Summary

Production Executive with more than 13 years of managing physical production and post-production for television and feature film in domestic and international locations.

Credits

1/22 – 6/23

Director of Production

Staff Position — Marvel Studios Details
1/22 – 6/23

- Centralized project and contract details on one database allowing “5-minute” responses to most deal questions and on-going reference for future deal modeling. - Fostered improved relationships with health and safety management by setting a monthly lunch, opening communication channels to discuss protocol compliance when faced with new updates, and extending vacation coverage to H&S staff. - Oversaw budgets, hot costs, expenses, staffing, schedules, and monitored progress on multiple programs including “Werewolf by Night”, “Echo”, “Agatha”, and “Daredevil” appearing on Disney+. - Collaborated with heads of departments (HODs), vendors, clients, internal stakeholders, and agencies to ensure compliance with union and studio standards.

5/21 – 12/21

VP of Production

Staff Position — ARRAY Details
5/21 – 12/21

- Established a master calendar that tracked all productions from concept through delivery with colored milestones and scheduled deadlines to increase efficiency and collaboration. - Identified several line producers that were going over budget, met with each and adjusted budgets by item to keep the overall productions within studio expectations. - Managed scripted, unscripted, and animation projects from development through post including “Naomi” on The CW, “Cherish the Day” on OWN, “One Perfect Shot” on HBO Max, “Home Sweet Home” on NBC. - Worked closely with showrunners, producers, EIC’s, line producers, agencies, and clients to align creative goals. - Addressed business affairs and legal requirements, labor relations, finance, and studio expectations.

6/19 – 4/20

Director of Production

Staff Position — Blumhouse Television Details
6/19 – 4/20

- Resolved a work stoppage by a Head of Department by consulting with HR, Employee Relations, Union Representative and the line producer involved, resulting in replacement of the HOD without penalties. - Selected cost-effective states and countries that offered rebates and tax incentives for productions. - Oversaw projects such as “Welcome to the Blumhouse” on Amazon a “Sacred Lies II: The Singing Bones” on Facebook Watch/Peacock among others.

12/18 – 5/19

Director of Production

Staff Position — Stephen David Entertainment
12/18 – 5/19
10/18 – 11/18

Unit Production Manager The Look-See

Film (Feature-length) — Crypt TV
10/18 – 11/18
9/17 – 1/18

Line Producer Stillwater

Film (Feature-length) — Flixseed Productions, LLC
9/17 – 1/18
6/17 – 10/17

Line Producer Blue

Film (Feature-length) — Poison Pictures, LLC
6/17 – 10/17
3/17 – 3/17

Field Producer Red Carpet Paleyfest

Facebook Live — Digital — A&E Latin American Networks Details
3/17 – 3/17

Producer covering the NCIS: LA red carpet at the Paleyfest

Unions

  • Producers Guild of America (PGA)

Orgs

  • Television Academy (ATAS)

Recos

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Education

UCLA, Los Angeles, CA

Certificate in Business and Management of Entertainment

Universidad de Malaga, Spain

Bachelor of Arts in Audiovisual Communication

Skills

  • Video Production
  • Entertainment
  • Film Production
  • Media Production
  • Photography
  • Pre-production
  • TV Production
  • Feature Films
  • Short Films
  • Production Managment
  • Production Management
  • Movie Magic Budgeting & Scheduling
  • Hot Budget
  • Scenechronize Scheduling