Meghan Caporali

• Oversaw scheduling, communication between studios and contract/timesheet creation for all ADR and Loop Group sessions worldwide. • Created PO’s and process invoices to ensure all vendors get paid in a timely manner. • Coordinated with Associate Producer to create and track credit documents. • Maintained financial tracker for post production accounts to ensure adherence to budgets. • Scheduled and attend all music and sound reviews. • Distributed materials for review and communicate with partner studios.

• Supervised “The Cuphead Show!”, a Netflix Original Series, through Post Production. • Created post and vendor schedules for all episodes to plan all necessary sessions. • Managed post schedules, deliveries, show credits and other materials across all episodes. • Helped troubleshoot issues to aid in establishing an overall post process for NAS. • Delegated responsibilities to Post Coordinators, Post PAs and oversee editors’ schedules. • Worked closely with Line Producer, Production Manager and production staff to address problems and find solutions as they pertain to post and the show overall.

• Supervised “Archibald’s Next Big Thing”, “The Boss Baby: Back in Business”, and “Spirit Riding Free: Riding Academy”. • Managed post schedules, deliveries, budgets, credits and other materials across all shows. • Created unique schedules for two interactive episodes for “The Boss Baby: Back in Business” and “Spirit Riding Free: Riding Academy”. • Delegated responsibilities to Post Coordinator and oversee editors’ schedules.

• Worked closely with show runners to track and address all notes and concerns on shows. • Supervised Animatic Pilots going through the post process for audience testing. • Worked on Netflix’s first interactive episode “Puss In Book: Trapped in an Epic Tale”.

• Assisted Associate Producer in post process for USA Network pilot “Benched”. • Went on runs to network offices, production offices, post house, etc. during post. • Took notes during coloring sessions, ADR sessions, and final mix before delivery. • Managed receipts and petty cash during production and post production.

• Worked with Producer and AP on set, in offline, SFX and ADR mixes, and onlining. • Liaisoned between vendors and post, keeping track of cuts and other materials. • Compiled and maintain credits for all episodes. • Tracked petty cash, help maintain budgets, and track stock shots. • Occasionally supervised audience mixes and laybacks.