Megan Yates

At the all day marching band competition, I was hired as a production assistant but ran camera all day at the event. I kept a wide shot so that every member of the marching band was included.

Shadowbound is a original 1920s, silent, horror webseries being produced out of Springfield. I started as Best Boy and halfway through was promoted to Gaffer. We work with Aries lights. I set the lighting according to the DP's preferences/help set the mood and create the shadows on Shadowbound.

Toy Hunter traveled to St.Louis for a toy collector event, Toy Man. My responsibilities included having people sign release forms and running bricks, batteries, and discs to cameramen as they needed them.

The pilot: a Mennonite Family that owns a construction company. I was responsible for helping load the production vans, driving crew to set, offering water throughout the day, taking lunch orders, crafty runs, and unloading production vans. Because we had two crews, I also doubled as an AC at times.

I operated camera in Centerfield and High Home during the minor league baseball games. In centerfield, I was to capture the hitter and follow the lead runner. At High Home I captured the pitch and followed the ball during the play.

Assembled our splinter crew, helped cast our talent, and found a location. During production I helped anyone on set to make sure it ran smoothly. I was in communication with the editor, the composer, and foley artists to create the finished product.

The shoot was at Brick's Off Road MudPark weekend event in June. My responsibilities included filling the coolers with water and gatorade; driving the crew to and from the mudpark in the production vehicle; driving the crew around the mud park; and having people sign releases at each event.

My responsibilities included preparing the company vans, assisting the AC with loading equipment, transporting and assisting cameramen on B-roll, signing releases, taking lunch orders, and transporting crew during company moves.

Operating camera for the MSU men's and women's basketball season. I followed the lead runner and half time shows. Also, I zoomed in for the "hero shot" after a score and captured substitutions.

Operated stick Camera during the live comedy sketches and the guest appearances section of the show.

I acquired pieces for the set that would fulfill the Production Designer's sci-fi vision. The set consisted of a chemistry lab and office spaces. Each office space coordinated with the personality of each of the four individual characters.

I operated camera in Centerfield and High Home during the minor league baseball games. In centerfield, I was to capture the hitter and follow the lead runner. At High Home I captured the pitch and followed the ball during the play.

I was an intern camera operator at BigStuf camps. The camp has a live show twice a day, four days a week for an audience of 1,500 people. My responsibilities: operating the Panasonic 170 as a handheld on stage during the live music and operating the Panasonic 500 on sticks during the message.

BigStuf camps has a live show twice a day, four days a week for a audience of 1,500 people. My responsibilities included camera operating on Panasonic 170s & Panasonic 500s, editing daily & weekly videos for the camp, running graphics, ProPresenter, and stage managing.

The show's episode was covering the "Oklahoma Full Auto Shoot & Trade Show" in Miami, Oklahoma. My responsibilities included buying props for the scripted comedy parts of the show, capturing time code, keeping the talent (Sara Underwood) comfortable, and making sure the crew was well hydrated in the Oklahoma heat.