I recorded audio for verité-style documentary in the far north using boom and lavaliers. I recorded single and two-person interviews using a boom mic and lavaliers. Production is set to complete in March. Equipment used: Sennheiser MKH 416, Sanken Cos-11, Sound Devices 633, Zoom H6, Sennheiser wireless G3kit.
Summary
Michelle, a Sound Recordist, based in Toronto, has 4 Sound Recordist credits and 5 Composer credits, and has been a member since 2014.
Credits
4/13 – 3/14
Sound Recordist (Currently in Production) – The Waiting Game
Film (Feature-length) — Mining Stories Productions / Al Jazeera Details
4/13 – 3/14
1/14 – 1/14
Composer (Corporate Film)
OCADU — Advertising — Studio Entertainment Inc Details
1/14 – 1/14
I composed the music for this corporate short promotion.
9/13 – 12/13
Sound Recordist – Various corporate and TV doc pilot shoots
TV — Proximity Films Inc Details
9/13 – 12/13
My work with Proximity FIlms includes recording single and two person interviews as well as collecting location sound.
10/13 – 11/13
Sound Editor (Sound Mixer) – Roses
Film (Feature-length) — Hellhound Productions Details
10/13 – 11/13
I cleaned the audio, edited sound effects and music. I also created the final mix.
7/13 – 7/13
Sound Recordist (Two day shoot) – The Boys
Film (Feature-length) — Directed by Kathleen Hearn Details
7/13 – 7/13
I recorded two person dialogue film using an MKH416 and two Sennheiser G3 lav kits. All filming was outdoors.
6/13 – 7/13
Composer (Corporate Film)
DGAM — Advertising — qEw Films Inc Details
6/13 – 7/13
I composed original music.
5/11 – 2/13
Composer
Loblaws and Tridal — Advertising — Cloud 9 Communications Details
5/11 – 2/13
I composed original music for a number of commercials targeting a Southasian market.
6/12 – 8/12
Sound Designer (Feature Film) – Dis-caract
Film (Feature-length) — Directed by Chris Boni Details
6/12 – 8/12
I created Foley, sound effects, and other elements integral to the sound design of the film.
Recos
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