I run head audio for the animator/director/comedian Dan Ahrens. Together we produce live action and animated shorts. Dialog and sound effects are extremely heavy in these sketches.
Summary
No matter what the project, I do things right. I have undergone a sizable amount of audio projects for film, music, and animation and I know what it takes to produce the best audio for all.
Credits
10/12 – 9/13
Sound Supervisor (Head Audio) – Fistfuls Of Animation
Internet — Digital — iFriendsAndMy Details
10/12 – 9/13
3/13 – 8/13
Boom Operator
Famous Footware, MOGA — Advertising — Sway the Crowd Productions Details
3/13 – 8/13
At Sway the Crowd Productions my responsibilities include managing and recording audio. I freelance here from time to time.
10/12 – 5/13
Sound Supervisor (Lead Sound Supervisor) – Alex Cole
Film (Feature-length) — Dohner Productions Details
10/12 – 5/13
For this project I'm in charge of all audio. It's been a very effects-heavy piece so I've been recording a lot of glass breaking and animal sounds. In a few weeks, I'm going to the zoo to record large birds and alligators to get the sounds of a raptor.
8/12 – 5/13
Sound Editor (Pro Tools 10) – Asleep in the Deep
Film (Feature-length) — Lucifeatures Details
8/12 – 5/13
While shooting a 25-minute film in Nashville, I operated the boom and helped run Wild Tracks and ADR sessions. I also gained a hefty experience in gripping in between shots. In post production, I worked heavily on foley and dialog while coordinating with composers and mixers for score.
3/12 – 4/13
Sound Supervisor (Lead Sound Recordist and Post Production Sound Manager) – Chez La Fleuriste
Film (Feature-length) — Tyler Zak Productions Details
3/12 – 4/13
At Chez, I handled all recording and editing of ADR, on-set audio, and foley.
8/12 – 12/12
Sound Effects Editor (Pro Tools 10) – Wired for Books
Internet — Digital — WOUB Public Media Details
8/12 – 12/12
At Wired for Books I was responsible for editing, cleaning, and replacing dialog for audio books. I also recorded and managed sound effects that layered behind and between the dialog. The final products were 1.5 hrs.
8/12 – 10/12
Assistant Sound Editor – Crew Soccor
Fox — Live/Special Event — Fox Sports Ohio Details
8/12 – 10/12
I interned for Fox Sports Ohio for two months to learn more about broadcast audio for sporting events. I helped set up and tear down all mics, talk backs, PL boxes and cables. I also learned how to operate the audio control interface.
6/12 – 8/12
Assistant Editor – Channel 10 News
CBS — TV — WBNS Details
6/12 – 8/12
As and intern, I operated and maintained ENG and SAT trucks, tape room, maintenance, and master control 30+ hrs./wk.
Recos
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