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I wrote my first spec script of "3rd Rock from the Sun" at age 10.
It was as good as a 10 year old could make it.
But today, I've moved on! I primarily edit for a living now, and filmmaking is what wakes me up in the morning.
10/22 – 10/22
Live Event — Corporate — Yes Go Productions Details
10/22 – 10/22
Sizzle reel of Denny's public campaigns used to introduce their new CEO. Also provided the voice over performance.
10/22 – 10/22
YouTube — Digital — Industrial Workers of the World
10/22 – 10/22
7/22 – 7/22
Means TV — Film (Short) — Means TV Details
7/22 – 7/22
Shown on "Means Morning News" episode on July 15th, 2022 as part of their labor union coverage
1/22 – 3/22
Bayview Entertainment — Film (Feature-length) Details
1/22 – 3/22
Colored on DaVinci Resolve Studio v17
1/22 – 1/22
YouTube — Digital
1/22 – 1/22
8/21 – 11/21
Outside — TV — Miles Partnership Details
8/21 – 11/21
Sole editor and sound designer. Mix of 4k and 6k footage, worked with DaVinci Resolve Colorists for round tripping final color passes
8/19 – 2/20
Editor (Premiere Pro)
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Brother
Film (Short) — Exodus Filmworks
8/19 – 2/20
8/19 – 8/19
YouTube — Digital — Means TV
8/19 – 8/19
5/19 – 5/19
YouTube — Digital — Means TV
5/19 – 5/19
9/17 – 9/18
Corporate — Vizient, Inc
9/17 – 9/18
6/18 – 8/18
Editor (Adobe Premiere Pro CC 2018)
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Heavenly
Film (Short) — Exodus Filmworks
6/18 – 8/18
2/18 – 5/18
Food Network — TV — AMS Pictures
2/18 – 5/18
2/18 – 2/18
Corporate — AMS Pictures Details
2/18 – 2/18
English and Spanish |
https://youtu.be/ygh0Ym8t0pE | https://youtu.be/IH76mJMsAjU
12/17 – 1/18
Corporate — AMS Pictures Details
12/17 – 1/18
English and Spanish
https://www.youtube.com/watch?v=Dh5dbBDzYEc
https://www.youtube.com/watch?v=qVbVx8bVtGg
11/17 – 11/17
Baron and Budd, P.C. — Advertising — AMS Pictures Details
11/17 – 11/17
Mesothelioma Spots
10/17 – 10/17
Corporate — AMS Pictures Details
10/17 – 10/17
English and Spanish
https://www.youtube.com/watch?v=XJ-WMo-jd1E
9/17 – 9/17
TV — AMS Pictures Details
9/17 – 9/17
Finishing touches, trailers, social media spots
8/17 – 9/17
Corporate — AMS Pictures
8/17 – 9/17
8/17 – 9/17
Lamar Institute of Technology — Advertising — AMS Pictures
8/17 – 9/17
3/17 – 6/17
TV — The Choir, LLC Details
3/17 – 6/17
Created/Produced by Grammy-winning artist, Fred Hammond
5/17 – 5/17
Corporate — AMS Pictures
5/17 – 5/17
4/17 – 4/17
Corporate — AMS Pictures
4/17 – 4/17
3/17 – 3/17
DIT (Digital Imaging Technician) (and Assistant Editor)
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The Choir (Season 1)
TV — The Choir, LLC Details
3/17 – 3/17
Created/Produced by Grammy-winning artist, Fred Hammond
12/16 – 2/17
Corporate — AMS Pictures Details
12/16 – 2/17
Web Video for Internet Security company.
11/16 – 2/17
YouTube — Digital — Exodus Filmworks
11/16 – 2/17
7/16 – 12/16
Editor (Premiere Pro CC)
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The Texas 72
TV Details
7/16 – 12/16
Short Documentary Film detailing the rescue of 72 Irish Wolfhounds from Santa Fe, Texas in 2014.
10/16 – 10/16
YouTube — Digital — Exodus Filmworks
10/16 – 10/16
9/16 – 10/16
Corporate — AMS Pictures
9/16 – 10/16
9/16 – 9/16
Editor (Premiere Pro CC)
Texas Motion Picture Alliance — Advertising Details
9/16 – 9/16
Editing and Motion Graphics. 3 Videos: Testimonials from Teas film industry professionals advocating for the Texas Moving Image Industry Incentive Program.
8/16 – 9/16
Live/Special Event — AMS Pictures Details
8/16 – 9/16
Motion Graphics editing for large, single panel panel presentations, in the forms of bumper breaks, speaker introduction videos, and large format video for a three panel presentation.
7/16 – 7/16
Film (Feature-length) — Bird Set Free Films, LLC
7/16 – 7/16
12/15 – 6/16
Reelz — TV — AMS Pictures
12/15 – 6/16
12/15 – 6/16
Reelz — TV — AMS Pictures Details
12/15 – 6/16
Story Editor, reaponsible for the First Rough Cut, assembling narrative scene recreations, interviews, voice-over narrations, and archival media to determine the most cohesive and compelling version of each episode, trying to keep in line with the vision of the showrunners and director.
Also, scripting voice-over narrations.
9/15 – 12/15
Corporate — AMS Pictures
9/15 – 12/15
8/15 – 10/15
Velocity — TV — AMS Pictures
8/15 – 10/15
6/15 – 8/15
Reelz — TV — AMS Pictures
6/15 – 8/15
6/15 – 8/15
Reelz — TV — AMS Pictures
6/15 – 8/15
2/15 – 6/15
Producer/Shooter (Supporting Producer/Director for KTV)
Staff Position — KTV Details
2/15 – 6/15
Supporting Producer/Director for Kroger's internal production company.
Duties include: writing/editing scripts for internal clients, performing all production and post-production services for every project requested, and overall assistance for the primary Producer for Kroger Southwest Division of grocery stores.
2/15 – 6/15
Film (Short) — Grumpy Fish Productions
2/15 – 6/15
2/15 – 4/15
Music Video — Exodus Filmworks
2/15 – 4/15
3/14 – 11/14
Film (Feature-length) — Cease and Desist Productions Details
3/14 – 11/14
Documentary Feature Film.
9/14 – 9/14
Live/Special Event — Play with a Purpose Details
9/14 – 9/14
This was a team building exercise for Microsoft employees, run by the "Play With a Purpose" company.
The employees were grouped into teams and filmed "commercials" of themselves doing skits they were assigned for each of their videos.
27 separate videos were shot, and then these were edited among three editors.
9/14 – 9/14
Internet — TV — Scouts Focus Details
9/14 – 9/14
The Camera team live-streamed games of high school basketball players for the purposes of being scouted by college recruiters. These videos were later used for editing high-light reels for these basketball players.
6/14 – 6/14
DIT (Digital Imaging Technician)
–
Squeezebox
Film (Short) — Mix Minus Media
6/14 – 6/14
6/14 – 6/14
Editor (Adobe Premiere Pro CC)
–
Vans Warped Tour
Live/Special Event — Uncle Toads Media Group
6/14 – 6/14
3/14 – 3/14
Data Wrangler (2nd Assistant Camera)
–
SOA-21 (Season 1)
Internet — TV — Crush Lab Productions Details
3/14 – 3/14
Dual Red Epic Dragon Set-Up on Zeiss Super Speeds, Three GoPro Hero 3's. 6K HD, 5K HD, and 4k time-lapses.
Ingesting and management of both Audio and Visual Media as well as assisting 1st AC and DP whenever necessary.
11/13 – 3/14
Editor (Final Cut Pro 7)
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La Otra Cara
Film (Short) — Grumpy Fish Productions Details
11/13 – 3/14
HD Short, Black Magic Cinema Camera. Management and creative construction of video & audio in order to build a coherent story.
12/13 – 2/14
Editor (Final Cut Pro 7)
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dawn.
Film (Feature-length) — Exodus Filmworks
12/13 – 2/14
12/13 – 12/13
DIT (Digital Imaging Technician)
Swiffer — Advertising — Hero Content Details
12/13 – 12/13
Two Arri Alexas, 1080p, Apple ProRes 422 (HQ) workflow. General management and quality control of Arri Alexa files: Dumping, Backing-Up, Check Sums, Visual Verification of Data (watching all footage).
11/13 – 11/13
DIT (Digital Imaging Technician)
–
dawn.
Film (Short) — Exodus Filmworks Details
11/13 – 11/13
ARRI ALEXA, 2k Apple ProRes 4444 workflow
General management and quality control of Arri Alexa files: Dumping, Backing-Up, Check Sums, Visual Verification of Data (watching all footage), as well as troubleshooting corrupt hard drives.
10/13 – 10/13
Food Network — TV — Bodega Pictures
10/13 – 10/13
9/13 – 9/13
TLC — TV — High Noon Entertainment Details
9/13 – 9/13
Assisting, in general, the Art Department for an overnight renovation.
Tasks included unpacking and transferal of set dressing materials, painting, wood finishing, driving a 14' Uhaul Truck, throwing away trash, creating mortar, and general clean-up of the finished set.
7/13 – 7/13
The University of Texas at San Antonio Details
7/13 – 7/13
4k Industrial Series, Red One MX
Assisting, in general, the 1st AC and Cinematographer: Fetching lenses, setting marks for talent, running camera media to editorial, slating, transportation of equipment, and responsibility for maintaining safety of equipment.
Additional duties included dolly gripping and syncing of audio and video for post-production.
6/13 – 7/13
Film (Feature-length) — Repertory Films LLC Details
6/13 – 7/13
4k Feature, Red Scarlet-X/Red Epic-X
Responsible for Red Scarlet and Red Epic workflow throughout production and post-production process. Management of both Video and Audio files, created camera logs for footage, troubleshooting/recovery of corrupted media, and overall image quality control.
4/13 – 6/13
Sound Designer (Post-Production Sound Mixer)
–
Banjaxed
Film (Feature-length) — Grumpy Fish Productions Details
4/13 – 6/13
4k Short, Red Epic-X/Red One MX
Duties include the creative design of audible elements in order to convey story/emotional elements crucial to the film.
2/13 – 6/13
Film (Short) — Grumpy Fish Productions Details
2/13 – 6/13
HD Short, Canon C500
Duties include controlling the film's artistic and dramatic aspects, visualizing the script while guiding the technical crew and actors in the fulfillment of that vision.
2/13 – 6/13
Film (Feature-length) — Grumpy Fish Productions Details
2/13 – 6/13
4k Short, Red Epic-X/Red One MX
Responsible for acquisition and management of cast and crew members, location, equipment, and monetary funding.
4/13 – 5/13
Editor (Adobe Premiere Pro CS6)
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Banjaxed
Film (Feature-length) — Grumpy Fish Productions Details
4/13 – 5/13
4k Short, Red Epic-X/Red One MX
Management and creative construction of video & audio in order to build a coherent story.
3/13 – 5/13
Film (Feature-length) — Grumpy Fish Productions Details
3/13 – 5/13
HD Short, Canon C500
Management and creative construction of video & audio in order to build a coherent story.
3/13 – 5/13
Film (Feature-length) — Sinerama Entertainment LLC
3/13 – 5/13
3/13 – 5/13
Editor (Final Cut Pro 7)
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Wind-Up Doll
Film (Feature-length) — Sinerama Entertainment LLC Details
3/13 – 5/13
HD Short, Canon 7D
Management and creative construction of video & audio in order to build a coherent story.
3/13 – 5/13
Sound Designer (Post-Production Sound Mixer)
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Wind-Up Doll
Film (Feature-length) — Sinerama Entertainment LLC Details
3/13 – 5/13
HD Short,
Duties include the creative design of audible elements in order to convey story/emotional elements crucial to the film.
3/13 – 5/13
Sound Designer (Post-Production Sound Mixer)
–
Translation/traducción
Film (Feature-length) — Esparza Productions Details
3/13 – 5/13
HD Short, Panasonic GH-2
Duties include the creative design of audible elements in order to convey story/emotional elements crucial to the film.
3/13 – 5/13
Film (Feature-length) — Esparza Productions Details
3/13 – 5/13
HD Short, Panasonic GH-2
Management and creative construction of video & audio in order to build a coherent story.
2/13 – 5/13
Sound Designer (Post-Production Sound Mixer, Trailer Editor)
–
Searching Serenity
Film (Feature-length) Details
2/13 – 5/13
HD Short, Sony FS700
Duties include the creative design of audible elements in order to convey story/emotional elements crucial to the film.
1/13 – 2/13
Editor (Final Cut Pro 7)
–
Cowboy/India
Film (Feature-length) — Flying Canvas Pictures Details
1/13 – 2/13
HD Double-Short, Sony FS700
Editor for Cowboy segment of the short film, "Cowboy/India"
Management and creative construction of video & audio in order to build a coherent story.
10/12 – 2/13
Sound Designer (Post-Production Sound Mixer)
–
Amaranthine
Film (Feature-length) — Grumpy Fish Productions Details
10/12 – 2/13
HD Short, Sony PMW-F3
Duties include the creative design of audible elements in order to convey story/emotional elements crucial to the film.
9/12 – 2/13
Film (Feature-length) — Grumpy Fish Productions Details
9/12 – 2/13
HD Short, Sony PMW-F3
Responsible for acquisition and management of cast and crew members, location, equipment, and monetary funding.
12/12 – 12/12
DIT (Digital Imaging Technician)
–
Lunchbox
Film (Feature-length) — Flying Canvas Pictures Details
12/12 – 12/12
Data Management of both Audio and Video media while on set. (Red Scarlet)
12/12 – 12/12
Second Assistant Camera
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Lunchbox
Film (Feature-length) — Flying Canvas Pictures Details
12/12 – 12/12
4k Short, Red Scarlet-X
Assisting, in general, the 1st AC and Cinematographer. Includes, but not limited to: Fetching lenses, setting marks for talent, slating, transportation of equipment, and responsibility for maintaining safety of equipment.
10/12 – 12/12
Editor (Final Cut Pro 7)
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Amaranthine
Film (Feature-length) — Grumpy Fish Productions Details
10/12 – 12/12
HD Short, Sony PMW-F3
Management and creative construction of video & audio in order to build a coherent story.
9/12 – 12/12
Sound Designer (Post-Production Sound Mixer)
–
Alpha
Film (Feature-length) — Grumpy Fish Productions Details
9/12 – 12/12
HD Short, Duties include the creative design of audible elements in order to convey story/emotional elements crucial to the film.
9/12 – 12/12
Editor (Final Cut Pro 7)
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Alpha
Film (Feature-length) — Grumpy Fish Productions Details
9/12 – 12/12
HD Short, Canon 7D
Management and creative construction of video & audio in order to build a coherent story.
9/12 – 11/12
Producer
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Alpha
Film (Feature-length) — Grumpy Fish Productions Details
9/12 – 11/12
HD Short, Canon 7D
Responsible for acquisition and management of cast and crew members, location, equipment, and monetary funding.
9/12 – 9/12
Sound Designer (Post-Production Sound Mixer)
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Storm
Film (Feature-length) — Grumpy Fish Productions Details
9/12 – 9/12
HD short, Duties include the creative design of audible elements in order to convey story/emotional elements crucial to the film.
9/12 – 9/12
Editor (Final Cut Pro 7)
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Storm
Film (Short) — Grumpy Fish Productions Details
9/12 – 9/12
HD short, Management and creative construction of video & audio in order to build a coherent story.
8/12 – 8/12
NBC — TV — NBC Universal Details
8/12 – 8/12
Maintaining order and flow of check-in lines for thousands of contestants.
6/12 – 7/12
Script Supervisor (Assistant Editor, Sound Mixer, Trailer Editor)
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Stryngs
Film (Feature-length) — SpiderCircle Films Details
6/12 – 7/12
35mm Short
Maintaining visual continuity, logging camera and continuity information for production and post-production, and naming/tracking camera angles.
Additional duties: organizing and logging of film dailies, syncing the digitized film files with audio, mixing audio elements after design was completed, and editing of two trailers.
3/12 – 5/12
Sound Designer (Post-Production Sound Mixer)
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Astorgos
Film (Feature-length) Details
3/12 – 5/12
Duties include the creative design of audible elements in order to convey story/emotional elements crucial to the film.
2/12 – 4/12
Sound Designer (Post-Production Sound Mixer)
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Fourth and Orchard
Film (Feature-length) — Flying Canvas Pictures Details
2/12 – 4/12
5K Short, Duties include the creative design of audible elements in order to convey story/emotional elements crucial to the film.
11/11 – 11/11
Film (Feature-length) — Flying Canvas Pictures Details
11/11 – 11/11
5k short, also operated as primary boom operator. Sennheiser MK 416, 2x Sennheiser G2 wireless Lavalier microphone systems, 1x Lectrosonic Wireless Lav System, 2x Zoom H4n
7/11 – 8/11
DIT (Digital Imaging Technician)
–
Wolf
Film (Feature-length) — Exodus Filmworks Details
7/11 – 8/11
4K Feature, Red One-MX
Responsible for Red One workflow throughout production and post-production process.
Management of both Video and Audio files, created camera logs for footage, transcoding files, and troubleshooting/recovery of corrupted media.
1/11 – 2/11
Sound Mixer (Boom Operator)
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Silent Red
Film (Feature-length) Details
1/11 – 2/11
HD Feature, also operated as primary boom operator.
Sennheiser K6, 2x Sennheiser G2 wireless Lavalier microphone systems, 2x Zoom H4n.
11/10 – 2/11
Sound Designer (Post-Production Sound Mixer)
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Helado
Film (Feature-length) — Lensflare Media Details
11/10 – 2/11
Duties include the creative design of audible elements in order to convey story/emotional elements crucial to the film.
11/10 – 2/11
Editor (Final Cut Pro 7)
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Helado
Film (Feature-length) — Lensflare Media Details
11/10 – 2/11
HD Short, Canon 5D Mark 2.
Management and creative construction of video & audio in order to build a coherent story.
11/10 – 11/10
Sound Mixer (Boom Operator)
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Helado
Film (Feature-length) — Lensflare Media Details
11/10 – 11/10
Also operated as primary boom operator. Sennheiser K6, 1x Sennheiser G2 wireless Lavalier microphone systems, 1x Zoom H4n.
Class of '12
University of Texas at Arlington
Bachelor's of Fine Arts, Film/Video
