Nolan Maloney

A week of preps in Albany, NY and a week of shooting in Newark, NJ for the Rocket League World Championships.

6 Days of Inserts and Establishings on a spooky Union Netflix feature. 2nd Unit DP : Chris Johnson. 1st: Jason Knobloch.

One episode of location shooting for the documentary series. Wyatt's chill.

A day of rather frosty focus pulling on Steadicam for AGT star Jackie Evancho. DP: Kamp Kennedy. Op: Sergei Franklin.

An overnight music video shot in the Bronx for Julia Michael's original song in "Ralph Wrecks The Internet." DP: Fernando Morillo. 1st AC: Mike Isler.

A skit for Good Neighbor Unit called "Kyle's New Look." My first SNL digital short.

9 Days of B Camera (and 2 on A) of a 24 Day Union feature about a man in the Russian mob. Shot on Red Weapons. DP: Ryan Samul. 1st AC: Ed Shimko, Brett Checkelsky, DJ Carroll, and yours truly. Kind of a camera carousel for B Camera.

5 Days of Steadicam focus pulling on a combination live performance and narrative production portraying the life and times of Jesus Christ. Filmed on location at the Sight and Sound Theatre in scenic Ronks, PA. Definitely learned a bunch of stuff about Jesus I had forgotten about since Sunday School. DP: Chris Walters.

4 Rapid Fire Days of shooting the second season of Draftsville. Shot on FS7. DP: Andy Bond.

10 Days of B Camera on a 18 Day feature about a woman. Named Susan. And she's lazy. Shot on Epic Heliums. DP: Ludo Littee.

A 6 Day documentary shoot featuring computer programmers discussing AI. All buckets, no bagels. Shot on Red Epic. DP: Keenan Newman. 1st AC: Jeremy Wong.

A 28 Day Union feature about a woman. Named Brittany. Who runs a marathon. Shot on Alexa Mini. DP: Nausheen Dadabhoy; Seamus Tierney. 1st AC: Andrew Brinkmann.

Four days pulling on Dave's first comedy special for Netflix. Top five job ever.

A 23 Day Union feature about an aging hitman. Shot on one of the heaviest camera package I've rigged, a Alexa Studio Plus 4:3 with Cooke Anamorphics. DP: Denis Crossan. 1st AC: DJ Carroll.

A 16 day feature shot in Lexington Kentucky. Shot on Amira. DP: Dane Lawson.

Day played 18 days over the course of the season.

2 episodes of this amazing Adult Swim live action show. Top five film experiences ever. Shot on Alexa Mini. DP: Smokey Robinson. 1st AC: Chris Wiezorek.

A seven episode run of this LifeTime show. Shot on Sony F5. DP: Scott Miller

A 6 day shoot of comics berating their audiences, pulling focus off a Steadicam. Better than it sounds? Shot on C300s and Epics. DP: Chad Cooper.

A 2 day commercial depicting a couple moving apartments. Shot on Alexa. DP: Aric Jacobson

A 2 day Bud Light commercial shot in Crown Heights, BK. Shot on Red. DP: Peter Fackler. 1st AC: Daniel Fiorito.

A 16 day Union Feature. Shot on Alexa. My second feature with DP Christina Voros.

A day of studio work for Walmart. Shot on Red. DP: Bobby Webster.

A 26 day Union feature. Shot on Amira and Alexa Mini. DP: Stefan Ciupek. 1st AC: Cory Stambler

The day after Leslie won the Tony for Hamilton, he decided to drop a music video. I thought I worked hard. Shot on FS7 with Hawk Anamorphics. DP: Simon Reinart.

A run-and-gun commercial of people waiting in line. Strange, I know. Shot on A7S. DP: Aric Jacobson

A series of web commercials for Samsung. Shot on Red. DP: Bobby Webster.

A 22 day Union feature. Shot on Alexa Plus. DP: Christina Voros. 1st AC: DJ Carroll

A single day commercial featuring Gabby Douglas of the 2016 USA Women's Gymnastics Team. Shot on Sony A7S. DP: Aric Jacobson

Two days of hidden camera hiding in an Arby's (the Arby's?) in midtown. Shot on Codex Action Cams and Codex records, Sony A7S, Blackmagic Micro. DP: Sean Donnelly. 1st AC: Blake Steigerwald

A 21 day Union feature. Shot on Alexa Plus. DP: Gonzalo Amat. 1st AC: Cory Stambler.

A 24 day Union feature. Shot on Alexa Mini and Amira. DP: Toby Oliver. 1st AC: Cory Stambler. 2nd AC: Adam Milt.

A two camera shoot for a new Vevo-branded content series. Shot on Alexas and an Alexa Mini. DP: Matt Santo. 1st AC: Jamie Hensley

A single day green screen music video, with plenty of beach balls, kids, and signs. A classic noodle-party (don't ask). Shot on C500. DP: Sarah Anderson.

A 15-day feature shot almost entirely in a little studio in Bushwick. Shot on Sony F5. DP: Clayton Combe.

A 17 day romantic comedy. Shot on the Red Epic Dragon. DP: Rainer Lipski

A 20 day boxing/crime feature. Shot on Red Epic and Scarlet. My third feature with DP Aric Jacobson.

A few weeks of data management on a 1-hour NBC special starring Mat Franco, a winner of America's Got Talent. My first 600 gig ever! Shot on C300, 5dmk3, A7S, and a Red Epic. DP: Ali Moghadas.

A 2 Day Commercial shoot for a marketing agency. Shot on Alexa. DP: Matt Santo. 1st AC: Brenna Perez.

A documentary about the 2014-2015 St. Benedict's Boys Basketball team. Shot on C300. Director: Jay Irving

A-Cam of a 2 camera shoot series of commercials matching Geico to Discovery. 9 Vignettes spanning all Discovery Networks. DP: Vincent Peone.

A day pulling off of a Steadicam sled filming various NYC dance crews battling. DP: Rik Cordero.

Several weeks on a docu-follow show focusing on restaurants in New York. Shot on C300s, 5Ds, and GoPros. DP: David Vlasits.

An 11-day feature shot in Princeton NJ, completely handheld. Shot on Arri Amira. DP: John Hudak. Camera Operator: Brian Harnick.

A two-day jaunt in the woods. Operated a Movi 10 remote head as well. Shot on Epic. DP: Jon Hudak.

A 20 day feature about a girl reacclimating to society after a lengthy prison sentence. Shot on Scarlett. My second feature with DP Aric Jacobson.

One day on a horror short shot in beautiful Bushwick, New York City. Shot on BMCC. DP: Lydia Sudall.

A week of documentary work about soap opera director Larry Auerbach. Shot on Epic. DP: Scott Auerbach

A 5-episode arc about teachers at a high school. Shot on a 5D and a 7D. DP: Jon Hudak.

A hair product commercial for Shu Uemura: Art of Hair. Shot on two Epics. DP: Bobby Webster

A 12 (!) day feature (!!), shot predominately in a fancy nightclub. Shot on Epic. DP: Lauretta Prevost.

A 2-day music video. Shot on Red Scarlet. DP: Josh Hays.

Six episodes, funny skits, fast cars. Shot on 3 Epics, 2 5Ds, an FS700, and an army of GoPro 3s. DP: Leigh Scott

2 days on a feature. Shot on F55. DP: Bobby Webster

A 4 spot arc of political ads. Shot on Dragon. DP: Andy Fortenbacher

A 16 day feature film--vignettes before the end of the world! Shot on the Red Scarlet. DP: Aric Jacobson.

A 2 day short film shot on the Red MX. Mostly augmenting available light--but artfully! Director: Matt Haroldsen.

A 4 day short film shot in Watertown, CT. Shot on the Sony F55. DP: Michael LaVoie

A five day short shot in DUMBO. The windiest shoot of my life! Shot on Red Epic. DP: Cohlie Brocato.

A 2-day shoot, operating the remote head on a Movi Rig. Shot on C300 and the BMPC. DP: Marshall Rose. Movi RIg Operator: Dave Flint.

A day of interviews for an underground crime show. Shot on 2 C-300s. DP: Sal Malguarnera.

A 3 episode, 2 music video pilot season of a webseries involving a glam rocker. Shot on 2 Canon 7Ds. Director: Stefanie Sparks.

The first of a series of Jamaican food adverts. Rigged an AF-100 onto an israeli arm that rode ON TOP of the SR-3. DP: Rommel Clestian.

A two-day short set in the world of Orwell's 1984. Shot on the Red One. Director: Ansley Dunbar

Helmed the sizzle for this doc-style show about two hosts with different backgrounds sampling the food at upscale restaurants as well as dives. Shot on a Canon 7D and a Canon 5D. Producer: Mark Marraccini.

An outdoor single day shoot, entirely off of a Steadicam sled. Shot on the RED Epic. DP: Cohlie Brocato.

A four camera cooking competition show. Assisted on all cameras--F800, F3, and GoPro. DP: Glen Mordeci.

Single day shoot to be used as quarterly meeting feature. Shot on 2 C300s. DP: Robert Brinkmann.

A live-switched 3 camera coverage of a weekend dance competition. Shot on EX-3s.

A day of table-top shooting for the 2014 Fresh brand suite of beauty products. Shot on the F5, Raw recorded to a Sony AXS-R5. DP: Jake Clennell.

A hectic single day of shooting in a club for Afrobeat band Underground Soundsystem. Also Gaffer on this one. Lots of fun slow-motion on the FS-700. DP: Cohlie Brocato.

Two days of flashbacks to be used in a feature film to be shot in 2014. Shot on the C500. Director: Luigi Cappella.

A 20 day feature shot all over New York City. Not pornography. Shot on Alexa, F55, and the Aaton XTR. DP: Lisa Rinzler. 1st AC: Marcos Herrera.

After a successful pilot, I returned to shoot the first season of Buddy System, formerly titled BB Roo and Friends. This season, I decided to shoot from a less cartoonish perspective and more realistic, and I think the result proved very strange, mature, and still quite funny. Director: Kurt Rodegheiro.

After weeks as a 1st AC on this film, I was asked to fill-in as the DP for a single day of shooting. Vintage cars, airplanes, and guns abound. A very satisfying conclusion to the saga that was '79 Parts. Shot on the Arri SR-II. Director: Ari Taub.

One of four camera operators for a 4-hr live concert / worship session led by Krishna Das. I was responsible for the on-stage camera. Shot on the Canon C300. DP: Sandy Chase.

24 day feature shot on location in the Catskills. Worked with vintage Cooke Panchro 2s, retro-fitted for a PL mount. Shot on the RED MX. DP: Corey Fontana.

A seven episode webseries sponsored by Yale illuminating some of the challenges and stereotypes women face in the science industry. Shot on the C300. DP: Cate Smircek.

A five day short film about Gulf War veterans overcoming PTSD. The last day was one of my longest days ever! Shot on Alexa. DP: Aric Jacobsen. Steadicam Op: Eli Abramov

A six day short film about a Vietnam veteran struggling with PTSD. Shot on RED MX. DP: Jonathon Millman.

A day of pick-ups in Fire Island. Shot on the BlackMagic Cinema Camera. DP: Mike Berlucci.

A mostly Japanese production revolving around a new line of Sony accessories. Also DIT/Data Managed the ingest and transcoding of footage. Shot on the Red EPIC. DP: Motohiko Tani. 1st AC: Tetsu Wakabayashi.

A very strange music video shot at a Chinatown fish market. Shot on the RED Scarlet. DP: Clayton Combe

7 day music video shoot in CT. Shot on the Red EPIC. DP: Cohlie Brocato.

A very long 70's period piece, shot between 2008-2013. I worked 18 days total on the project. Shot on 16mm, Arri SR-1. DP: Minos Papas

A greenscreen heavy concept wherein a Canon 7D acted as a webcam that was passed between several teens. Director: Nick Esposito.

A three day music festival at Citi Field. I was charged initially with hanging GoPros on all of the stages facing the performers, and eventually my job blossomed into pulling focus off of a Steadicam rig and shooting miniature promos on the C300 and 1DX. DP: Justin Nizer.

The first music video for a local Philadelphia artist. Some performance shots, some texture work. Directed by Paul Lewis.

A few interviews with directors and writers for the cable network Viewtopia. Shot on my 7D.

A live event / music video / promo shoot for soul singer Rachel Brown. Shot on my 7D and jib. DP: Patrick Stroub

One of seven camera operators of a live comedy show. Shot on EX-3. Director: Rich Miller

A bubbly Latin pop song shot in industrial Bushwick. Shot on Epic. DP: Clayton Combe.

Additional DIT for Hellman's 100th Anniversary campaign. Editor: Carlos Almonte. DP: Marcus Brooks.

Single day promo shoot for new Maybelline Color Show line. Shot on the AF-100. DP: Clayton Combe

16 Day Feature Shot on the F3. DP: Stefan Weinberger

1 day commercial, principally on a Glidecam, for a Chevrolet campaign. Director: Kay Corneille

Commercial for Disney Creativity Studio iPad app. Shot on the AF-100. DP: Clayton Combe

2 day shoot for a comedy pilot. Shot on 7D. Director: Kurt Rodegheiro.

6 day short film shot on the Arri-SR3. DP: Antonello Emidi

Various projects within the Time Life Studios family.

Six episode order of a comedy series currently syndicating on My Damn Channel. Shot on 7D. Director: Kristopher Knight

3 day short film shot on location in Maine on the AF-100. DP: Josh Hays

All Steadicam music video shot at Ft. Totten, NY. Shot on the FS-700. DP: Clayton Combe

Shot on the FS-700. DP: Clayton Combe

3 day Short shot on the RED Scarlet. DP: Ian Choplick

Picked up an additional day on The Feed, shot on location in New Paltz, NY. Shot on the RED Epic. DP: Clayton Combe

Joined a 15 day feature for the back half. Shot on the F3. DP: Toru Nishikubo

Comedy/Drama pilot featuring Harlem-based musicians. Shot on 7D. Director: Terron Jones.

Shot on the RED Epic and a hacked Infa-red camera recording standard definition to a FX-2000. DP: Raul Gonzo

Staff Camera Operator for projects within Samsung's SPSN, an online product support network.

3 day shoot in Boston. Shot on 7D. Director: Lindsay Copeland. Premiered at the 2013 Cannes Court Métrange.

Six day short shot on the RED Epic. DP: Lance Kaplan

Five day short shot on the 5DmkII and the 7D. DP: Steve Pitre

Shot overnight at a closed carnival in NJ, on the C300. DP: Clayton Combe

6 day, two city tour of a corporate commercial. Shot on the RED One MX. DP: Lance Kaplan

An epic 12 day road trip music video from New York City to Mexico City, ending with a large scale stadium event shoot. Shot on the 7D and two GoPros. Director: Alex de Campi.

2 day shoot in Northampton, MA. Frank Black bought me coffee. Shot on two 7Ds, B-Cam Operated by Brody Bernheisel. Director: Alex de Campi.

Shot on the Red One MX and 7D. DP: Lance Kaplan

Six day Short shot on the RED Epic. DP: Jay Silver

26 day Feature shot on location in CT. Shot on the F3 recording S-Log 4:4:4 to a Cinedeck Extreme. DP: Axel Fischer

A stop motion music video in promotion of Glen Duncan and Stephen Coates' book, "The Last Werewolf." Stephen Coates is the lead singer/musician of The Real Tuesday Weld. Shot on 7D in 2.5K, finished in 1080p. Director: Alex de Campi.

Shot on location in Lehigh Valley, PA. DP: Kurt Nolen

Wrote, Produced, Shot, and Edited Internet content for Portalis AG's first American venture, Coupons.TV. Hired several actors, handled payroll, set up and shot green screen footage as well as produced segments for local businesses.

A reality pilot focusing on entrepreneurs in the New York nightlife scene. Shot on two Canon 7Ds. Producer: Misha Sundukovisky

Spec commercial for Adidas with local NYC boxers. Also did the sound mixing, the editing, and the color grade. Shot on 7D. Director: Thorsten Roth.

DP of Episode 2 of the first six episode order. Shot on 7D. Director: Geoff Lerer.