Peilin Tan

color correction and grading footage in DaVinci Resolve. Create looks and coordinate with director Chris Deir.

taking behind the scenes stills

taking behind the scenes stills from film set at Cinespace, Chicago

taking behind the scenes stills from film set at Cinespace, Chicago

1. Transfer the data, backup the footage; 2. script supervisor: make sure the film has no continuity problems; 3. color correction and grading with ARRI Alexa footage in DaVinci Resolve. Create looks and coordinate with director Alaric Rocha; 4. put the old film effects in After Effects and export the film.

1. take stills from behind the scenes to the whole on live event 2. camera (JVC 700) operator 3. setup lighting for the event

Match the color of the re-shoot shots with the others color graded shots, using DaVinci Resolve with RED R3D RAW footage. coordinating with director Sean Richard Budde and producer Han Yan

1. on set lighting setup and grip; 2. color correction and grading with Canon C300 footage in DaVinci Resolve. Create looks and coordinate with director Nick Silva.

Color correction and grading with RED R3D RAW footage in DaVinci Resolve. Create looks and coordinate with director Dan Pal and editor Steven Callas.

1. on set lighting setup and grip; 2. color correction and grading with RED R3D RAW footage in DaVinci Resolve. Create looks and coordinate with director Michael Penick.

Color correction and grading with Blackmagic Cinema Camera RAW footage and other Canon DSLRs footage in DaVinci Resolve. Create looks and coordinate with director Ryan McDonough and editor Marco Romero.

1. on set lighting setup and grip; 2. color correction and grading on post to create looks coordinating with director Alexander Mallory.

1. on set lighting setup and grip; 2. color correction and grading on post to create looks coordinating with director Nick Silva.