14
First Assistant Camera
Under Armour — Advertising — GLP Creative Details
6/14 – 6/14
RED Dragon, with Angenieux glass, underslung on a Jib Arm built on a Fisher 9 dolly. Maintained critical focus on the fly using a Single Channel Preston unit.
6/14 – 6/14
Comcast Xfinity — Advertising — E Level Films Details
6/14 – 6/14
Covered the camera prep for my 1st and performed 2nd AC duties on set. Single Camera Alexa with Fujinon LWZ on an Arri Geared head.
5/14 – 5/14
ESPN — Hock Films / ESPN
5/14 – 5/14
5/14 – 5/14
First Assistant Camera
–
Les Enfants
Hitachi — Advertising — Totem Films Details
5/14 – 5/14
RED Epic
Kowa Anamorphics
4/14 – 4/14
First Assistant Camera
Luvo Delta Airlines — Advertising — National Picture Show Details
4/14 – 4/14
RED EPIC, Kowa Anamorphics
4/14 – 4/14
Second Assistant Camera
Clorox — Advertising — TwentyNine Black Details
4/14 – 4/14
Alexa Plus with Ultra Primes, handheld.
4/14 – 4/14
First Assistant Camera
Timbuk2 — Advertising — Table of Content Details
4/14 – 4/14
B-Camera 1st Assistant
RED Epic, with 12x1 & 4.7x1 Optimos, & Leica Summicrons
3/14 – 3/14
Second Assistant Camera (DIT)
Shutterfly — Advertising — Shutterfly Details
3/14 – 3/14
Second Assistant Camera and Digital Imaging Technician, performing downloads and providing ProRes 422 HQ transcodes.
- Canon C300
2/14 – 2/14
Lifetime — TV — Steve Kuo Productions
2/14 – 2/14
1/14 – 1/14
First Assistant Camera
–
Mavericks
Fox Sports — Live/Special Event — FoxLive
1/14 – 1/14
11/13 – 12/13
First Assistant Camera
–
Yosemite
Film (Feature-length) — RabbitBandini Productions Details
11/13 – 12/13
Panavised RED Packages with Primo Primes and 11:1 Zoom.
11/13 – 11/13
First Assistant Camera
Levi's — Advertising — Day 19 - Jeremy & Claire Weiss Photography Details
11/13 – 11/13
Sony F3
1st AC & Data Manager for product and interview shoot.
11/13 – 11/13
First Assistant Camera
Frye Boots — Advertising — Day 19 - Jeremy & Claire Weiss Photography Details
11/13 – 11/13
Multiple camera shoot of Grace Potter & The Nocturnals at Bimbos San Francisco. Sony F3 & Canon DSLRS. Additional Camera Operator.
10/13 – 11/13
TV — Peaches Christ Productions, Inc
10/13 – 11/13
10/13 – 10/13
First Assistant Camera
Safeway Foundation — Advertising — NTROPIC
10/13 – 10/13
10/13 – 10/13
First Assistant Camera
Adobe — Advertising — Studio B Films
10/13 – 10/13
10/13 – 10/13
First Assistant Camera
–
LA UVA
Film (Feature-length) — Target Productions Details
10/13 – 10/13
Feature-length Napa/Sonoma Wine documentary. RED Epic with Angenieux glass.
9/13 – 9/13
Second Assistant Camera
Isis — Advertising — NTROPIC
9/13 – 9/13
9/13 – 9/13
Film (Feature-length)
9/13 – 9/13
9/13 – 9/13
Warriors — Advertising
9/13 – 9/13
8/13 – 8/13
Fox Sports
8/13 – 8/13
7/13 – 7/13
Second Assistant Camera (Data Manager )
Shutterfly — Advertising Details
7/13 – 7/13
Second Assistant Camera and Digital Imaging Technician, performing downloads and providing ProRes 422 HQ transcodes for a commercial advertising the latest iPad application from Shutterfly, Inc.
- Canon C300
6/13 – 7/13
Assistant Camera (AC) (RED Scarlet, RED Epic)
–
ExtraSolar
Internet — Evolve Media Details
6/13 – 7/13
Assistant Camera and Digital Loader for a Web Original Game green screen shoot with Evolve Media.
6/13 – 6/13
Assistant Camera (AC)
Aspen Institute — Advertising — Deacon Entertainment Details
6/13 – 6/13
First Assistant Camera/focus puller and Camera Operator for a commercial broadcast shoot with Deacon Entertainment and the Aspen Institute at Gorge Lucas Studios.
- Canon C300, 5D Mk 3, 5D Mk 2
5/13 – 6/13
First Assistant Camera
–
Girlhouse
Film (Feature-length) — Brookstreet Pictures Details
5/13 – 6/13
First Assistant Camera San Francisco Unit for a Feature Film Prologue with Brookstreet Pictures and Hacienda Film Co. Easyrig, handheld, jib, dolly and follow car setups with Ultra Primes.
- ARRI ALEXA Plus
3/13 – 6/13
Sundance — TV
3/13 – 6/13
5/13 – 5/13
Assistant Camera (AC)
Good Technology — Advertising — Magnet Media Details
5/13 – 5/13
Assistant Camera and Data Manager for a two camera corporate interview setup with Magnet Media in Half Moon Bay.
- Canon 5D
5/13 – 5/13
First Assistant Camera
Lytro Camera — Advertising — Maximum Flavor Media Details
5/13 – 5/13
First Assistant Camera for a product video shoot at 4th Street Studios with Maximum Flavor Media.
- Canon C300
5/13 – 5/13
First Assistant Camera
–
Citrix
Corporate Details
5/13 – 5/13
1st Assistant Camera and B-Camera Operator on a corporate interview shoot in Santa Clara, CA. RED Epic, Canon 5D.
5/13 – 5/13
Internet — Live/Special Event — Creative Live Details
5/13 – 5/13
Camera and Jib Operator on a multiple camera live streaming photography workshop. Operated a Kessler jib with a remote head as well as additional cameras on monopod and sticks. Sony EX-1.
4/13 – 4/13
Discovery — TV — Indigo Films Details
4/13 – 4/13
- Sony F700 & FS900
Second Assistant A-Camera
4/13 – 4/13
First Assistant Camera
Candy Crush Saga — Advertising — Sawhorse Productions Details
4/13 – 4/13
First Assistant Camera on promo video for a game application with Sawhorse Productions.
- RED Scarlet
4/13 – 4/13
First Assistant Camera
Aeropostale — Advertising — Lock Box Productions Details
4/13 – 4/13
-RED Epic
Angenieux Optimo DP Rouge Set
4/13 – 4/13
Corporate Details
4/13 – 4/13
- RED Epic & Scarlet
- Master Primes
Assistant to A-Cam & B-Cam for a Corporate Documentary with a crew from Madrid, Spain.
4/13 – 4/13
Film (Feature-length) Details
4/13 – 4/13
- RED Scarlet
Zeiss Still Primes.
Jib & Handheld.
Focus puller and camera technician.
4/13 – 4/13
First Assistant Camera
–
IBM Big Data
Corporate — Centerline Digital Details
4/13 – 4/13
B-Unit Assistant Camera for two RED Epics with RED & Angenieux zoom lenses. Set up cameras and village for corporate interviews.
4/13 – 4/13
Internet — Live/Special Event Details
4/13 – 4/13
Managed still and video media for multiple cameras covering a Microsoft promotional event.
3/13 – 3/13
Second Assistant Camera (Digital Loader/Media Manager)
Kaiser Permanente — Advertising — Dog Park Media Details
3/13 – 3/13
- ARRI Alexa
- Zeiss Super Speeds
Managed SxS media and performed Second Assistant duties marking talent, slating, etc.
3/13 – 3/13
Film (Feature-length) Details
3/13 – 3/13
- RED Epic
3/13 – 3/13
Film (Feature-length) Details
3/13 – 3/13
RED Scarlet
Nikkor lenses
2/13 – 2/13
Second Assistant Camera (Data Manager)
–
Barrio: Pit Fighter
Film (Feature-length) — taut productions Details
2/13 – 2/13
Sony FS700, handheld
2/13 – 2/13
Nat Geo Wild — TV — Eye Candy Details
2/13 – 2/13
RED Scarlet
Optimo 12 -1
S4s
"A" Second Assistant
1/13 – 1/13
Second Assistant Camera (Data Manager)
Visa — Advertising — Special Order, Inc. Details
1/13 – 1/13
RED Scarlett
RED glass
12/12 – 12/12
Film (Feature-length) — Rabbit Bandini Productions Details
12/12 – 12/12
RED Epic
Super Baltar Primes
12/12 – 12/12
Tillamook — Advertising — Boan Studios Details
12/12 – 12/12
ARRI Alexa
Fuji 19-90
11/12 – 12/12
Film (Feature-length) — Lovechild Productions Details
11/12 – 12/12
RED Epic with Optimo DPs, Handheld.
Additional focus puller and data manager
11/12 – 11/12
Film (Feature-length) — CounterPoint Motion Pictures LLC Details
11/12 – 11/12
RED Epic, Angenieux DP set.
11/12 – 11/12
Second Assistant Camera
–
Bao Bei
TV — Redwood Media, LLC Details
11/12 – 11/12
Sony F900 Broadcast Tape Cameras
"A" Second Assistant
10/12 – 10/12
First Assistant Camera
–
White Rabbit
Film (Feature-length) — Boxcar Pictures Details
10/12 – 10/12
Pickups
10/12 – 10/12
Music Video — Luminous Media & Marketing Details
10/12 – 10/12
Red Epic, Red MX
Hawk & Elite Anamorphics
9/12 – 10/12
First Assistant Camera
–
Kiss
Film (Feature-length) — Thousand Lights, Inc. Details
9/12 – 10/12
Red One, Canon 5D Mk3, CP2s Nikon Mount
9/12 – 9/12
First Assistant Camera
–
It's A Joke
Internet Details
9/12 – 9/12
Canon 5D Mk 2
Zeiss Still Lenses
8/12 – 8/12
Second Assistant Camera (Data Manager)
–
Ayanzi
Corporate Details
8/12 – 8/12
Exercise App
3 cameras: Canon 5D Mk 3, 5D Mk 2, 7D
8/12 – 8/12
Second Assistant Camera (Data Manager)
–
The Spirit Machine
Film (Feature-length) — Evolve Media Details
8/12 – 8/12
RED Epic
Master Primes
7/12 – 8/12
Film (Feature-length)
7/12 – 8/12
6/12 – 6/12
Assistant Camera (AC) (RED Scarlet)
–
Way Home
Film (Feature-length)
6/12 – 6/12
5/12 – 6/12
Camera Operator (HD, Canon C300, Canon 7D)
–
Lightswitch Doc
Live/Special Event — Lightswitch Details
5/12 – 6/12
HD
Canon C300
5/12 – 5/12
First Assistant Camera
–
Control
Film (Short) Details
5/12 – 5/12
Sponsored By Sony
RED Epic
Tiffen Zephyr Steadicam
4/12 – 4/12
Assistant Camera (AC)
–
Diversity
Film (Short)
4/12 – 4/12
4/12 – 4/12
Film (Short)
4/12 – 4/12
4/12 – 4/12
Assistant Camera (AC)
–
Trinkets Mv
Internet
4/12 – 4/12
3/12 – 3/12
First Assistant Camera
–
Commitment
Film (Short)
3/12 – 3/12
3/12 – 3/12
Film (Short)
3/12 – 3/12
2/12 – 2/12
Second Assistant Camera
–
Desolate
Film (Short)
2/12 – 2/12
2/12 – 2/12
Internet — Music Video
2/12 – 2/12
1/12 – 2/12
Film (Feature-length) Details
1/12 – 2/12
HD
12/11 – 12/11
Second Assistant Camera (ARRI BL III)
–
Saison
Film (Short) Details
12/11 – 12/11
Film Loader and 2nd Assistant Camera.
12/11 – 12/11
Internet
12/11 – 12/11
10/11 – 11/11
Assistant Camera (AC)
–
In Sight
Film (Short)
10/11 – 11/11
10/10 – 10/10
Still Photographer
–
Slip Stich
Internet — Film (Feature-length)
10/10 – 10/10