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Paul Melluzzo

http://staffmeup.com/profile/pmelluzzo

Media Recommendations

Summary

Message

https://omnislashvisual.com

Credits

1/21 – 1/21

Compositor – A Predator Returns (Season 1)

Lifetime — TV — Johnson Production Group

1/21 – 1/21

1/20 – 1/20

Visual Effects Supervisor – Stalker's Prey 2

Beta Film — Film (Feature-length) — Synthetic Cinema International

1/20 – 1/20

– Feliz NaviDAD (Season 1)

Lifetime — TV — Roberts Media.

1/20 – 1/20

3/19 – 6/19

Visual Effects Supervisor – Stalkers Prey 2

Lifetime — Live/Special Event — Johnson Production Group

3/19 – 6/19

1/19 – 1/19

Assistant Camera (AC) – Verdict

Digital — Film (Short) — HawkMedia Studios

1/19 – 1/19

Digital Artist – Rediscovering Christmas (Season 1)

Lifetime — TV — Brainstorm Media

1/19 – 1/19

1/18 – 1/19

Associate Producer – The Wrong Son

Synthetic Releasing — Live/Special Event — Stargazer Films USA

1/18 – 1/19

4/18 – 7/18

Visual Effects Supervisor – A Very Nutty Christmas

Film (Feature-length)

4/18 – 7/18

1/18 – 1/18

Digital Artist – Christmas on Honeysuckle Lane (Season 1)

Hallmark Movies & Mysteries — TV — Synthetic Cinema International

1/18 – 1/18

Visual Effects Supervisor – A Very Nutty Christmas (Season 1)

Lifetime — TV — Hartbreak Films

1/18 – 1/18

Visual Effects Supervisor – Christmas at Pemberley Manor (Season 1)

Johnson Production Group — TV — Hallmark Channel

1/18 – 1/18

1/17 – 1/18

Assistant Camera (AC) – Beautiful Flowers

Synthetic Releasing — Film (Short) — Stargazer Films USA

1/17 – 1/18

3/17 – 6/17

Visual Effects Supervisor – The Watcher in the Woods

Lifetime — Live/Special Event

3/17 – 6/17

1/17 – 1/17

Associate Producer – A Very Merry Toy Store (Season 1)

Lifetime — TV — Hartbreak Films

1/17 – 1/17

Associate Producer – Splitting Image

Synthetic Releasing — Film (Feature-length) — Synthetic Cinema International

1/17 – 1/17

Visual Effects Artist – The Watcher in the Woods (Season 1)

Lifetime — TV — Hartbreak Films

1/17 – 1/17

Camera Operator – Romance at Reindeer Lodge (Season 1)

Hallmark — TV — Synthetic Cinema International

1/17 – 1/17

Associate Producer – Stalker's Prey (Season 1)

Lifetime — TV — Johnson Production Group

1/17 – 1/17

1/16 – 1/17

Writer – Roommate Wanted

Digital — Film (Feature-length) — Absent Logic Productions LLC

1/16 – 1/17

12/14 – 1/17

Director – Roommate Wanted

Digital — Film (Feature-length) — Absent Logic Productions LLC

12/14 – 1/17

1/16 – 1/16

Camera Operator – Wally Lamb at The Garde

Metabook Films — Film (Short) — Metabook Films

1/16 – 1/16

Producer – Roommate Wanted

Digital — Film (Short) — Absent Logic Productions LLC

1/16 – 1/16

Camera Operator – Dark Pledge (Season 1)

Lifetime — TV — Stargazer Films USA

1/16 – 1/16

4/15 – 5/15

First Assistant Camera – Tell Tale Lies

Film (Feature-length) — Synthetic Cinema International

4/15 – 5/15

1/15 – 1/15

Compositor – Ana Maria in Novela Land

Synthetic Releasing — Film (Feature-length) — Synthetic Cinema International

1/15 – 1/15

First Assistant Camera – The Murder Pact

A&E — Film (Feature-length) — Synthetic Cinema International

1/15 – 1/15

Assistant Camera (AC) – Esquire

Wonderful Journey Entertainment — Film (Short) — HawkMedia Studios

1/15 – 1/15

– The Murder Pact

A&E — Film (Feature-length) — Synthetic Cinema International

1/15 – 1/15

1/14 – 1/15

Visual Effects Artist – Wishin' And Hopin'

Lifetime — Film (Feature-length) — Synthetic Cinema International

1/14 – 1/15

– Dark Haul (Season 1)

King Power — TV — Synthetic Cinema International

1/14 – 1/15

9/14 – 9/14

First Assistant Camera (Red Epic) – The Curse of Don Scarducci

Film (Short) — Uncle Benji, LLC.

9/14 – 9/14

8/14 – 9/14

Visual Effects Artist – Santa Con

Film (Feature-length) — Hart Filled Christmas, Inc.

8/14 – 9/14

1/14 – 8/14

First Assistant Camera (Arri Alexa) – Wishin' And Hopin'

Lifetime — Film (Feature-length) — Synthetic Cinema International

1/14 – 8/14

4/14 – 4/14

First Assistant Camera (C100) – Chilling Visions: 5 States of Fear

Film (Feature-length) — Chiller Network

4/14 – 4/14

1/14 – 2/14

Visual Effects Artist – Dark Haul

SyFy — TV — Synthetic Cinema International

1/14 – 2/14

1/14 – 1/14

Second Assistant Camera – Deep in the Darkness

Chiller Network — Film (Feature-length) — Synthetic Cinema International

1/14 – 1/14

– Wishin' And Hopin'

Lifetime — Film (Feature-length) — Synthetic Cinema International

1/14 – 1/14

Second Assistant Camera – Animal

Canal+ — Film (Feature-length) — Chiller Films

1/14 – 1/14

– Animal

Canal+ — Film (Feature-length) — Chiller Films

1/14 – 1/14

– Deep in the Darkness

Chiller Network — Film (Feature-length) — Synthetic Cinema International

1/14 – 1/14

Visual Effects Artist – The Santa Con (Season 1)

Lifetime — TV — Hartbreak Films

1/14 – 1/14

– Chilling Visions: 5 States of Fear

Chiller Network — Film (Feature-length) — Glass Eye Pix

1/14 – 1/14

Assistant Camera (AC) – Dark Haul (Season 1)

King Power — TV — Synthetic Cinema International

1/14 – 1/14

Assistant Camera (AC) – Chilling Visions: 5 States of Fear

Chiller Network — Film (Feature-length) — Glass Eye Pix

1/14 – 1/14

First Assistant Camera (Canon C100) – Beautiful Flowers

Film (Feature-length) — Synthetic Releasing

1/14 – 1/14

12/13 – 1/14

Assistant Camera (AC) (Sony F5) – Dark Haul

Film (Feature-length) — SyFy Channel Original Movie

12/13 – 1/14

1/13 – 11/13

Cinematographer – Knock, Knock

Absent Logic Productions LLC — Film (Feature-length) — Absent Logic Productions LLC

1/13 – 11/13

10/13 – 10/13

Camera Operator (Panasonic HVX200B) – Syfy 20th Anniversary Special

NBC — Associated Television International

10/13 – 10/13

Camera Operator (Panasonic HVX200B) – Chiller 13: Most Horrifying Hookups

NBC — Associated Television International

10/13 – 10/13

Camera Operator (Panasonic HVX200B) – Chiller 13: Great American Slashers

NBC — Associated Television International

10/13 – 10/13

9/13 – 9/13

First Assistant Camera (Canon C100) – The Dispatcher

Film (Feature-length) — Alex Modlin

9/13 – 9/13

Gaffer (Canon C100) – Esquire

Film (Feature-length) — Wonderful Journey Entertainment

9/13 – 9/13

8/13 – 9/13

Assistant Camera (AC) (Arri Alexa) – Animal

Film (Feature-length) — Chiller Films

8/13 – 9/13

5/13 – 6/13

Assistant Camera (AC) (Arri Alexa) – Deep in the Darkness

Film (Feature-length) — Chiller Films

5/13 – 6/13

1/13 – 1/13

Title Designer – Chilling Visions: 5 Senses of Fear

Chiller Network — Film (Feature-length) — Chiller Films

1/13 – 1/13

Assistant Camera (AC) – The Dispatcher

The Reptile Fund — Film (Short) — The Reptile Fund

1/13 – 1/13

Producer – Knock, Knock

Absent Logic Productions LLC — Film (Short) — Absent Logic Productions LLC

1/13 – 1/13

Visual Effects – Knock, Knock

Absent Logic Productions LLC — Film (Short) — Absent Logic Productions LLC

1/13 – 1/13

Camera Operator – Knock, Knock

Absent Logic Productions LLC — Film (Short) — Absent Logic Productions LLC

1/13 – 1/13

Camera Operator – Chiller 13: Most Horrifying Hook-Ups (Season 1)

Associated Television International — TV — Associated Television International

1/13 – 1/13

Second Assistant Camera – Chilling Visions: 5 Senses of Fear

Chiller Network — Film (Feature-length) — Chiller Films

1/13 – 1/13

Camera Operator – Chiller 13: Great American Slashers (Season 1)

Chiller Network — TV — Associated Television International

1/13 – 1/13

10/12 – 11/12

Assistant Camera (AC) (Arri Alexa) – Chilling Visions: 5 Senses of Fear

Film (Feature-length) — Chiller Films

10/12 – 11/12

1/12 – 5/12

Still Photographer – Dead Souls

101 Films — Film (Feature-length) — Chiller Films

1/12 – 5/12

1/12 – 1/12

Camera Operator – Syfy 20th Anniversary Special (Season 1)

SyFy — TV — Associated Television International

1/12 – 1/12

– Dead Souls

101 Films — Film (Feature-length) — Chiller Films

1/12 – 1/12

1/11 – 1/12

– Remains

Albatros Film — Film (Feature-length) — Synthetic Cinema International

1/11 – 1/12

10/11 – 10/11

Camera Operator (Panasonic HVX200B) – Chiller 13: Horror's Creepiest Kids

NBC — Associated Television International

10/11 – 10/11

5/11 – 6/11

Still Photographer (2nd Asst. Dir.) – Steve Niles' Remains

Film (Feature-length) — Chiller Films

5/11 – 6/11

1/11 – 4/11

Still Photographer (Production Manager) – Remains: Road to Reno

Shout! Factory — Film (Short) — Chiller Films

1/11 – 4/11

1/11 – 1/11

Camera Operator – Chiller 13: Horror's Creepiest Kids (Season 1)

Chiller Network — TV — Associated Television International

1/11 – 1/11

Second Assistant Director – Remains

Albatros Film — Film (Feature-length) — Synthetic Cinema International

1/11 – 1/11

Still Photographer – Remains

Albatros Film — Film (Feature-length) — Synthetic Cinema International

1/11 – 1/11

Stunt Performer – Remains

Albatros Film — Film (Feature-length) — Synthetic Cinema International

1/11 – 1/11

Production Manager – Remains: Road to Reno

Shout! Factory — Film (Short) — Chiller Films

1/11 – 1/11

1/10 – 1/10

Assistant Director – Alien Opponent

Chiller Network — Film (Feature-length) — Synthetic Cinema International

1/10 – 1/10

Visual Effects Artist – Wonder...

Innervisions Media — Film (Feature-length) — Innervisions Media

1/10 – 1/10

Boom Operator – Chiller 13: The Decade's Scariest Movie Moments (Season 1)

Associated Television International — TV — Associated Television International

1/10 – 1/10

– Alien Opponent

Chiller Network — Film (Feature-length) — Synthetic Cinema International

1/10 – 1/10

8/09 – 1/10

Visual Effects Artist – Alien Opponent

Chiller Network — Film (Feature-length) — Synthetic Cinema International

8/09 – 1/10

5/09 – 8/09

First Assistant Director – Alien Opponent

Film (Feature-length) — Synthetic Cinema International

5/09 – 8/09

1/09 – 3/09

Visual Effects Artist – Assault of the Sasquatch

Film (Feature-length) — Synthetic Cinema International

1/09 – 3/09

1/09 – 1/09

Location Manager – Sasquatch Assault

Synthetic Cinema International — Film (Feature-length) — Synthetic Cinema International

1/09 – 1/09

Production Assistant – Sasquatch Assault

Synthetic Cinema International — Film (Feature-length) — Synthetic Cinema International

1/09 – 1/09

Digital Effects Artist – Sasquatch Assault

Synthetic Cinema International — Film (Feature-length) — Synthetic Cinema International

1/09 – 1/09

11/08 – 12/08

Production Assistant – Assault of the Sasquatch

Film (Feature-length) — Synthetic Cinema International

11/08 – 12/08

View 78 More Credits

Media

Omnislash Visual - Showreel 2020

Recos

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Skills

Post Production
Television
Video Production
Commercials
Film Production
Final Cut Pro
Music Videos
Video
Video Editing
Screenwriting
HD Video
Camera
Production Managment
Videography
Motion Graphics
Graphic Design
Animation

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