Michael McSweeny

Ingested, multi-grouped footage, organized B-ROLL and Edited short vignettes to fill time on international cuts.

Uploaded rough and fine cuts to network portal, placed lower thirds and graphics in episodes, and collapsed video tracks and split audio tracks for picture locks

Transcribed interviews and full show cuts, prepared deliverables for network submission, and assisted producers and editors with meeting deadlines.

On Roulette I was tasked with carrying the boom, listening to each take carefully to ensure quality, logging of audio after wrap and recording in-studio for ADR.

My responsibilities included: -Managed numerous guests backstage for Maury Povich and Trisha Goddard Shows -Worked closely alongside Production Assistants during tapings of show -Compiled and organized stories for shows on a tight schedule -Answered phone calls from potential guests for shows

My duties as Sound Designer on Six Shooter's Revenge includeded: -syncing the audio to the video that was logged. -layering the audio with roomtone, sound effects, and musical cues. -making original foley.

On The Good Deed that Got Punished, my job was to collect audio on location and listen to each take to ensure sound clarity.

On Dirigo, I was responsible for paying close attention to the quality of sound captured on each take and using this information to keep a sound report that could be used during post by the editor.

On Splinter Cell: Extinction I was responsible for carrying the boom, collecting the audio on each take and listening for any interfering sounds.

On Echo 49 my responsibility was placement of the boom during each take for optimal sound quality.