Jeremy Totel

Helped establish the look of the explainer graphics, while also creating custom models of some of the items and created their finished on air graphics.

Created stand along shots that illustrated specific ships that sunk in various battles. Initially was slated to work on two episodes, however Producer like my work and I picked up another episode were a prior team could not complete.

Created 2d and 3d graphics and animation for simulated computer screens, dream sequence and credits.

Flushed out the ending of the film and establishing the graphics to be used. Created/cleaned up assets/shots/fx to be used in the film. Supervised interns Director hired. Film was in production for 2 years with no fx, once on the project I helped them have fx very quickly.

Created 85 fx shots that were either all 3d space shots, or graphics to integrate with live action footage such as 3d sets, HUD graphics and so forth.

Created elements, graphics, and custom screens for UI graphics. Our Team finished a month ahead of schedule.

Created higher resolution models and textures for the Xbox360 version of the Cars game based off of the movie.

Animated Planes, Created Fx and lit shots to ensure they fit the established style.

Establish Key CG lighting setups for the Lighting artist to use, along with dressing up environments with fx, digital matte painting and any other items to speed production while keep setups simple for all to use.

Created Lighting and FX for the Jimmy Neutron Film. I was added to the production late, yet quickly established my self as a top artist in completing 8 shot or over per week(compared to the 4 required) as well as taking on some of the more complex fx shots.

Animated and Lit shots to fit the graphic style of the Series.

Created Lighting and Fx for several seasons of the Max Steel animated series.

Created Lighting and Fx for the series, as well as integrated other artist setups and assets into a given shot. Each team had 5 TDs, at one point our team was down to three, Myself another produce over 2/3s of the lighting for several eps.

Created Fx and lighting for two episodes of Roughnecks. Rainbow Studios was helping Foundation Imaging to catch up in the schedule.

Started off as a Render Wrangler, but quickly moved up to cg artist working on the hardware and fx team for the Blue Planet animated film. Film had Sony and John Woo backing but it was never completed by Rainbow Studios.