Peter Ernsky

Responsible for corporate outreach, creative development, finance, negotiation, packaging, and talent acquisition.

Responsible for budgeting, compliance, corporate outreach, finance, negotiation, Post supervision, production oversight, scheduling, and talent acquisition.

As project lead, guided independent productions to market from inception. Responsible for budgeting, compliance, corporate outreach, finance, negotiation, production management, scheduling, and talent acquisition. Actions & Results: • Multiple rounds of successful financing and fundraising including equity, debt, and crowdsourcing • Partnered with acclaimed artists and directors to create bold, meaningful content • Cultivated lasting relationships with clients and creatives, including an astute understanding of end-product needs vs. wants Portfolio: Commercial | Documentary | Lifestyle | Music Video | Narrative | Unscripted

Producer on a narrative short film written and directed by Keith Bearden. Shot entirely in Middletown, Connecticut utilizing a local cast & crew, No Costume No Candy is testament to the state's arts industry. • Responsible for budgeting, compliance, contracts, corporate outreach, finance, negotiation, production management, scheduling, and talent acquisition • Successfully led film through production and seed funding • Engineered extensive crowdfunding and marketing campaigns • Oversight of post-production and film delivery logistics

Producer/ Director of feature documentary spotlighting intervention efforts for at risk youth. Through exposing interviews, the stories of three very different individuals are told -- an educator, a convict, and a former NFL tight end. Detailing the trials and successes of the Harlem based non-profit Success is a Journey, "Prelude to Success" highlights the impact every individual can have on the communities around them.

Facilitated delivery of Network products across various channels, including broadcast, international, and VOD. Responsible for archival research, asset creation, client services, data entry, digital asset management, and logistics. Actions & Results: • As corporate production liaison, designated and selected archival footage for the Sundance winning documentary, "Being Evel" • Increased revenue by identifying alternative commercial uses for secondary "outtake" footage • Spearheaded efforts to improve interdepartmental communication and cooperation through cross-training and exposure programs • As Digital Transfer Object specialist, guided the conversion of assets to a "Sixth Segment" format to maximize revenue generation by time slot • Network series portfolio includes: American Pickers, Dark Horse Nation, Duck Dynasty, The First 48, Ice Road Truckers, Intervention, Pawn Stars, & Storage Wars

Responsible for budgeting, compliance, corporate outreach, finance, negotiation, production management, scheduling, and talent acquisition.