Mike Costello

I served as the editor on five 1-minute segments focusing on the lives of successful women, and their use of L'Oréal Paris Excellence Age Perfect hair and makeup products.

After having worked on the pilot, I returned as the Online Editor for the first season of "My City's Just Not That Into Me" on fyi. I was responsible for sending exports to our out-of-house audio mixers, the color correction of the episodes, and mastering to QuickTime.

I returned as the Online Editor for the sixth season of "My Strange Addiction" on TLC. I was responsible for tasks like sending exports to our out-of-house audio mixers, the color correction of the episodes, and output of the final program masters on LTO-5 data tape.

I served as an assistant editor on the Vanderbilt University episode of the 2014 run of "College Football's Open Season." Cut A-Roll stringouts based on scripts, and also cut together organized B-Roll selects reels from multiple cameras to save the show's editor time when looking for shots.

Pulled competition footage from YouTube and edited a one-minute introduction video for decorated US High Jump competitor Chaunté Lowe, to be used for her appearance at a TD Ameritrade event.

Edited a series of five :30 and :15 ticket sales TV and radio spots for the 2015 Hockey City Classic in Chicago. I repackaged material from another editor's trailer for the event, to maintain a consistent look for the campaign. They have aired on network and cable outlets, as well as stadium videoboards.

On this pilot. I was responsible for editing half of the last segment of the show, addressing network and Violet producer notes before picture lock, performing the conform from offline to online, blurring, color correction, inserting final graphics, rolling the HD masters, and preparing some digital deliverables.

I returned as the colorist for two more episodes of Intersport's CBS Sports Spectacular series, "Mercedes-Benz presents: College Football’s Open Season." There were two half-hour episodes, one focusing on the teams of the SEC West and the other on the SEC East.

Editor on a one-minute video for Geico, recapping the impact of their interactive golf exhibition at the 2014 Deutsche Bank Championship at TPC Boston. It will be inserted into golf coverage on CBS.

Editor on a one-minute video for Mercedes-Benz USA and Laureus Sport for Good Foundation USA, detailing the work that is being done in communities like New Orleans to bring youth together and make a positive impact through sport. It will be inserted into football Sports Spectacular programs on CBS.

I served as the colorist on Intersport's CBS Sports Spectacular "Rising Stars Presented by Mercedes-Benz," a half-hour tennis documentary chronicling the talents of Eugenie Bouchard and Grigor Dimitrov.

Performed the rough cut edits on eight short form branded entertainment videos for Reynolds Consumer Products. The final pieces were distributed on the web, and a select few were also used as inserts on "The Better Show," airing nationwide.

I returned as the Online Editor for the fifth season of "My Strange Addiction" on TLC. I was responsible for the (tapeless) conforms from Offline to Online, the color correction of the episodes, and output of the final program masters. We used digital delivery on LTO-5 data tapes this season.

I served as the Online Editor on 20 West's half hour pilot, "Crazy Beauty," for Oxygen. I was responsible responsible for the conform from offline to online, blurring, color correction, and mastering of the show.

I returned as the colorist for the second episode of Intersport's CBS Sports Spectacular series, "Mercedes-Benz presents: College Football’s Open Season," focusing on the Tennessee Volunteers.

I was the primary colorist on Intersport's CBS Sports Spectacular special, "Mercedes-Benz presents: College Football’s Open Season," responsible for roughly 70% of the program's color correction.

I served as the Finishing Editor on 20 West's two episode mini-series, "Pregnant Behind Bars," for Discovery Fit & Health. I was responsible responsible for portions of the conform, blurring, insertion of final graphics, color correction, and mastering of the show.

I was responsible for color correction on much of the footage in Intersport's CBS Sports Spectacular special, "Geico Presents Best of College Basketball 2013."

I was one of two Finishing Editors on several episodes of the second season of Towers Productions', "Find Our Missing," for TV One. I was responsible for tasks including: addressing internal notes, timing changes, blurring, color correction, coordinating changes with the audio mixers, and mastering.

Finishing Editor on 20 West's mini-series for ID (Investigation Discovery), "Desperate Measures," responsible for color correction and mastering on all three episodes. I also supervised the work of one assistant editor, responsible for supporting me in the online edits.

Finishing Editor on the fourth season of 20 West's hit series for TLC, "My Strange Addiction," responsible for the color correction and mastering of all eight episodes. I also supervised the work of one assistant editor, responsible for supporting me in the online edits.

Finishing Editor on 20 West's new series, "Made In Milwaukee," for DIY Network, responsible for portions of the conform, as well as the color correction and mastering of all thirteen episodes.

I was the colorist on the third ("Florida State Uncut") and fourth ("Gameday") episodes of this mini-series from Intersport, which aired on CBS.

I was a member of a team of Finishing Editors working on Towers Productions' new series, "Parole Diaries," for TV One. I contributed to the Online edits for the first four episodes and was responsible for color correction, blurring, addressing internal notes from producers, insertion of graphics, mastering, etc.

I was the Finishing Editor on 20 West's medical reality pilot, "Chicago Trauma," for A&E. I was responsible for the conform, color correction and mastering of the show. A second pilot, on which I also served as Finishing Editor, was produced years later for National Geographic.

Finishing Editor on the third season of 20 West's hit series for TLC, "My Strange Addiction," responsible for the color correction and mastering of all eight episodes. I also supervised the work of one assistant editor, responsible for supporting me in the online edits.

Finishing Editor on the second season of 20 West's hit series for TLC, "My Strange Addiction," responsible for the color correction and mastering of all eight episodes. I also supervised the work of one assistant editor, responsible for supporting me in the online edits.

Finishing Editor on the inaugural season of 20 West's hit series for TLC, "My Strange Addiction," responsible for the color correction and mastering of all eight episodes. I also supervised the work of one assistant editor, responsible for supporting me in the online edits.

I was one of several Offline Editors on the Danny Greene episode of "Mobsters" for Biography Channel, which was part of the series' third season.

I served as the Finishing Editor on Towers Productions' "9/11: After the Towers Fell" special for Discovery. I was responsible for tasks including color correction, blurring, addressing internal notes from producers, insertion of graphics, mastering, etc.

I was the Offline Editor on the first episode of the second season of "Mobsters" for Biography Channel, entitled "The Westies." I was responsible for the design of the recreation editing style that would come to be used for the entire season, as well as subsequent seasons of the series.

I served as the Online Editor on Lesley Spencer's' "Why They Run" digital feature. I was responsible for the conform from FCP offline to Avid online, export of audio and picture reference for the sound editor, the film's color correction, creation of lower thirds and subtitles, mastering, DVD duplication, etc.

I served as the Online Editor on Lesley Spencer's "It's About Living" digital film. I was responsible for the conform from FCP offline to Avid online, export of audio and picture reference for the sound editor, the film's color correction, mastering, DVD duplication, etc.

I served as the Online Editor on FlashRock Films' "The Double Life of Moe Berg" digital feature. I was responsible for the conform from offline to online, export of audio and picture reference for the sound editor, color correction of the full film, insertion of graphics, mastering, etc.

I was the primary Offline Editor on "The Perdue Family" episode of "Biography" for Biography Channel. I also followed the show into online and served as the show's Finishing Editor.

Acted as production assistant and camera operator on field and studio shoots, oversaw proper equipment storage and studio management, contacted vendors/service providers, wrote letters of justification for equipment purchases, proofread and revised program scripts, created studio graphical supers with Pinnacle Deko, prepared program credits on Discreet Edit, etc.