Nathaniel Bobowski

Ask me about this one.

I edited on two episodes, 202 and 206 for Season 2 of Primal Instinct.

I edited 205 and 207 of Season 2 of Diabolical.

I edited episodes 101 (Killer Collection) and 106 (Pick Your Poison).

I cut two episodes of Diabolical, and worked on six over the course of it's first season.

I cut two episodes of Six Degrees of Murder, and worked on five over the course of the 2nd season, exactly half the run.

I conformed every episode of the series, worked closely with my editors, cut remote segments, managed and tracked the media assets. Ingested, grouped synced the footage. Generated deliverables.

Conformed every episode. Generated deliverables. Wrote LTO Tapes. Troubleshot systems. Managed Media Assets. Ingested, grouped, synced and distributed footage. Strung out and cut early versions of scenes.

As Lead Assistant Editor on this project I generated the majority of the deliverables, conformed every episode, built the naming conventions and media organization for the project, managed space on the ISIS, strung out scenes, made the occasional graphic, and of course troubleshot our systems when they didn't behave well.

While I was a Lead Assistant Editor my responsibilities included Terrablock management, defining the workflow we ingest and upres all of our original media, tape based archive, and digital archive. During this time I also did a troubleshot the editing computers and set up Kona systems on multiple work stations.

As an Assistant Editor on The Filthy Rich Guide I Multigrouped footage, ingested archive and original media, generated Archive Cliplogs and Music Cuesheets alike, as well as performed the conform for the entire series on-site as part of a team of assistant editors working around the clock.

As an Assistant Editor on Death Row Stories, I organized footage and archival material, backed up projects, generated Music Cue-Sheets and Archive Clip-Logs through an EDL process fulfilled requests and replaced footage. I worked closely with the archive department, post producers and licensing department.

My responsibilities on Genevieve's Renovation were footage replacement, music selection, exports, and uploading to the screening site.

When I was on House Hunters International, my responsibilities were exclusively concerned with generating cue-sheets through an EDL based process.

I worked as a night Assistant Editor performing basic tasks such as string-outs, cut-downs, exports, uploading to the FTP and screening site, generating music cue-sheets, footage and graphics replacement, as well as working with the online editor whenever a task or piece of footage was required.