Michelle Vine

Consult in-house projects within Original Programming, Commercials, and Multimedia Branding. Build treatment proposals to networks and advertisers.

• Working specifically with DGA Directors/ADs, Line Producers, Unit Production Managers, and Production Supervisors/Coordinators. • Assisting multiple departments on set and in the office. • Distributing and collating daily scripts and production schedules to actors and crew. • Organizing and updating busy Production Calendar. Kept office tidy and organized. • On-call communication with studio facility and production lot departments for various requests. • Filling out Purchase Order forms and transfer/logging data onto excel and word database. • Prepping paperwork e.g. Timecards, Pre-Production Packets, Production Schedule, Scripts, Storyboards, etc. • Travel and Lodging Coordination • Setup amenities and services for Clients and Agency meetings • Order and pick-up lunch and coffee. • Make phone calls to talent and crew for call times. • Assisting job wrap e.g. calling vendors for invoices, delivering or shipping out drives and masters, processing and submitting timecards, returning equipment and supplies, creating wrap book binders, faxing, copying, scanning paperwork into a digital folder, etc. EMPLOYERS: NBC, UNIVERSAL, ABC, VIACOM, LIONSGATE, FX, FOX SPORTS, NICKELODEON, DISNEY, TVLAND, TNT, MTV, CW/WB, ESPN, CAVIAR, SMUGGLER, ANONYMOUS CONTENT, MOXIE, MOTION THEORY, HSI, COMPANY, BANDITO BROS, HUNGRYMAN, RSA, BLACKDOG, FURLINED, PARTIZAN, DIRECTOR'S BUREAU, ACNE MEDIA, DETOUR, RECOMMENDED MEDIA, TOOL OF AMERICA, MOVING PARTS, PSYOP, PROLOGUE, B2+ CREATIVE, BRC IMAGINATION ARTS.

A creative production house that brings a new and eclectic generation of filmmaking to the table from features, commercials, and editorial content. DIRECTORIAL BIO: Los Angeles based director/writer. Having a background in film/TV/ commercial production and assisted/shadowed some of the most sought after directors and production affiliates in the business, I have grasped the art and knowledge of filmmaking to a professional level. I've produced and shot multiple disciplinary content from commercials to editorial shorts, and soon features. In 2012, I shot a spec spot for the clothing brand, Zara, and was a finalist for the Saatchi and Saatchi Video Challenge. My ability to showcase imperfections of human life is at an instant. Primary style and concentration is relatable and emotional storytelling that crosses from historical to contemporary events (fictional and non-fictional).