Micah Versemann

Helping with the on-location expense accounting and tracking.

Worked to make sure the day to day pieces came together for the movie to get done.

Working alongside the other producers and production staff on the project to pull together the logistics of the project, including locations, extras, etc. and troubleshooting any problems that come up.

Worked throughout pre-production help manage and set up the production including doing contracts, crew travel arrangements, location work, equipment rental, etc.

Worked on set alongside the DP/Director helping with camera/G&E gear for the b-roll and interview as well as anything else that needed to happen.

Working to file production paperwork needed for filming in San Diego and Tijuana as well as helping to secure locations.

Helped drive the 3 ton to set each day as well as managing the loading, unloading and inventory on the truck. Assisted the Key Grip in rigging as needed. Also, filled in as the dolly grip the few days that person was gone from set.

Researched specifics needed for cast and crew contracts and location releases for the project related to stock footage. Also helped edit the contracts to reflect needed changes.

On set I was meeting and interacting with the interviewees, getting releases signed and overseeing the on-set production.

I worked on set meeting and interacting with the interviewees and talent. Handling releases and generally overseeing the on-set workflow each day.

I worked to help find and secure locations for shooting in Greenville, SC remotely. This included working with private property owners and the city. Also working to coordinate everything between the location owners and the shooting schedule.

Worked as a camera operator for a multi-cam live stream of the NWCA Wrestling Championship. Working real time with a team of others to capture the needed shots for the live stream of the meet.

Help with the rigging on lights for the mini-doc breaking the silence. Was also involved with managing gear and setting up the dana dolly.

Worked as a Production tech setting up the lights, camera and audio for a remote interview. Troubleshot any problems on set during the interview and the wrapped out the gear.

Worked as the Key Grip on a pickup shoot for the project. Working under the DP/Gaffer to help match lighting from the previous shoot so that the look and feel was the same.

Ran camera for live stream capturing the bouts that took place on one of the mats.

Handled the producer side of the production during pre-production and production. Everything from the budget, contracts and travel logistics to helping with the schedule and problem solving while on set.

Assisted the Gaffer of second unit with helping light b-roll and interviews.

Main responsibilities were transporting crew from location to location, doing meal and crafty runs or any other running needed. Also helped assist camera with watching gear, spotting operatives and prepping gear.

Was involved in the writing process of crafting the story and then directing the film on set, heading up a cast/crew of 20 people to bring the film to life.

Helped set up cameras, computers and lines for a multi-camera live stream of a wrestling event and then helped trouble shoot as needed the day of the event.

Worked as a PA mainly transporting cast/crew around to different locations as well as doing meal and crafty runs.

Handling the business side of the production from paperwork and budget, to hiring crew/cast and handling logistics. Also responsible in keeping the production on schedule.

Worked as the Key Grip on the shoot helping to light the scenes for the music video. As well as keeping the gear organized and sorted each night after wrap.

Helped load/unload gear, setup cameras and run lines prior to event. During event I would reposition microphones, troubleshoot and run errands.

I was the set PA for a splinter shoot that was capturing interviews and B-roll of contestants in their hometowns. Duties included supply runs, driving vehicles, loading/unloading gear, assisting the camera operator and helping light the shots.

Worked directly with the DP helping to keep the camera ready to roll. Responsibilities included changing lenses, batteries, cards and helping rig and operate the Movi Rig for the camera. Shooting on the Canon C200.

Worked as a PA picking up food, gear and props, Driving the production vans, picking up people from the airport and doing meal orders/runs for 1 episode of the season.

I worked directly under the DP to help craft the lighting to tell the story and shape the world of the film.

Working remotely from Iowa while the film was being shot in Florida, I took each days behind the scenes footage and compiled it into a short recap video to be released the following day.

Worked directly with the DP/Gaffer to light scenes, add haze, pack truck.

Help light scenes, pack the grip trailer and run things on and off of the set.

Stood in for the actors, helped move equipment to the different areas of the clinic for filming and directed traffic.

Worked with the DP/Gaffer to light the scenes.

Directed the project from start to finish being involved with all aspects of the shoot.

Worked on the logistics of the shoot including transportation, housing, locations, call sheets, releases and phone calls.

Helped run actors to and from set, kept track of the shot lists and made sure that the actors were staying on script. Also helped transport gear around to different filming locations.

Worked with the AD team to help coordinate driving shots, lock down the set and help where needed on set.

Worked as a PA on set helping the camera and grip and electric departments as needed throughout the shoot.